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"Dramatisations and readings of novels and short stories by Nobel laureate Doris Lessing – plus a bonus documentary, Open Book, examining her life and career One of the most celebrated and important authors of the 20th Century, Doris Lessing was awarded a Nobel Prize for the ‘visionary power’ of her fiction, which spans a variety of genres and explores themes such as racism, feminism and social and political upheaval. This collection includes the radio productions of three of her acclaimed novels and four short stories, as well as a fascinating discussion of her life and work. The Good Terrorist – Olivia Vinall stars in this adaptation of Doris Lessing’s satire of incompetent revolutionaries in a London squat. Lucy Grange – Exiled from the sophistication of her homeland, stylish Lucy seeks solace and comfort, and learns 'to accept the second-rate'. Read by Estelle Kohler. The Grass is Singing – In this powerful exploration of racial politics in 1940s Rhodesia, adapted from Doris Lessing’s first novel, a white woman’s troubled relationship with her black houseboy comes to a violent end. Starring Alison Pettit and Tracy-Ann Oberman. Flight – A laughing, teasing granddaughter and a dovecote full of strutting birds are an old man's only escape from his cold family home. Read by Jack Klaff. The Golden Notebook – Susannah Harker stars in this dramatisation of Doris Lessing’s ground-breaking novel about marriage, motherhood, mental breakdown and communism. The Death of a Chair – A lived-in chair is bought at auction, where it begins its final journey towards discovery and destruction. Read by Barbara Marten. Open Book: Doris Lessing Mariella Frostrup talks to Doris Lessing about her long and extraordinarily varied writing career."
Doris Lessing (Author), Alison Pettitt, Barbara Marten, Estelle Kohler, Full Cast, Jack Klaff, Olivia Vinall, Susannah Harker, Tracy-Ann Oberman (Narrator)
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"GENESIS ANTARCTICA - The Complete Zandernatis Trinity Taking the visionary epic, forbidden history and conspiracy to new levels Genesis Antarctica is a multi-faceted work based on ancient documents discovered under the Antarctic ice in 1962 by the Australian Vostok Traverse Expedition. Known as the Haakon Urn'texts, these unique writings pre-date all other early civilizations (including legendary Atlantis, Lemuria and Mu) by several tens of thousands of years. Its core heroic saga based on The Song of Gorin, one of the few literary documents among the texts, evokes the Architects of Civilization, the role they played in defining Paradise'for their children and the pivotal challenge to its survival that led to an inevitable demise. This monumental narrative is presented as a gripping saga , in which a lone protagonist awakens in the Paradise Garden'knowing nothing but his own name. After a series of adventures, he arrives in Zandernatis 'the Golden City' He discovers that while he knows nothing of his own origins, everyone in Zandernatis clearly remembers every detail of all their previous lives. Fulfilling ancient prophesies, the ageing King sends Gorin on a quest to find and recall the heir to the Winged Throne'who was enticed from his ancestral, fortified home by compelling dreams that had plagued him for many months. Guided by a fabulous unihorn, Gorin ultimately meets the Lords of Creation, setting in motion events that culminate in an apocalyptic battle to save Zandernatis from being overrun by an indigenous army, spurred on by swarms of evil allies. The outcome of this conflict reveals the true nature of the Fall from Grace'described in the Biblical Genesis written several millennia after the Song of Gorin and totally misinterpreted ever since. This ongoing storyline is interwoven with insights into the far-reaching repercussions the discovery in Antarctica and its implications are having on our own 21st century society. These include: Reports of the initial find in the international press. The unique characteristics of an ancient society that made religion redundant. Bitter rivalries within Editorial teams on making the texts' sensational content public. Echoes of the pre-glacial civilization in Australian Aborigin Dreamtime mythology. Reports from the Swiss PLMRI Research Institute on its hunt for subjects with past life memories set in temperate Antarctica. Martha Calbrow's unique Dreaming Diary recording her initial Out of Body Experience and vision of time spinning backwards, together with corroborative descriptions of events described in the Haakon texts. The reincarnation debate in social media sparked by the Haakon revelations, plus examples of vehement repudiation from religious conservatives. The emergence of a "Neo-Zandernatist" movement designed to promote the principles behind the ancient writings. A sensational discovery in 2013, solving a 37 year old mystery and revealing a concerted conspiracy (with intimations of CIA involvement) to keep the Haakon findings out of the public arena. All of this material, with its broad scope, variety and contrasted approaches is only the beginning of what every individual reader may make of it For we should never forget that Genesis Antarctica is "as real as you need it to be"."
