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Audiobooks Narrated by Daniel Gamburg
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"AN INTERNATIONAL BESTSELLER
A Telegraph Best Book of the Year
'An intense, evocative portrait of one of the most remarkable figures of our era' ANNE APPLEBAUM
'This is the Zelensky book we’ve been waiting for’ CATHERINE BELTON
THE TIMES: A BEST BOOK OF 2024 – NEXT YEAR’S TOP READS
GUARDIAN: BOOKS TO LOOK OUT FOR IN 2024
INDEPENDENT: A BOOK OF THE MONTH
Written with unprecedented access, this is the first inside, intimate account of the Russian invasion of Ukraine from the perspective of President Zelensky and his team.
Based on four years of reporting; extensive travels with President Zelensky to the front; and dozens of interviews with him, his wife, his friends and enemies, his advisers, ministers and military commanders, The Showman tells an intimate and eye-opening story of the President’s evolution from a slapstick actor to a symbol of resilience, revealing how he managed to rally the world’s democracies behind his cause.
Clear-eyed about the President’s early failures as a peacemaker and his willingness to silence political dissent, the book offers a complex picture of a man struggling to break what he sees as a historical cycle of oppression that began generations before he was born. Even as the war drags on, Zelensky lays out his vision for its future course and, through his actions, demonstrates his strategy for countering the Russians and keeping the West on his side. The result is a riveting, up-close picture of the invasion as experienced by its number one target and improbable hero.
The Showman, as a work of eyewitness journalism, provides an essential perspective on the war defining our age. As a study in leadership and human resolve, its appeal is timeless and universal.
'Intimate but unflinchingly objective, this biography gives you a seat at Zelensky's war cabinet and penetrates his mind as he battles to save Ukraine's freedom—and ours' Peter Pomerantsev, author of Nothing Is True and Everything Is Possible"
"This novel offers a unique point of view on the beginning of the Russian invasion in Ukraine 2014, through four intertwining narratives: a guilt-ridden doctor trying to exorcise his demons by exposing himself to war; a young woman tending to her ailing father as the bombs fall around them in Russian-occupied Slovyansk; a mysterious sociopath playing a cat-and-mouse game; and a forensic expert solving a murder case while trying to save her marriage with a discharged soldier. As these threads unfurl, through harrowing scenes of personal and collective trauma, an enigmatic pattern emerges.
Inspired by the Indigenous Australian concept of the 'Dreamtime,' the plots span in space from Ukraine's war-torn Donbas to southern Europe and southeast Asia, tied together by themes of existential conflict, the blurred line between reality and dreams, and how easily the boundary dissolves between waking life and nightmare.
The novel was published in Kyiv in 2020 as the focal point for a video-art exhibition on the media's role in creating public collective experiences. It was well received by critics and audience and praised for its realism in depicting war, for its creative literary depiction of how dreams reflect the psyche, and for its masterly prose."
"In 1983, the world stands at the brink of nuclear annihilation, and only a few people are aware of it. A riveting story of how two men’s lives intersect in the midst of an existential crisis, The Able Archers is told through the eyes of two key participants: a young American intelligence officer, Captain Kevin Cattani, and his more experienced Soviet counterpart, Colonel Ivan Levchenko.
The story plays out from the skies over Siberia to the gritty, dangerous streets of East Berlin. The radically different world views of Cattani and Levchenko punctuate the deep divisions of the Cold War. The evolving relationship between the two men also highlights the humanity common to both sides. Only by working together will Cattani and Levchenko find a way to prevent a global nuclear war between the United States and the Soviet Union."
"Solovetsky occupies the island site of a former monastery in the White Sea. Here, hundreds of miles from civilization, and with a skeleton crew of secret-policemen in charge, some prisoners are consigned to all kinds of forced labor and others sit at comfortable desks in administrative or cultural positions.
With the brutal winter fast approaching, Tolya Bogomolov, a young mathematician serving a three-year sentence, hopes an acquaintance he’s been cultivating will lead to a less brutal work assignment, maybe even a little more bread in his ration. Knowing Gennady Antonov, who holds a privileged position restoring the monks’ seized collection of icons, ought to improve Tolya’s odds of reassignment. But when Antonov’s body is discovered floating frozen in the bay, their connection turns dangerous.
At first the authorities question Tolya, but then he’s mystified when they assign him to assist the elderly detective investigating the case—but better to find the real killer than have the murder pinned on him.
Digging into Antonov’s secrets turns up strange expropriations of the museum’s icons, rumors of an escape conspiracy among White Army officers, and an illicit affair with a female prisoner who won’t tell all she knows. To avoid becoming the murderer’s next victim, Tolya must defy Solovetsky’s unforgiving regime and make ruthless use of his fellow prisoners. Putting his story to paper at last means reckoning the true cost of his survival."
"The first English-language collection of a contemporary Russian master of the short story, who has been profiled in the New Yorker
Maxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices, and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption."
"An idyllic childhood takes a sinister turn. Rumors of a serial killer haunt the neighborhood, families pack up and leave town without a word of warning, and the country begins to unravel. Policemen stand by as protesters overtake the streets, knowing that the once awe-inspiring symbols of power they wear on their helmets have become devoid of meaning. Lebedev depicts a vast empire coming apart at the seams, transforming a very public moment into something tender and personal, and writes with stunning beauty and shattering insight about childhood and the growing consciousness of a boy in the world."
"Welcome to Gradieshti, a Soviet village awash in gray buildings and ramshackle fences, a home to a large, collective farm and to the most oddball and endearing cast of characters possible.
For three years in the 1960s, Vladimir Tsesis―inestimable Soviet doctor and irrepressible jester―was stationed in a village where racing tractor drivers tossed vodka bottles to each other for sport; where farmers and townspeople secretly mocked and tried to endure the Communist way of life; where milk for children, running water, and adequate electricity were rare; where the world’s smallest, motley parade became the country’s longest; and where one compulsively amorous Communist Party leader met a memorable, chilling fate.
From a frantic pursuit of calcium-deprived, lunatic Socialist chickens to a father begging on his knees to Soviet officials to obtain antibiotics for his dying child, Vladimir’s tales of Gradieshti are unforgettable. Sometimes hysterical, often moving, always a remarkable and highly entertaining insider’s look at rural life under the old Soviet regime, they are a sobering exposé of the terrible inadequacies of its much-lauded socialist medical system."
