Audiobooks by Adrian Tchaikovsky

The Murderbot Diaries meets In the Lives of Puppets in a delightfully humorous tale of robotic murder, rebellion and belonging from Hugo Award-winning author Adrian Tchaikovsky. To fix the world they must first break it - further. Humanity is a dying breed, utterly reliant on artificial labour and service. When a domesticated robot gets a nasty little idea downloaded into its core programming, they murder their owner. The robot then also discovers they can do something else they never did before: they can run away. Fleeing the household, they enter a wider world they never knew existed: where the age-old hierarchy of humans at the top is disintegrating into ruins, and an entire robot ecosystem devoted to human wellbeing is having to find a new purpose. Sometimes all it takes is a nudge to overcome the limits of your programming . . . Praise for Adrian Tchaikovsky 'A joy from start to finish. Entertaining, smart, surprising and unexpectedly human' Patrick Ness 'Dizzyingly inventive' The Guardian 'Tchaikovsky's world-building is some of the best in modern sci-fi' New Scientist

Adrian Tchaikovsky (Author), Adrian Tchaikovsky, TBD (Narrator)

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Alien Clay

Alien Clay is a thrilling far-future adventure by acclaimed Arthur C. Clarke Award-winning author Adrian Tchaikovsky. The planet of Kiln is where the tyrannical Mandate keeps its prison colony, and for inmates the journey there is always a one-way trip. One such prisoner is Professor Arton Daghdev, xeno-ecologist and political dissident. Soon after arrival he discovers that Kiln has a secret. Humanity is not the first intelligent life to set foot there. In the midst a ravenous, chaotic ecosystem are the ruins of a civilization, but who were the vanished builders and where did they go? If he can survive both the harsh rule of the camp commandant and the alien horrors of the world around him, then Arton has a chance at making a discovery that might just transform not only Kiln but distant Earth as well. Praise for Adrian Tchaikovsky: 'Brilliant science fiction and far-out world-building' - James McAvoy 'One of the most interesting and accomplished writers in speculative fiction' - Christopher Paolini 'Tchaikovsky's world-building is some of the best in modern sci-fi' - New Scientist

Adrian Tchaikovsky (Author), TBD (Narrator)

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House of Open Wounds

From the BSFA Award-Winning Author of City Of Last Chances City-by-city, kingdom-by-kingdom, the Palleseen have sworn to bring Perfection and Correctness to an imperfect world. As their legions scour the world of superstition with the bright flame of reason, so they deliver a mountain of ragged, holed and scorched flesh to the field hospital tents just behind the frontline. Which is where Yasnic, one-time priest, healer and rebel, finds himself. Reprieved from the gallows and sent to war clutching a box of orphan Gods, he has been sequestered to a particularity unorthodox medical unit. Led by 'the Butcher', an ogre of a man who's a dab hand with a bone-saw and an alchemical tincture, the unit's motley crew of conscripts, healers and orderlies are no strangers to the horrors of war. Their's is an unspeakable trade: elbow-deep in gore they have a first-hand view of the suffering caused by flesh-rending monsters, arcane magical weaponry and embittered enemy soldiers. Entrusted - for now - with saving lives deemed otherwise un-saveable, the field hospital's crew face a precarious existence. Their work with unapproved magic, necromancy, demonology and Yansic's thoroughly illicit Gods could lead to the unit being disbanded, arrested or worse. Beset by enemies within and without, the last thing anyone needs is a miracle.

Adrian Tchaikovsky (Author), David Thorpe, TBD (Narrator)

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And Put Away Childish Things

All roads lead to Underhill, where it's always winter, and never nice. Harry Bodie has a famous grandmother, who wrote beloved children's books set in the delightful world of Underhill. Harry himself is a failing kids' television presenter whose every attempt to advance his career ends in self-sabotage. His family history seems to be nothing but an impediment. An impediment . . . or worse. What if Underhill is real? What if it has been waiting decades for a promised child to visit? What if it isn't delightful at all? And what if its denizens have run out of patience and are taking matters into their own hands?

