Browse audiobooks narrated by Eve Matheson, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us
The Brothers Grimm: A Biography
"The first English-language biography in over fifty years to tell the full, vibrant story of Jacob and Wilhelm Grimm, known to history as the Brothers Grimm More than two hundred years ago, the German brothers Jacob Grimm (1785–1863) and Wilhelm Grimm (1786–1859) published a collection of fairy tales that remains famous the world over. It has been translated into some 170 languages—more than any other German book—and the Brothers Grimm are among the top dozen most translated authors in the world. In addition to collecting tales, the Grimms were mythographers, linguists, librarians, civil servants, and above all the closest of brothers, but until now, the full story of their lifelong endeavor to preserve and articulate a German cultural identity has not been well known. Drawing on deep archival research and decades of scholarship, Ann Schmiesing tells the affecting story of how the Grimms’ ambitious projects gave the brothers a sense of self-preservation through the atrocities of the Napoleonic Wars and a series of personal losses. They produced a vast corpus of work on mythology and medieval literature, embarked on a monumental German dictionary project, and broke scholarly ground with Jacob’s linguistic discovery known as Grimm’s Law. Setting their story against a rich historical backdrop, Schmiesing offers a fresh consideration of the profound and yet complicated legacy of the Brothers Grimm. Ann Schmiesing is professor of German and Scandinavian studies at the University of Colorado Boulder. She is the author of Disability, Deformity, and Disease in the Grimms’ Fairy Tales. She lives in Longmont, CO."
Ann Schmiesing (Author), Eve Matheson (Narrator)
Audiobook
An Infinite History: The Story of a Family in France over Three Centuries
"This audiobook narrated by Eve Matheson tells the story of social change in France through the experiences of a single extended family across five generations Marie Aymard was an illiterate widow who lived in the provincial town of Angoulême in southwestern France, a place where seemingly nothing ever happened. Yet, in 1764, she made her fleeting mark on the historical record through two documents: a power of attorney in connection with the property of her late husband, a carpenter on the island of Grenada, and a prenuptial contract for her daughter, signed by eighty-three people in Angoulême. Who was Marie Aymard? Who were all these people? And why were they together on a dark afternoon in December 1764? Beginning with these questions, An Infinite History offers a panoramic look at an extended family over five generations. Through ninety-eight connected stories about inquisitive, sociable individuals, ending with Marie Aymard's great-great granddaughter in 1906, Emma Rothschild unfurls an innovative modern history of social and family networks, emigration, immobility, the French revolution, and the transformation of nineteenth-century economic life. Rothschild spins a vast narrative resembling a period novel, one that looks at a large, obscure family, of whom almost no private letters survive, whose members traveled to Syria, Mexico, and Tahiti, and whose destinies were profoundly unequal, from a seamstress living in poverty in Paris to her third cousin, the Cardinal of Algiers. Rothschild not only draws on discoveries in local archives but also uses new technologies, including the visualization of social networks, large-scale searches, and groundbreaking methods of genealogical research. An Infinite History demonstrates how the ordinary lives of one family over three centuries can constitute a remarkable record of deep social and economic changes."
Emma Rothschild (Author), Eve Matheson (Narrator)
Audiobook
"The girl reminded me of my favourite chocolates, whipped hazelnut creams, and I knew just from looking at her that I wanted her for my best friend. Queen Victoria is dead. In January 1901, the day after her passing, two very different families visit neighbouring graves in a London cemetery. The traditional Waterhouses revere the late Queen where the Colemans have a more modern outlook, but both families are appalled by the friendship that springs up between their respective daughters. As the girls grow up, their world changes almost beyond measure: cars are replacing horses, electric lighting is taking over from gas, and emancipation is fast approaching, to the delight of some and the dismay of others… “Vividly imagined.” SUNDAY TELEGRAPH “Sex and death meet again in a marvellous evocation of Edwardian England.” DAILY MAIL"