Gordon Keirle-Smith (Author), Bill Homewood, Estelle Kohler, Gordon Keirle-Smith (Narrator)
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Zandernatis - Volume One - Pre-Destination
"ZANDERNATIS - PRE-DESTINATION INTRODUCING A NEW LITERARY GENRE - THE META-REALIST ALLEGORY Facts stifled for 50 years revealed at last! In 1962 a cache of ancient urns was discovered in Antarctica dating back tens of thousands of years. They contained writings proving our ancestral myths and lore are actually rooted in the history and culture of a pre-glacial utopian civilization... Zandernatis - Predestination sets the scene and describes the opening of the most fascinating story contained in these texts: The Song of Gorin, an epic poem describing what really led up to the Fall of Man in Paradise. Initially, it reads like a fable except that here it is backed by robust corroborative evidence and endorsements from researchers, the media and eminent experts, despite establishment efforts to block publication. Legends suddenly become plausible! Volume One of the Trinity breaks the silence, laying the foundations of this multi-faceted revelation, combining alternative history conspiracy theory allegorical fantasy suppressed archaeology past life memory research Via a wealth of material: Substantial "retold" extracts from the epic "Song of Gorin" - the most revealing narrative discovered among the Haakon Urn writings. Transcription of a BBC Radio 4 interview with Gordon Keirle-Smith discussing his role in the project. Press cuttings from the international press announcing the discovery of the urns An article revealing the influence of pre-glacial civilization in Australian aboriginal culture A chronology of the Zandernation kings covering 3,000 years An article on Areligionism in Zandernation society The hunt for subjects with past life memories of Zandernatis, carried out by the PLMRI (Past Life Research Memory Institute) based in Lucerne, Switzerland A comprehensive bibliography of all the documents discovered in the Haakon Urns. And all of this in a single work defining the format of this new genre: the meta-realist allegory. This work puts forward a viable alternative to the Genesis, Garden of Eden, Adam and Eve, Fall of Man myth. Viability backed by hieroglyphic and archaeological research, the deciphering of ancient manuscripts and controversial revelations. The links with aboriginal legends also reveal evidence of migration from Antarctica to Australia and Patagonia as the "great white continent" cooled. Past Life Regression is evoked in connection with this civilization in a search to find subjects with memories of living in an advanced pre-glacial civilization. We discover that reincarnation and recollection of previous lives played an important role in Zandernation society. As a result this was the only civilization in the history of the world that did not need religions, Gods, priests, temples or any other places of worship. Zandernatis is a redefinition of "utopia" that can also set us on a path of self-discovery, opening our potential to see beyond the "here and now", discover the "there and then" and ultimately catch a glimpse of the eternal NOW."
Gordon Keirle-Smith (Author), Bill Homewood, Estelle Kohler, Gordon Keirle-Smith (Narrator)
Audiobook
Zandernatis - Volume Two - Destination
"ZANDERNATIS - DESTINATION EXPLORE THE NEW LITERARY GENRE - META-REALIST ALLEGORY Facts stifled for 50 years revealed at last! This second (standalone) book in the Zandernatis Trinity is an excellent place to start discovering the world of "Zandernatis" - Where Legends Were Born. These books "retell" the epic "Song of Gorin", one of the many texts contained in the mysterious "Haakon Urns" discovered under the Antarctic ice in 1962 and kept under wraps until now. The documents, dating back to a pre-glacial era when Antarctica was in more temperate latitudes, reveal the existence of a world whose peoples laid the foundations of all the myths and legends that have persisted in our collective consciousness ever since. These include legends of the Fall and tales of an enigmatic angel civilization. In a heroic quest to find the heir to the winged throne of Zandernatis, Gorin sets out to cross the terrifying Forest of Dissemblance and Deserts of Jerah in the company of an archetypal guide upon which all of our Unicorn lore is based. As in the previous volume, the ancient narrative is accompanied by robust corroborative evidence and compelling endorsements from researchers, the media and eminent experts, despite unrelenting efforts from the establishment to block publication. Legends'can finally be seen in their true perspective! This re-telling of the Song of Gorin'forms the foundation of this multi-faceted revelation, combining; alternative history allegorical fantasy past life memory testimonials fundamentalist condemnation an academic conspiracy” Via a wealth of material: Substantial "retold" extracts from the epic "Song of Gorin" saga– one of the few narrative documents contained in the Haakon Urn writings. In Destination'Gorin braves the dangers beyond the Paradise Garden in his quest for the heir to the winged throne of Zandernatis – and meets the legendary Architects of Civilization”. Based on the British Antarctic Survey, researchers identify the probable location of all the places and landmarks described in Zandernatis”. Transcription of a BBC 2 television interview with Professor J. Harkwood in which he explains why he is so adamantly opposed to the Haakon Urn texts being published as cheap sensationalism for the masses”. The reincarnation debate on the web: Extracts from a Chat Forum and a Catholic Fundamental website A fascinating insight into Zandernatis and the origins of archetypes”. All of this is contained in a single work – defining the format of this new genre: the meta-realist allegory. This work puts forward a viable alternative to the Genesis, Garden of Eden, Adam and Eve, Fall of Man myth. In particular, we discover that reincarnation and recollection of previous lives played an important role in Zandernation society. As a result this was the only civilization in the history of the world that did not need religions, Gods, priests, temples or any other places of worship. Zandernatis is a redefinition of "utopia" that can also set us on a path of self-discovery, opening our potential to see beyond the "here and now", discover the "there and then" and ultimately catch a glimpse of the eternal NOW."
