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Born in England – Exploring English Poetry - The South-West
"Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another. Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us.Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy.In the volumes of this series, we take a look at poetry through the prism of individual regions of England, or sometimes more quaintly known as ‘Albion’, or ‘Blighty’, through the centuries of its gloried history.England, despite its perception of reserve and under-statement has, in reality, strode the global stage at various time in many things, both good and bad, from Empire to long distance running. Here our focus in on its literature. Famed for its fiction and dramas, it is equally admired for its plethora of gifted poets and the dazzling verse which has added so much to its artistic legacy. These classic poets are wonders of their age and of their art. Genius is written in their names.This long limb of England pushes into the Atlantic yet from its ancient past until today its creative contribution is woven in gloried threads into the culture of the whole Nation."
Charles Kingsley, Henry Alford, Isaac Rosenberg, Ivor Gurney, John Keble, Joseph Addison, Percy Bysshe Shelley, Robert Southey, Samuel Daniel, Samuel Taylor Coleridge, Sir Walter Raleigh, Thomas Chatterton, Thomas Hardy, Thomas Lovell Beddoes (Author), Ghizela Rowe, Jo Wyatt, Richard Mitchley (Narrator)
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A Rhyme A Dozen - 12 Poets, 12 Poems, 1 Topic ? Art
"'A dime a dozen' as known in America, is perhaps equal to the English 'cheap as chips' but whatever the lingua franca of your choice in this series we hereby submit 'A Rhyme a Dozen' as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Art - An Introduction 2 - An Art Critic by Ambrose Bierce 3 - Art and Heart by Ella Wheeler Wilcox 4 - Colors by Stephen Vincent Benet 5 - Jade by Edith Wharton 6 - My Last Duchess by Robert Browning 7 - On Mr Alcock of Bristol, an Excellent Miniature Painter by Thomas Chatterton 8 - On Seeing the Elgin Marbles For the First Time by John Keats 9 - Ozymandias by Percy Bysshe Shelley 10 - Rome - Building a New Street in the Ancient Quarter, April 1887 by Thomas Hardy 11 - Sonnet 13 - Summer Fruit by Rainer Maria Rilke 12 - Written Under a Portrait of Keats by John Boyle O'Reily 13 - Portrait d'une Femme by Ezra Pound"
Ambrose Bierce, Edith Wharton, Ella Wheeler Wilcox, Ezra Pound, John Boyle O'reily, John Keats, Percy Bysshe Shelley, Rainer Maria Rilke, Robert Browning, Stephen Vincent Benet, Thomas Chatterton, Thomas Hardy (Author), Christopher Ragland, Ghizela Rowe, William Dufris (Narrator)
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"In these more modern time perhaps our first thoughts of an Elegy or a Lament is for someone's passing. Wreathed in grief and death we think of a headstone on a silent grave and the memories that shelter within our hearts, slowly receding from one generation to the next, as an often lonely voice extols the virtues and traits of the one who has passed. But these two very early forms of poetry, dating back to at least Ovid and probably further, are also surprising in their lyrical touch. These are not just mournful and sad but also whimsical or rich with celebration and tribute as they journey through joy, laughter, love, tears and comfort. Our Classic Poets, who have specifically chosen to include the form in the title of their work, include the likes of Percy Bysshe Shelley, Thomas Chatterton, Aphra Behn, Rainer Maria Rilke, Radclyffe Hall and many others of equal measure are always surprising in their views, their analysis and their sharing of words and thoughts, offering feelings that mirror our own and provide a balm of many hues for our wounded and tender souls. 1 - Elegies and Laments - An Introduction 2 - Elegy Written in a Country Churchyard by Thomas Gray 3 - The Lament of Swordy Well by John Clare 4 - An Elegy on a Pile of Ruins by John Cunningham 5 - Lament by Rainer Maria Rilke 6 - Elegy - Supposed to Be Written in Barnet Churchyard by George Townsend 7 - Elegy by Thomas Chatterton 8 - A Lament by Radclyffe Hall 9 - An Elegy by Ben Jonson 10 - Laeta - A Lament by HP Lovecraft 11 - Angellica's Lament by Aphra Behn 12 - Amores - Book I Elegy V - Corinna in an Afternoon by Ovid 13 - Morning Lament by Johann Wolfgang von Goethe 14 - The Wind's Lament by John Morris-Jones 15 - Noon Day Elegiacs by T W Rolleston 16 - Midnight Lamentation by Harold Munro 17 - February. An Elegy by Thomas Chatterton 18 - Elegy in April and September by Wilfred Owen 19 - Elegy by Anna Seward 20 - Autumn Elegy by Leslie Norris 21 - Elegy on the Year 1788 by Robert Burns 22 - Elegy for an Enemy by Stephen Vincent Benet 23 - An Elegy on the Death of a Mad Dog by Oliver Goldsmith 24 - Pointless It Is To Lament by Narsinh Mehta 25 - To the Beloved Dead - A Lament by Alice Meynell 26 - The Slave's Lament by Benjamin Cutler Clark 27 - The Slaves Lament by Robert Burns 28 - A Lament by Katharine Tynan 29 - The Going of the Battery (Wives Lament November the 2nd 1899) by Thomas Hardy 30 - Lament in 1915 by Harold Munro 31 - An Elegy on the Death of Llywelyn ab Gruyffyd by Gruffydd ap Yr Ynad Coch 32 - Elegy to the Memory of an Unfortunate Lady by Alexander Pope 33 - Elegy on a Lady Whom Grief for the Death of Her Bethrothed Killed by Robert Seymour Bridges 34 - Lament by Edna St Vincent Millay 35 - The Mother's Lament For Her Infant by Lucretia Maria Davidson 36 - Elegy on the Death of Mr Phillips by Thomas Chatterton 37 - Lament for the Poets, 1916 by Francis Ledwidge 38 - Lament for Thomas McDonagh by Francis Ledwidge 39 - Elegy on the Earl of Rochester by Anne Wharton 40 - Elegy on William Shakespeare by William Basse 41 - Adonais - An Elegy on the Death of John Keats by Percy Bysshe Shelley"
Alexander Pope, Alice Meynell, Anne Wharton, Ben Jonson, Edna St Vincent Millay, Francis Ledwidge, H.P. Lovecraft, John Clare, Percy Bysshe Shelley, Radclyffe Hall, Robert Burns, Thomas Chatterton, Wilfred Owen (Author), Laurel Lefkow, Richard Mitchley, Sean Barrett (Narrator)
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The Poetry of Thomas Chatterton
"Thomas Chatterton was born in Bristol on 20th November 1752 some 15 weeks after the death of his father. For a time he was admitted to Edward Colston's Bristol charity school, on a limited curriculum of reading, writing, arithmetic and the catechism. Although fascinated by the church of St Mary Redcliffe where his uncle was sexton, he was liable to fits of abstraction, sitting for hours in a trance or crying for no reason. When Chatterton was 8 he was so eager for books that he would read and write all day long and by 11 he had become a contributor to Felix Farley's Bristol Journal. He lived in thought with his 15th-century heroes and heroines. The first of his literary mysteries, the dialogue of "Elinoure and Juga," was written before he was 12, and he showed it to the usher at the boarding school Colston's Hospital where he was a pupil, pretending it was the work of a 15th-century poet. Chatterton remained a boarder at Colston's Hospital for more than six years. His little pocket-money was spent borrowing books from a circulating library and always attempting to ingratiate himself with book collectors. His holidays were mostly spent at his mother's house, and much of that in the attic study living for the most part in an ideal world of his own, centered on his mid-15th century imaginary world. Chatterton soon conceived the romance of Thomas Rowley, an imaginary monk of the 15th century, and adopted for himself the pseudonym Thomas Rowley for poetry and history. He imagined he would become a famous poet who by his talents would be able to rescue his mother from poverty. Chatterton needed a patron. Many were not interested. Horace Walpole was but discovering that the poems were most probably fake and Chatterton himself only 16 scornfully sent him away. Badly hurt by Walpole's snub, Chatterton wrote very little for a summer. Then he turned his attention to periodical literature and politics, and the London periodicals. He was frequently published but received little reward for his startling efforts. Chatterton wrote at Easter 1770, ''Last Will and Testament,'' a satirical mix in jest and seriousness. The will was possibly prepared so that John Lambert, the attorney to whom he was apprenticed, cancelled his indentures. His friends and acquaintances, having donated money, Chatterton proceeded to London. He continued to write and publish in various styles and was paid little for his efforts. He wrote hopefully to his mother and sister, and spent his first earnings in buying gifts for them. In June 1770, after nine weeks in London, he moved from a shared room in Shoreditch to an attic in Brook Street, Holborn. He now enjoyed uninterrupted solitude and now could write all night. The romance of his earlier years revived, and he transcribed from an imaginary parchment of the old priest Rowley his "Excelente Balade of Charitie." This poem, disguised in archaic language, he sent to the editor of the Town and Country Magazine, where it was rejected. A neighbouring apothecary, repeatedly invited him to come for dinner or supper; but he refused. His landlady also, suspecting his necessity, pressed him to share her dinner, but in vain. "She knew," as she afterwards said, "that he had not eaten anything for two or three days." But he assured her that he was not hungry. In August 1770, while walking in St Pancras Churchyard, Chatterton was much absorbed in thought, and did not notice a newly dug open grave in his path, and subsequently tumbled into it. His walking companion helped Chatterton out of the grave, and told him that he was happy in assisting at the resurrection of a genius. Chatterton replied, "My dear friend, I have been at war with the grave for some time now."On 24th August 1770, Thomas Chatterton retired for the last