Tracy Chevalier (Author), Eve Matheson (Narrator)
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"It's almost Christmas. But for Ali, the season of good cheer is the anniversary of her baby's death. As she stands at her son's grave, she is poignantly aware of how dramatically her life has changed. Determined to stand on her own two feet and get through Christmas alone, Ali turns down her ex-husband's unexpected invitation to spend the holiday with him and his father, only to give in to her best friend's cajoling to share the festive season with her. The only trouble is, it means having to be nice to Sarah's awful husband, Trevor. Sarah may be a saint for putting up with Trevor, but Ali is no such thing, and as his cranky behaviour escalates, she takes it upon herself, in an extraordinary act of daring impetuosity, to play God with her friend's incomprehensible marriage. But Ali's meddling has consequences even she could not have foreseen... Full of warmth and appeal ? GOOD HOUSEKEEPING Erica James offers glorious escapism set in a house to die for. A sweepingly dynastic and satisfying end ? SUNDAY EXPRESS MAGAZINE"
Erica James (Author), Eve Matheson (Narrator)
Audiobook
"ACT IScene 1. Mark Antony, together with Octavius Caesar and Lepidus, is one of the three Triumvirs who rule the Roman Empire. But Antony is slavishly in love with Cleopatra, Queen of Egypt, and shows no interest in affairs of state.Scene 2. Members of Cleopatra’s entourage amuse themselves consulting a soothsayer. Antony learns that his wife Fulvia, who has been in rebellion against Caesar, is dead. Forces opposed to the Triumvirs are having considerable success and he finally realizes that he must leave Egypt.Scene 3. Antony tells Cleopatra that he intends to return to Rome.Scene 4. Caesar is angered by Antony’s behavior and will not be mollified by Lepidus. News floods in of their enemies’ growing strength.Scene 5. Cleopatra languishes in Antony’s absence. ACT IIScene 1. Pompey, the Triumvirs’ principal enemy, is disturbed to hear of Antony’s return to Rome. Menas remains optimistic that the insurrection of Antony’s brother and wife has soured his relations with Caesar, but Pompey foresees that divisions will be forgotten in the face of an external enemy.Scene 2. A tense meeting between Caesar and Antony is smoothed over by Lepidus and Agrippa, who suggest that Antony marry Caesar’s sister Octavia. Enobarbus, Antony’s trusted lieutenant, remembers Antony’s first meeting with Cleopatra; he is sure that Antony will never leave her.Scene 3. A soothsayer tells Antony that he cannot shine with Caesar is near. He decides to return to Egypt.Scene 4. Lepidus, Agrippa, and Maecenas prepare to go to war.Scene 5. When a messenger tells Cleopatra of Antony’s marriage to Octavia, she flies into a violent rage.Scene 6. Pompey invites the Triumvirs to a banquet aboard his galley. Enobarbus predicts Antony’s infidelity to Octavia and that her sighs will “blow the fire up in Caesar.”Scene 7. At the banquet, Menas suggests that Pompey could become master of the world if he were to order the murder of his guests. Pompey rejects the idea, but regrets that Menas has not acted on his own initiative. ACT IIScene 1. In Syria, Ventidius enters triumphant with the body of the son of the Parthian king. Ventidius plays down his achievement, wary of losing Antony’s favor by raising himself up too high.Scene 2. Enobarbus and Agrippa ridicule Lepidus’ devotion to Antony and Caesar. Octavia bids Caesar a sad farewell as she leaves for Athens with Antony.Scene 3. Cleopatra questions a messenger about Octavia and concludes that, being “dull of tongue, and dwarfish,” she is no threat.Scene 4. Antony is furious that Caesar has spoken slightingly of him and, contrary to their agreement, has gone to war against Pompey. Octavia will return to Rome in an attempt to reconcile her brother and husband.Scene 5. Caesar has imprisoned Lepidus for allegedly communicating with Pompey. Scene 6. Caesar rails against Antony’s division of the Eastern provinces among Cleopatra and her children. Octavia seeks to defend her husband, but Caesar informs her that he is now in Egypt with Cleopatra, who is levying forces for war.Scene 7. Despite strong advice to the contrary, Antony insists on a naval battle rather than fighting on land where he has the advantage.Scene 8. Caesar gives the order to meet Antony at sea.Scene 9. Antony positions his squadrons within view of Caesar’s battle line.Scene 10. Enobarbus, Scarus, and Canidius watch appalled as Cleopatra’s ships