Gordon Keirle-Smith (Author), Bill Homewood, Estelle Kohler, Gordon Keirle-Smith (Narrator)
Audiobook
Zandernatis - Volume Three - Apotheosis
"ZANDERNATIS - APOTHEOSIS TAKING META-REALIST ALLEGORY TO NEW HEIGHTS! Stifled for 50 years - the facts behind the "Fall of Man" The Zandernatis Trinity, based on the ancient Haakon Urn texts discovered under the Antarctic ice in 1962, culminates with the events described in the epic "Song of Gorin" saga that shaped the future of a whole civilization - and ultimately our own. For they laid the foundations of the myths and legends from which most of the world's folklore, beliefs and religions subsequently evolved. Furthermore, the unique characteristics of this new literary genre also enable us to keep pace with the fast moving events following the disclosures that burst upon the world with the publication of the first Zandernatis book, "Pre-Destination", in April 2014. By embracing the vision, we contribute to its manifestation. In this volume, the ancient narrative relates the "Great Battle" as the Golden City is attacked by indigenes from beyond the frontiers of "Paradise" backed by their "evil allies" and Gorin's role in challenging them. While in parallel, we learn how Professor Gregson and Gordon Keirle-Smith were finally able to publish their work and allow a secretive "Order" that had been waiting for these events to announce its presence to a needful world. The Apotheosis featured in the "Song of Gorin" and its multi-faceted ancillary material combine; alternative history allegorical fantasy manifestations of the Zandernatis ethos initiatives to expand its influence visions of a new world Order Via a wealth of material: Substantial "retold" extracts from the epic "Song of Gorin" saga - in which Gorin returns to the Golden City, the "Lord Protectors" are summoned to repel the forces of evil and he finally rediscovers his true identity. Sensational disclosures concerning the "stolen" Haakon Urn texts The origins of the NZO and its emergence into light with the publication of its "Manifesto" A contentious legal struggle over the copyright to the Haakon Urn texts Initiatives to integrate the Zandernatis ethos into "popular" culture "Apotheosis" completes this three part viable alternative to the Genesis, Garden of Eden, Adam and Eve, Fall of Man myth. Everything falls into place with an inevitability totally in line with both this ancient civilization's characteristic areligionism and our present need to define our own individual belief systems. It reflects and further endorses previous statements that Zandernatis is a redefinition of "utopia" that can also set us on a path of self-discovery, opening our potential to see beyond the "here and now", discover the "there and then" and ultimately catch a glimpse of the eternal NOW."
