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The Top 10 Short Stories - Cambridge Graduates
"Short stories have always been a sort of instant access into an author's brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.In this series we try to offer up tried and trusted 'Top Tens' across many different themes and authors. But any anthology will immediately throw up the questions - Why that story? Why that author? The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme. Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature.Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.In this volume we explore and enjoy the stories of authors who attended one of the great seats of learning. Amongst their storied number are M R James, Hugh Walpole, William Makepeace Thackeray and a host of others.01 - The Top 10 - Cambridge - An Introduction02 - A Little Dinner At Timmin's by William Makepeace Thackeray03 - Caterpillars by E F Benson04 - Cohen of Trinity by Amy Levy05 - The Ash Tree by M R James.wav05 - Major Wilbraham by Hugh Walpole07 - Far Above Rubies by Netta Syrett08 - The Closed Window by A C Benson09 - The Diary of a God by Barry Pain10 - The 9.30 Up-Train by Sabine Baring-Gould11 - The Screaming Skull by F Marion Crawford"
A C Benson, Amy Levy, Barry Pain, E F Benson, F Marion Crawford, Hugh Walpole, M.R. James, Netta Syrett, Sabine Baring-Gould, William Thackeray (Author), Elliot Fitzpatrick, Ghizela Rowe, Richard Mitchley (Narrator)
Audiobook
The Female Short Story - A Chronological History - Volume 7
"A wise man once said ‘The safest place for a child is in the arms of his mother’s voice’. This is a perfect place to start our anthology of female short stories.Some of our earliest memories are of our mothers telling us bedtime stories. This is not to demote the value of fathers but more to promote the often-overshadowed talents of the gentler sex.Perhaps ‘gentler’ is a word that we should re-evaluate. In the course of literary history it is men who dominated by opportunity and with their stranglehold on the resources, both financial and technological, who brought their words to a wider audience. Men often placed women on a pedestal from where their talented words would not threaten their own. In these stories we begin with the original disrupter and renegade author Aphra Behn. A peek at her c.v. shows an astounding capacity and leaves us wondering at just how she did all that.In those less modern days to be a woman, even ennobled, was to be seen as second class. You literally were chattel and had almost no rights in marriage. As Charlotte Smith famously said your role as wife was little more than ‘legal prostitute’. From such a despicable place these authors have used their talents and ideas and helped redress that situation. Slowly at first. Privately printed, often anonymously or under the cloak of a male pseudonym their words spread. Their stories admired and, usually, their role still obscured from rightful acknowledgement.Aided by more advanced technology, the 1700’s began to see a steady stream of female writers until by the 1900’s mass market publishing saw short stories by female authors from all the strata of society being avidly read by everyone. Their names are a rollcall of talent and ‘can do’ spirit and society is richer for their works. In literature at least women are now acknowledged as equals, true behind the scenes little has changed but if (and to mis-quote Jane Austen) there is one universal truth, it is that ideas change society. These women’s most certainly did and will continue to do so as they easily write across genres, from horror and ghost stories to tender tales of love and making your way in society’s often grueling rut. They will not be silenced, their ideas and passion move emotions, thoughts and perhaps more importantly our ingrained view of what every individual human being is capable of. It is because of their desire to speak out, their desire to add their talents to the bias around them that we perhaps live in more enlightened, almost equal, times. Within these stories you will also find very occasional examples of historical prejudice. A few words here and there which in today’s world some may find inappropriate or even offensive. It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight. Context is everything, both to understand and to illuminate the path forward. The author’s words are set, our reaction to them encourages our change.01 - The Female Short Story. A Chronological History - An Introduction - Volume 702 - The Coach by Violet Hunt03 - Suggestion by Mrs Ernest Leverson04 - Another Freak by Mary Angela Dickens08 - Red Tape by Mary Sinclair06 - An Idyl of London by Beatrice Harraden07 - The Love Germ by Constance Cotterell08 - The Black Crusader by Alicia Ramsay09 - The Lame Priest by Susan Morrow writing as S Carleton10 - A Pen and Ink Effect by Frances E Huntley11 - Far Above Rubies by Netta Syrett12 - My Honoured Master by Catherine Anne Dawson Scott13 - A Knot of Ribbon by Laurence Alma-Tadema14 - The Mysterious Death on the Underground Railroad by Baroness Emmuska Orczy15 - All Souls Eve by Dora Sigerson Shorter16 - The Deil's Money by Jane Findlater17 - A Futile Ghost by Mary Reynolds"
Baroness Orczy, Netta Syrett (Author), Richard Mitchley, Tanya Thomson (Narrator)
Audiobook
"Netta Syrett was born Janet Syrett on 17th March 1865 in Ramsgate, Kent, one of 13 children.She was initially educated at home by her mother before those responsibilities passed to a German Governess and then, aged 11, Netta went to the North London Collegiate School. From there she attended Hughes Hall, Cambridge and completed a three-year course for a full teaching certificate in only one year.She taught for two years at a Swansea school before moving to teach at the London Polytechnic School for Girls. Her friend and colleague, Mabel Beardsley, introduced her to her brother, Aubrey, the famed illustrator and the then art editor for the illustrated quarterly 'The Yellow Book', and its literary editor, the American Henry Harland, who then published 3 of her short stories. Her writing is also notable for its use of women characters who were less dependent on others and the society around them and were able to forge new independent paths.Her debut novel, 'Nobody's Fault' (1896) was the beginning of a long and prolific output. For the next several years her writing and teaching careers ran alongside each other. A highly critical review of her controversial, for those times, play 'The Finding of Nancy' suggesting it was an autobiography led to calls from overly moral parents for her to resign her teaching position. Netta now concentrated solely on her writing, only retiring in 1939.Netta Syrett died after a long illness in London on 15th December 1943."
Netta Syrett (Author), David Shaw-Parker, Ghizela Rowe (Narrator)
Audiobook
"During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers.Amongst the very many was 'The Yellow Book'. Although titled as 'An Illustrated Quarterly' it was sold as a cloth-bound hardback and within were short stories, essays, poetry, illustrations and portraits. It was edited by the American author Henry Harland, who also contributed, and its art editor was no less that the formidable Aubrey Beardsley, the enfant terrible of illustration.Its yellow cover and name gave it an association with the risqué and erotic yellow covered works published in France. It was a visual shorthand for ideas that would push many boundaries of Society to more open interpretations. Being complete in each volume and slightly aloof it stayed away from serialised fiction and advertisements. Within each lavishly illustrated edition were literary offerings that included works by such luminaries as Henry James, H G Wells, W B Yeats, Edith Nesbit, George Gissing and many others from the ascetic and decadent movements of the time. The other notable inclusion was women both as contributors and amongst its editing staff, which was at odds with the then patriarchal gender norms. Although it only survived for 13 issues its reach and influence were second to none."
Ada Radford, Constance Cotterell, Netta Syrett (Author), David Shaw-Parker, Ghizela Rowe, Richard Mitchley (Narrator)
Audiobook
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