time to his attic in Brook Street, carrying with him the arsenic, which he drank after tearing into fragments whatever literary remains were at hand. He was dead at a tragically young 17 years and nine months.01 - The Poetry of Thomas Chatterton - An Introduction02 - The Romance of the Knight by Thomas Chatterton03 - Happiness by Thomas Chatterton04 - Sentiment by Thomas Chatterton05 - The Advice by Thomas Chatterton06 - Picture of Autumn by Thomas Chatterton07 - The Resignation by Thomas Chatterton08 - The Copernican System by Thomas Chatterton09 - Bristol by Thomas Chatterton10 - On Mr Alcock of Bristol, An Excellent Miniature Painter by Thomas Chatterton11 - Sly Dick by Thomas Chatterton12 - To Horace Walpole by Thomas Chatterton13 - Colin Instructed by Thomas Chatterton14 - Song, Fanny of the Hill, 1770 by Thomas Chatterton15 - An Excellent Ballad of Charity by Thomas Chaterton16 - Apostate Will by Thomas Chatterton17 - The Methodist by Thomas Chatterton18 - The Churchwarden and the Apparition. A Fable by Thomas Chatterton19 - A Hymn for Christmas Day by Thomas Chatterton20 - On the Last Epiphany (Or Christ Coming to Judgement) by Thomas Chatterton21 - February. An Elegy by Thomas Chatterton22 - Elegy by Thomas Chatterton23 - Elegy on the Death of Mr Phillips by Thomas Chatterton24 - Heccar and Gaira - An African Eclogue by Thomas Chatterton25 - The Death of Nicou. An African Eclogue by Thomas Chatterton"
Thomas Chatterton (Author), Elliot Fitzpatrick (Narrator)
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"Art comes in many shapes and sizes and many different forms. And one person's art is often someone else's object of derision.But what we can all agree on is that Art exists, that it's something perhaps unique to humankind but very definitely evokes a deep reaction whether of 'wow!' or 'what?' In this volume we take Art as our subject and have it reviewed and explored by other Artists, by Classic Poets.True Art ignites an individual response or a collective awareness. Our DNA seems to cultivate that. When we engage with Art the results are at times as surprising as they are interesting.In the words of Keats, Shakespeare, Wharton, Chatterton and very many others Art is seen and understood both as that individual reaction and a collective experience. Art is where it's at.01 - The Poetry of Art - An Introduction02 - The Man With the Blue Guitar by Wallace Stevens03 - Botticlelli's Madonna in the Louvre by Edith Wharton04 - Before a Painting by James Weldon Johnson05 - Sonnet 20 - A Woman's Face with Nature's Own Hand Painted by William Shakespeare06 - Sonnet 24 - Mine Eye Hath Played the Painter and Hath Steeled by William Shakespeare07 - Sonnet 83 - I Never Saw That You Did Painting Need by William Shakespeare08 - Art and Heart by Ella Wheeler Wilcox09 - Colors by Stephen Vincent Benet10 - I Have Colours in My Head by Daniel Sheehan11 - I Would Not Paint a Picture by Emily Dickinson12 - To the Painter, To Draw Him a Picture by Robert Herrick13 - On Mr Alcock of Bristol, an Excellent Miniature Painter by Thomas Chatterton14 - On the Portrait of Two Beautiful Young People by Gerard Manley Hopkins15 - Portrait d'une Femme by Ezra Pound16 - To a Beautiful Female Portrait by Henry Alford17 - The Portrait by Ford Madox Ford18 - Her Portrait Immortal by Richard Le Gallienne19 - My Last Duchess by Robert Browning20 - Portrait of My Father As a Young Man by Rainer Maria Rilke21 - On a Portrait of Dante by Giotto by James Russell Lowell22 - Written Under a Portrait of Keats by John Boyle O'Reily23 - On Seeing the Elgin Marbles For the First Time by John Keats24 - Jade by Edith Wharton25 - Ozymandias by Percy Bysshe Shelley26 - An Inscription for Zheng Shujin's Painting by Qiu Jin27 - The New Colossus by Emma Lazarus28 - Rome - Building a New Street in the Ancient Quarter, April 1887 by Thomas Hardy29 - How Many Paltry Foolish Painted Things by Michael Drayton30 - To the Painter of an Ill Drawn Picture of Cleone by Anne Kingsmill-Finch31 - An Art Critic by Ambrose Bierce32 - A Portrait by Richard Brinsley Sheridan"
Thomas Chatterton, Wallace Stevens (Author), Lee Jackson (Narrator)
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15 Minutes Of Love Poems - Volume 9
"Love. What is love?The question is asked by each of us but the answer remains elusive. Dictionaries summon up many words but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of Love’s beauty is perhaps in the fact that the question never can be adequately answered; its ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.Love is perhaps best expressed through poetry. As Plato said 2500 years ago “At the touch of a lover, everyone becomes a poet”. Writing a love poem for ones’ partner is seen as the most romantic of gestures. It opens our hearts to another's. Lovers love.Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart."
Thomas Chatterton, Wilfred Owen, William Morris (Author), Richard Mitchley (Narrator)
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