Gordon Keirle-Smith (Author), Bill Homewood, Estelle Kohler, Gordon Keirle-Smith (Narrator)
Audiobook
"ACT IScene 1. Mark Antony, together with Octavius Caesar and Lepidus, is one of the three Triumvirs who rule the Roman Empire. But Antony is slavishly in love with Cleopatra, Queen of Egypt, and shows no interest in affairs of state.Scene 2. Members of Cleopatra’s entourage amuse themselves consulting a soothsayer. Antony learns that his wife Fulvia, who has been in rebellion against Caesar, is dead. Forces opposed to the Triumvirs are having considerable success and he finally realizes that he must leave Egypt.Scene 3. Antony tells Cleopatra that he intends to return to Rome.Scene 4. Caesar is angered by Antony’s behavior and will not be mollified by Lepidus. News floods in of their enemies’ growing strength.Scene 5. Cleopatra languishes in Antony’s absence. ACT IIScene 1. Pompey, the Triumvirs’ principal enemy, is disturbed to hear of Antony’s return to Rome. Menas remains optimistic that the insurrection of Antony’s brother and wife has soured his relations with Caesar, but Pompey foresees that divisions will be forgotten in the face of an external enemy.Scene 2. A tense meeting between Caesar and Antony is smoothed over by Lepidus and Agrippa, who suggest that Antony marry Caesar’s sister Octavia. Enobarbus, Antony’s trusted lieutenant, remembers Antony’s first meeting with Cleopatra; he is sure that Antony will never leave her.Scene 3. A soothsayer tells Antony that he cannot shine with Caesar is near. He decides to return to Egypt.Scene 4. Lepidus, Agrippa, and Maecenas prepare to go to war.Scene 5. When a messenger tells Cleopatra of Antony’s marriage to Octavia, she flies into a violent rage.Scene 6. Pompey invites the Triumvirs to a banquet aboard his galley. Enobarbus predicts Antony’s infidelity to Octavia and that her sighs will “blow the fire up in Caesar.”Scene 7. At the banquet, Menas suggests that Pompey could become master of the world if he were to order the murder of his guests. Pompey rejects the idea, but regrets that Menas has not acted on his own initiative. ACT IIScene 1. In Syria, Ventidius enters triumphant with the body of the son of the Parthian king. Ventidius plays down his achievement, wary of losing Antony’s favor by raising himself up too high.Scene 2. Enobarbus and Agrippa ridicule Lepidus’ devotion to Antony and Caesar. Octavia bids Caesar a sad farewell as she leaves for Athens with Antony.Scene 3. Cleopatra questions a messenger about Octavia and concludes that, being “dull of tongue, and dwarfish,” she is no threat.Scene 4. Antony is furious that Caesar has spoken slightingly of him and, contrary to their agreement, has gone to war against Pompey. Octavia will return to Rome in an attempt to reconcile her brother and husband.Scene 5. Caesar has imprisoned Lepidus for allegedly communicating with Pompey. Scene 6. Caesar rails against Antony’s division of the Eastern provinces among Cleopatra and her children. Octavia seeks to defend her husband, but Caesar informs her that he is now in Egypt with Cleopatra, who is levying forces for war.Scene 7. Despite strong advice to the contrary, Antony insists on a naval battle rather than fighting on land where he has the advantage.Scene 8. Caesar gives the order to meet Antony at sea.Scene 9. Antony positions his squadrons within view of Caesar’s battle line.Scene 10. Enobarbus, Scarus, and Canidius watch appalled as Cleopatra’s ships flee, followed by Antony. Canidius decides to join forces with Caesar, whilst Enobarbus, against his better judgement, remains with Antony.Scene 11. Back in Alexandria, Antony is riven with shame. Cleopatra claims she had not thought he would follow when she retreated. He replies, “thou knew’st too well/My heart was to thy rudder tied by the strings.”Scene 12. Caesar rejects Antony’s terms for surrender, but shows clemency to Cleopatra on condition that she betray her lover.Scene 13. Antony rages against Caesar, challenging him to single combat. Only Cleopatra’s assurance of her love finally calms him. Believing that Antony has lost his reason, Enobarbus resolves to leave him. ACT IVScene 1. Caesar rejects Antony’s challenge and gives the order to do battle the next mornign.Scene 2. Enobarbus reproaches Antony for his melancholy words.Scene 3. Full of trepidation, soldiers gather for the battle.Scene 4. Antony