flee, followed by Antony. Canidius decides to join forces with Caesar, whilst Enobarbus, against his better judgement, remains with Antony.Scene 11. Back in Alexandria, Antony is riven with shame. Cleopatra claims she had not thought he would follow when she retreated. He replies, “thou knew’st too well/My heart was to thy rudder tied by the strings.”Scene 12. Caesar rejects Antony’s terms for surrender, but shows clemency to Cleopatra on condition that she betray her lover.Scene 13. Antony rages against Caesar, challenging him to single combat. Only Cleopatra’s assurance of her love finally calms him. Believing that Antony has lost his reason, Enobarbus resolves to leave him. ACT IVScene 1. Caesar rejects Antony’s challenge and gives the order to do battle the next mornign.Scene 2. Enobarbus reproaches Antony for his melancholy words.Scene 3. Full of trepidation, soldiers gather for the battle.Scene 4. Antony prepares for battle.Scene 5. Antony hears that Enobarbus has gone.Scene 6. When Enobarbus learns that Antony has sent his treasure after him, he is struck to the heart that he has deserted a man of such nobility.Scene 7. The battle goes in Antony’s favor.Scene 8. Antony, jubilant with success, meets Cleopatra after the first day’s fighting.Scene 9. Enobarbus dies heartbroken.Scene 10. Scarus tells Antony that Caesar will attack by land and sea.Scene 11. Caesar gives orders for the battle.Scene 12. Antony loses the battle when the Egyptians desert him. He rejects Cleopatra bitterly.Scene 13. Cleopatra, frightened by Antony’s rage, hides in her monument and sends word that she has killed herself.Scene 14. When he hears of Cleopatra’s alleged death, Antony falls on his sword.Scene 15. Antony is carried to Cleopatra and dies. ACT VScene 1. When Caesar hears of Antony’s death, he dispatches an ambassador to Cleopatra.Scene 2. Dolabella tells Cleopatra that Caesar intends to lead her in triumph through Rome. Caesar treats Cleopatra with courtesy, though he warns her against attempting suidice. Horrified at the thought of being exhibited in front of the Roman rabble, Cleopatra announces that she will follow Antony’s example and die. A country fellow brings Cleopatra a basket containing poisonous snakes. Crowned and robed as a queen, she clasps the snakes to her bosom and dies. Caesar, now sole ruler of the Roman world, orders that Cleopatra he buried with her Antony. CASTMark Antony: Ciaran Hinds / Cleopatra: Estelle Kohler / Domitius Enobarbus: David Burke / Octavius Caesar: Ian Hughes / Charmian: Eve Matheson / Iras: Emma Gregory / Lepidus: Trevor Martin / Pompey: Charles Simpson / Octavia: Tracy-Ann Oberman / Eros: John McAndrew / Philo: Steve Hodson / Soothsayer: Arthur Cox / Menecrates: Michael N. Harbour / Menas: Jonathan Tafler / Scarus: Mark Bonnar / Diomedes: Will Keen / Cleopatra’s Messenger: Gary Bakewell / Alexas: Richard Durden / Mardian: Christopher Luscombe / Other parts played by David Bannerman, Sean Baker, Philip Bretherton, Anthony Jackson, Martin Marquez, Nicholas Murchie, Alisdair Simpson, and Stephen Thorne Director: Clive Brill / Composer: Dominique Le Gendre / Production Coordinators: Polly Coles and Charlotte Harvey / Sound Engineer: Wilfredo Acosta / Producers: Bill Shepherd and Tom Treadwell TRACK LISTDisc 1Track 1: Act I, Scene iTrack 2: Act I, Scene iiTrack 3: Act I, Scene iiiTrack 4: Act I, Scene ivTrack 5: Act I, Scene vTrack 6: Act II, Scene iTrack 7: Act II, Scene iiTrack 8: Act II, Scene iiiTrack 9: Act II, Scene ivTrack 10: Act II, Scene vTrack 11: Act II, Scene vi Disc 2Track 1: Act II, Scene viiTrack 2: Act III, Scene iTrack 3: Act III, Scene iiTrack 4: Act III, Scene iiiTrack 5: Act III, Scene ivTrack 6: Act III, Scene vTrack 7: Act III, Scene viTrack 8: Act III, Scene viiTrack 9: Act III, Scene viiiTrack 10: Act III, Scene ixTrack 11: Act III, Scene xTrack 12: Act III, Scene xiTrack 13: Act III, Scene xiiTrack 14: Act III, Scene xiiiTrack 15: Act IV, Scene iTrack 16: Act IV, Scene iiTrack 17: Act IV, Scene iiiTrack 18: Act IV, Scene ivTrack 19: Act IV, Scene vTrack 20: Act IV, Scene vi Disc 3 Track 1: Act IV, Scene viiTrack 2: Act IV, Scene viiiTrack 3: Act IV, Scene ixTrack 4: Act IV, Scene xTrack 5: Act IV, Scene xiTrack 6: Act IV, Scene xiiTrack 7: Act IV, Scene xiiiTrack 8: Act IV, Scene xivTrack 9: Act IV, Scene xvTrack 10: Act V, Scene iTrack 11: Act V, Scene ii"
William Shakespeare (Author), Charles Simpson, Ciaran Hinds, David Burke, Emma Gregory, Estelle Kohler, Eve Matheson, Tracy-Ann Oberman, Trevor Martin, a full cast (Narrator)
Audiobook
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