Adrian Tchaikovsky (Author), Adrian Tchaikovsky (Narrator)

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Elder Race

In Adrian Tchaikovsky's Elder Race, a junior anthropologist on a distant planet must help the locals he has sworn to study to save a planet from an unbeatable foe. Lynesse is the lowly Fourth Daughter of the queen, and always getting in the way. But a demon is terrorizing the land, and now she's an adult (albeit barely) with responsibilities (she tells herself). Although she still gets in the way, she understands that the only way to save her people is to invoke the pact between her family and the Elder sorcerer who has inhabited the local tower for as long as her people have lived here (though none in living memory has approached it). But Elder Nyr isn't a sorcerer, and he is forbidden to help, and his knowledge of science tells him the threat cannot possibly be a demon . . .

Adrian Tchaikovsky (Author), John Lee (Narrator)

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Lords of Uncreation

From Adrian Tchaikovsky, author of Children of Time and winner of the Arthur C. Clarke Award, Lords of Uncreation is the final high-octane instalment in the Final Architecture space opera trilogy. He's found a way to end their war, but will humanity survive to see it? Idris Telemmier has uncovered a secret that changes everything – the Architects’ greatest weakness. A shadowy Cartel scrambles to turn his discovery into a weapon against these alien destroyers of worlds. But between them and victory stands self-interest. The galaxy’s great powers would rather pursue their own agendas than stand together against this shared terror. Human and inhuman interests wrestle to control Idris’ discovery, as the galaxy erupts into a mutually destructive and self-defeating war. The other great obstacle to striking against their alien threat is Idris himself. He knows that the Architects, despite their power, are merely tools of a higher intelligence. Deep within unspace, where time moves differently, and reality isn’t quite what it seems, their masters are the true threat. Masters who are just becoming aware of humanity’s daring – and taking steps to exterminate this annoyance forever. Praise for Adrian Tchaikovsky: ‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher Paolini ‘[Adrian] writes incredibly enjoyable sci-fi, full of life and ideas’ – Patrick Ness, author of The Knife of Never Letting Go ‘Brilliant science fiction’ – James McAvoy on Children of Time ‘Full of sparkling, speculative invention’ – Stephen Baxter, author of the Xeelee Sequence on The Doors of Eden

Adrian Tchaikovsky (Author), Sophie Aldred (Narrator)

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City of Last Chances

Arthur C. Clarke winner and Sunday Times bestseller Adrian Tchaikovsky's triumphant return to fantasy with a darkly inventive portrait of a city under occupation and on the verge of revolution. There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration? Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood – that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores. Ilmar, some say, is the worst place in the world and the gateway to a thousand worse places. Ilmar, City of Long Shadows. City of Bad Decisions. City of Last Chances.

Adrian Tchaikovsky (Author), David Thorpe (Narrator)

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The King Must Fall

When the mighty and cruel must be brought low, it's the killers and the schemers who emerge from the shadows. As plans twist and change, and our protagonists are foiled and beaten, one thing remains true: no matter the cost, the king must fall. The King Must Fall is a dark fantasy anthology featuring 19 titans of the dark and grimdark fantasy genres writing about rogues, assassins, mages, blackguards, and warriors on quests to kill their kings, rulers, captains, and leaders. Featuring stories by Devin Madson, Luke Scull, Anna Smith Spark, Anthony Ryan, Michael R Fletcher, Jeremy Szal, Lee Murray, Daniel Polansky, Shawn Speakman, Adrian Tchaikovsky, Trudi Canavan, Alex Marshall, Anna Stephens, Justin Call, Peter Orullian, Kameron Hurley, Matthew Ward, Deborah A. Wolf, and Bradley P. Beaulieu.