prepares for battle.Scene 5. Antony hears that Enobarbus has gone.Scene 6. When Enobarbus learns that Antony has sent his treasure after him, he is struck to the heart that he has deserted a man of such nobility.Scene 7. The battle goes in Antony’s favor.Scene 8. Antony, jubilant with success, meets Cleopatra after the first day’s fighting.Scene 9. Enobarbus dies heartbroken.Scene 10. Scarus tells Antony that Caesar will attack by land and sea.Scene 11. Caesar gives orders for the battle.Scene 12. Antony loses the battle when the Egyptians desert him. He rejects Cleopatra bitterly.Scene 13. Cleopatra, frightened by Antony’s rage, hides in her monument and sends word that she has killed herself.Scene 14. When he hears of Cleopatra’s alleged death, Antony falls on his sword.Scene 15. Antony is carried to Cleopatra and dies. ACT VScene 1. When Caesar hears of Antony’s death, he dispatches an ambassador to Cleopatra.Scene 2. Dolabella tells Cleopatra that Caesar intends to lead her in triumph through Rome. Caesar treats Cleopatra with courtesy, though he warns her against attempting suidice. Horrified at the thought of being exhibited in front of the Roman rabble, Cleopatra announces that she will follow Antony’s example and die. A country fellow brings Cleopatra a basket containing poisonous snakes. Crowned and robed as a queen, she clasps the snakes to her bosom and dies. Caesar, now sole ruler of the Roman world, orders that Cleopatra he buried with her Antony. CASTMark Antony: Ciaran Hinds / Cleopatra: Estelle Kohler / Domitius Enobarbus: David Burke / Octavius Caesar: Ian Hughes / Charmian: Eve Matheson / Iras: Emma Gregory / Lepidus: Trevor Martin / Pompey: Charles Simpson / Octavia: Tracy-Ann Oberman / Eros: John McAndrew / Philo: Steve Hodson / Soothsayer: Arthur Cox / Menecrates: Michael N. Harbour / Menas: Jonathan Tafler / Scarus: Mark Bonnar / Diomedes: Will Keen / Cleopatra’s Messenger: Gary Bakewell / Alexas: Richard Durden / Mardian: Christopher Luscombe / Other parts played by David Bannerman, Sean Baker, Philip Bretherton, Anthony Jackson, Martin Marquez, Nicholas Murchie, Alisdair Simpson, and Stephen Thorne Director: Clive Brill / Composer: Dominique Le Gendre / Production Coordinators: Polly Coles and Charlotte Harvey / Sound Engineer: Wilfredo Acosta / Producers: Bill Shepherd and Tom Treadwell TRACK LISTDisc 1Track 1: Act I, Scene iTrack 2: Act I, Scene iiTrack 3: Act I, Scene iiiTrack 4: Act I, Scene ivTrack 5: Act I, Scene vTrack 6: Act II, Scene iTrack 7: Act II, Scene iiTrack 8: Act II, Scene iiiTrack 9: Act II, Scene ivTrack 10: Act II, Scene vTrack 11: Act II, Scene vi Disc 2Track 1: Act II, Scene viiTrack 2: Act III, Scene iTrack 3: Act III, Scene iiTrack 4: Act III, Scene iiiTrack 5: Act III, Scene ivTrack 6: Act III, Scene vTrack 7: Act III, Scene viTrack 8: Act III, Scene viiTrack 9: Act III, Scene viiiTrack 10: Act III, Scene ixTrack 11: Act III, Scene xTrack 12: Act III, Scene xiTrack 13: Act III, Scene xiiTrack 14: Act III, Scene xiiiTrack 15: Act IV, Scene iTrack 16: Act IV, Scene iiTrack 17: Act IV, Scene iiiTrack 18: Act IV, Scene ivTrack 19: Act IV, Scene vTrack 20: Act IV, Scene vi Disc 3 Track 1: Act IV, Scene viiTrack 2: Act IV, Scene viiiTrack 3: Act IV, Scene ixTrack 4: Act IV, Scene xTrack 5: Act IV, Scene xiTrack 6: Act IV, Scene xiiTrack 7: Act IV, Scene xiiiTrack 8: Act IV, Scene xivTrack 9: Act IV, Scene xvTrack 10: Act V, Scene iTrack 11: Act V, Scene ii"
William Shakespeare (Author), Charles Simpson, Ciaran Hinds, David Burke, Emma Gregory, Estelle Kohler, Eve Matheson, Tracy-Ann Oberman, Trevor Martin, a full cast (Narrator)
Audiobook
"At the heart of this tragic history is one of Shakespeare's most noble characters, the statesman Brutus, who is caught in a devastating conflict between private affection and public duty. Julius Caesar has become the most powerful man in the Rome. Does his power now threaten the very existence of the Republic itself? A conspiracy is hatched, one that will have fatal consequences not only for Caesar and the conspirators but for the future history of the ancient world. Brutus is played by John Bowe and Mark Antony by Adrian Lester. Michael Feast is Caesar."
William Shakespeare (Author), Adrian Lester, Bill Homewood, Estelle Kohler, Geoffrey Whitehead, Michael Feast, a full cast (Narrator)
Audiobook
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