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Audiobooks Narrated by Frederick Davidson
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This fictional classic describes the factual persecution endured by the early Christians living in the catacombs beneath Rome through the character of Marellus, a captain in the Praetorian Guard and despised Christian. Penned by an anonymous nineteenth-century author, Martyr of the Catacombs has challenged and encouraged the faithful for over a hundred years.
Penguin Island is Anatole France's most searching and satirical novel. A humorous critique of customs and laws, rituals and rites, its subject is human nature, but its characters are penguins in the mythical land of Penguinia. The story of the strutting penguins and their virtues and vices is not merely a burlesque allegory of French history, but a satire of the history of mankind. With gentle yet biting irony, France challenges the Spencerian belief in the ultimate perfectibility of man, though his irony reveals his sympathy for man's weaknesses and his need for social institutions. First published in 1908, Penguin Island is widely regarded as Anatole France's masterpiece.
Originally published in 1948, at the height of post-World War II optimism and confidence in collective security, Ideas Have Consequences uses "words hard as cannonballs" to present an unsparing diagnosis of the ills of the modern age. Widely read and debated at the time of its first publication, the book is now seen as one of the foundational texts of the modern conservative movement.
In its pages, Richard M. Weaver argues that the decline of Western civilization resulted from the rising acceptance of relativism over absolute reality. In spite of increased knowledge, this retreat from the realist intellectual tradition has weakened the Western capacity to reason, with catastrophic consequences for social order and individual rights. But Weaver also offers a realistic remedy. These difficulties are the product not of necessity, but of intelligent choice. And, today, as decades ago, the remedy lies in the renewed acceptance of absolute reality and the recognition that ideas-like actions-have consequences.
This expanded edition of the classic work contains a foreword by New Criterion editor Roger Kimball that offers insight into the rich intellectual and historical contexts of Weaver and his work, and an afterword by Ted J. Smith III that relates the remarkable story of the book's writing and publication.
They are icons of the literary world whose soaring works have been discussed and analyzed in countless classrooms, homes, and pubs. Yet for most readers, the living, breathing human beings behind the classics have remained unknown-until now. In this utterly captivating book, Dr. Elliot Engel, a leading authority on the lives of great authors, illuminates the fascinating and flawed members of literature's elite. In lieu of stuffy biographical sketches, Engel provides fascinating anecdotes.You'll never look at these literary giants the same way again.
He was a gossip columnist’s dream. Piccadilly Jim’s life was a collage of broken promises and drunken brawls. And his straight-laced Victorian aunt was not amused. So, she decided to reform him. Unfortunately, her reform project started at a time when Jim had fallen in love and had already decided to reform himself. Thus, life became complicated. Jim pretends to be himself—a beautiful display of Wodehousean logic; hilarious indeed!
Numerous biographies have been written about this great theologian, literary critic, and novelist, but we have found this to be the best.
Sayer describes Lewis’ early years, hinting at childhood evidence of the brilliance and eccentricity that would later become Lewis’ hallmarks. He discusses Lewis’ academic career, his life-transforming conversion to Christianity, and the role of religion in his life. With honesty and compassion, he covers Lewis’ controversial relationship with Mrs. Moore and his passionate marriage to Joy Davidman.
“A cheerful look back on the life of [Sayer’s] cherished friend and mentor…Frederick Davidson…maintains the flow of the work. His presentation of English and Irish dialects is excellent.”—AudioFile
Hudson Taylor is one of the most remarkable of Christianity's heroes. A gawky, determined Yorkshire boy of commonplace origins, mediocre education, and uncertain health, Hudson Taylor lived in the assurance that under God's direction he would someday evangelize China's 400,000,000 souls. Today he is remembered both as the founder of the world-famous China Inland Mission and one of history's great men of faith.
Hudson Taylor left England on September 19, 1853, and did not reach China until the spring of 1894. The long and arduous voyage, persecution, poverty and the barriers of language and culture did not deter him from his mission. throughout a life filled with trials of all sorts, Taylor remained confident in his knowledge of God's will and of his care, even in the shadow of death.
In this engaging collection of stories, Rumpole continues to deftly juggle the vagaries of law, the ambiguities of crime, and the contradictions of the human heart in his death-defying performances on behalf of justice. The irreverent, claret-swilling, poetry-spouting barrister takes on suspect connoisseurs in the art world, journeys deep into the throbbing heart of Africa, dabbles in some feminist politics, decides the countryside is a very dangerous place, and incurs the wrath of his wife, She Who Must Be Obeyed.
“Once detective-fiction heroes enter your mental landscape, they can seem as real as your own friends and family. For a lot of people, Horace Rumpole is just such a vivid and familiar figure.”—Wall Street Journal
Three young truants from a church meeting on Sunday make their way to a seashore hideaway, where they observe a huge black man muttering incantations and performing weird rites. When the man discovers the children, he chases them with a knife. In defense, Davy Crawfurd flings a rock at him, and they narrowly escape.
Years later, young David Crawfurd goes to South Africa to make his fortune and is caught in the very heart of a great native uprising. Under strange circumstances, he comes face-to-face with its leader, only to recognize the strange blazing eyes of the black man he had encountered as a child on the beach. How David makes his fortune more quickly and more perilously than he had expected is told in this thrilling tale of adventure.
The history of China is as rich and strange as that of any country on earth. Yet for many, China’s history remains unknown, or known only through the stylized images that generations in the West have cherished or reviled as truth.
With his command of character and event––the product of thirty years of research and reflection in the field––Spence dispels those myths in a powerful narrative. Over four centuries of Chinese history, from the waning days of the once-glorious Ming Dynasty to Deng Xiaoping’s bloody suppression of the pro-democracy demonstrations in Tiananmen Square, Spence fashions the astonishing story of the effort to achieve a modern China. Through the ideas and emotions of its reformist Confucian scholars, its poets, novelists, artists, and visionary students, we see one of the world’s oldest cultures struggling to define itself as Chinese and modern.
“To understand…China’s past there is no better place to start than Jonathan D. Spence’s excellent new book.”—New York Times Book Review
The Kingdom is the story of a country—a country of astonishing contrasts, where routine computer printouts open with the words “In the name of God,” where men who grew up in goat-hair tents now dominate the money markets of the world, and where murderers and adulterers are publicly executed in the street. By its own reckoning, this country is just entering the fifteenth century.
The Kingdom is also the story of a family—a family that has fought its way from poverty and obscurity into wealth and power the likes of which the world has never known, a family characterized by fierce loyalty among its members, ruthlessness toward its enemies, and dedication to one of the world’s most severe and demanding creeds.
The Kingdom is Saudi Arabia—the only country in the world to bear the name of the family that rules it.
“In Saudi Arabia, Robert Lacey had the kind of access most journalists only dream of.”—David Brancaccio
In this ground-breaking work, Norman Cantor explains how our current notion of the Middle Ages—with its vivid images of wars, tournaments, plagues, saints and kings, knights and ladies—was born in the twentieth century. The medieval world was not simply excavated through systematic research. It had to be conceptually created: it had to be invented, and this is the story of that invention.
Cantor focuses on the lives and works of twenty of the great medievalists of this century, demonstrating how the events of their lives, and their spiritual and emotional outlooks, influenced their interpretations of the Middle Ages. He makes their scholarship an intensely personal and passionate exercise, full of color and controversy, displaying the strong personalities and creative minds that brought new insights about the past.