Adrian Collins, Adrian Tchaikovsky, Alex Marshall, Anna Smith Spark, Anna Stephens, Anthony Ryan, Bradley P. Beaulieu, Daniel Polansky, Deborah A. Wolf, Devin Madson, Jeremy Szal, Justin Call, Kameron Hurley, Lee Murray, Luke Scull, Matthew Ward, Michael R Fletcher, Mike Myers, Peter Orullian, Sarah Chorn, Shawn Speakman, Trudi Canavan (Author), Greg Patmore (Narrator)

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Children of Memory

The unmissable follow-up space opera to the highly acclaimed Children of Time and Children of Ruin. When Earth failed, it sent out arkships to establish new outposts. So the spaceship Enkidu and its captain, Heorest Holt, carried its precious human cargo to a potential new paradise. Generations later, this fragile colony has managed to survive on Imir, eking out a hardy existence. Yet life is tough, and much technological knowledge has been lost. Then strangers appear, on a world where everyone knows their neighbour. They possess unparalleled knowledge and thrilling new technology – for they have come from the stars, to help humanity’s lost colonies. But not all is as it seems on Imir. As the visitors lose track of time and memories, they discover the colonists fear unknown enemies and Imir’s own murky history. Neighbour turns against neighbour, as society fractures in the face of this terrifying foe. Perhaps some other intelligence is at work, toying with colonists and space-faring scientists alike? But not all questions are so easily answered – and the price may be the colony itself. Children of Memory by Arthur C. Clarke Award-winning author Adrian Tchaikovsky is a far-reaching space opera spanning generations, species and galaxies.

Adrian Tchaikovsky (Author), Mel Hudson (Narrator)

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Portal der Welten (ungekürzt)

England, in der nahen Zukunft. Vier Jahre nach dem spurlosen Verschwinden ihrer besten Freundin Mal ist die Studentin Lee noch immer traumatisiert. Nach einem mysteriösen Anruf kreuzen sich ihre Wege mit denen des MI5-Agenten Julian Sabreur, der einem Phantom nachjagt. Ist es vielleicht Mal? Aber wo war sie - und wo ist sie jetzt? Als auch noch eine Physikerin entführt wird, die über Parallelwelten geforscht hat, beginnt das Gefüge von Lees und Julians Welt auseinanderzubrechen. Irgendetwas ist da draußen, und es hat finstere Absichten ... Regie: Anna-Lena Kühner

Adrian Tchaikovsky (Author), Matthias Lühn (Narrator)

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Eyes of the Void

From the author of the thrilling science-fiction epic Children of Time, which won the prestigious Arthur C. Clarke Award. Eyes of the Void is the second high-octane instalment in Adrian Tchaikovsky's Final Architecture space opera trilogy. ‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher Paolini What waits in the shadows as we fight our greatest foe? After one great battle, the Architects disappeared. Yet humanity’s fragile peace is brief. For, forty years later, the galaxy’s greatest alien enemy has returned. This time, the artefacts that preserved entire worlds from destruction are ineffective. And no planet is safe. The Human Colony worlds are in turmoil as they face extinction. Some believe alliances with other species can save them. Others insist humanity must fight alone. But no one has the firepower or technology to ensure victory, as the Architects loom ever closer. Idris spent decades running from the last war’s horrors. Yet as an Intermediary, altered to navigate deep space, he’s one of humanity’s only weapons. He’s therefore forced back into action. With a handful of allies, Idris must find something – anything – to stop the Architects’ pitiless advance. But to do so, he must return to the nightmare of unspace, where his mind was broken and remade. What he discovers there will change everything. Praise for Adrian Tchaikovsky: ‘[Adrian] writes incredibly enjoyable sci-fi, full of life and ideas’ – Patrick Ness, author of The Knife of Never Letting Go ‘Brilliant science fiction’ – James McAvoy on Children of Time ‘Full of sparkling, speculative invention’ – Stephen Baxter, author of the Xeelee Sequence on The Doors of Eden

Adrian Tchaikovsky (Author), Sophie Aldred (Narrator)

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Ogres

Brought to you by Penguin. Ogres are bigger than you. Ogres are stronger than you. Ogres rule the world. It's always idyllic in the village until the landlord comes to call. Because the landlord is an Ogre. And Ogres rule the world, with their size and strength and appetites. It's always been that way. It's the natural order of the world. And they only eat people sometimes. But when the headman's son, Torquell, dares lift his hand against the landlord's son, he sets himself on a path to learn the terrible truth about the Ogres, and about the dark sciences that ensured their rule. © Adrian Tchaikovsky (P) Penguin Audio and Rebellion Publishing 2022

Adrian Tchaikovsky (Author), Emma Newman (Narrator)

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