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Seventeen-year-old Eleanor has left rural Lincolnshire for Brighton in search of a fresh start. Everything goes right till everything goes wrong-a funny, tragic, unpredictable story of a young girl's dangerous journey through an abusive relationship and coming out the other side. Critchley gets inside the mind of both abuser and abused laying bare the strange and strained logic of both, but in the end her protagonist emerges bravely and triumphantly the less deceived but not before things have gone terribly wrong.
Our June 2021 Book Club Recommendation Click here to see our Reading Group Questions. Heady, rich and evocative, and while a reimagining of Great Expectations, this debut stands as a unique and startling read in its own right. As a child, orphaned Kit finds the world of his Uncle and Aunt an enticing place to be, as he grows older he discovers that all that glitters isn’t necessarily gold. Gill Darling travels through three decades from the 1970’s, creating the most spelling-binding novel. She doesn’t flinch from the harsher side of life, and while building an enchanting world, exposes vulnerability, selfishness, and excess. The characters feel as real as can be, with a tapestry of traits they ensured my feelings moved through the gamut of emotions. While I knew this was inspired by Great Expectations before I started, I entered and read it as Erringby, completely absorbed and only looking between the two when I had turned the last page. I found growing up with Kit at times disturbing, while at others I relished his adventures, and the ending sent little goose pimples skittering down my arms. When I finish reading I always return to the cover again to see with new eyes, and oh what a gorgeously expressive and clever creation it is! Thoughtful and loving, yet passionate and provocative, Erringby is a truly striking coming-of-age novel and a deserves its place as a LoveReading Star Book.
A beautifully poignant, thought-provoking and special novel that really does travel to the heart of what it is to be human. 20 year old Sebastian knows exactly what he wants, his hormones are raging and he is desperate for sex however his autism limits his ability to meet girls. When Sebastian’s mother Veronica contacts escort Violetta, the lives of all three change forever. The novel focuses on the three main characters, each is vividly realised and I positively ached for and adored all three. Their individual stories weave through and under and around each other, the short chapters tying them together, creating one whole tale. Louise Beech often crosses genres in her novels, and has explored crime through to relationship stories. Her particular skill, on display in all of her novels, is allowing us to connect and sink in to what it means to be human, she takes us below the surface, below the obvious, and allows us to explore. My emotions sang throughout this novel, I balanced the exquisite tightrope that swings from the pages, stepped out, and fell in love with the words, the feelings they evoked. The title is absolutely perfect, and when I had finished, I just sat pondering its meaning. The Author’s Note at the end shows just how connected Louise is to this story, how she was inspired by her experience of autism as ‘an outsider’ and she also talks about #OwnVoices. This is How we are Human is bold and provocative, thoughtful and warmhearted, and I declare it is completely gorgeous!
As the first in what is setting itself up as an epic magic realism series, this captivating debut thrills with a fabulous cast, intriguing plot and fascinating exploration of magic. Anna is just about to turn 16, her Aunt is arranging a ceremony to bind her magic but when Anna meets Effie and Attis she begins to question everything she has known. The main characters are teenagers on the brink of adulthood, due to the content I would say this is balanced between a read for older teens, and adults. Cari Thomas has made the magic in Threadneedle feel age-old and real, and while the teenagers release themselves to the wilds of experimentation, dangerous undercurrents swirl through the book. The characters are vibrant and relatable, even when throwing spells around. Abuse and bullying run as a theme alongside the fantasy element, and are explored with empathy and compassion. As I read, I believed, even though this is a new take on magic, it immediately settled in my thoughts. This is such a beautifully easy yet all-consuming read, I swam in its depths before coming up for air and back to reality. The ending sets itself up nicely for the next in the series. Threadneedle, the first in the Language of Magic is just wonderful, I wish it all the very best as it deserves to fly.
Like the very best short stories, Wandeka Gayle’s Motherland and Other Stories are multi-layered, long-lingering, and delivered in a deceptively simple style - vivid vignettes of life from varied corners of the globe with lasting impact that grows over time and draws you back. Many of the tales take turns down unexpected paths - purposeful detours and changes of direction that reveal new truths. Others present intimate, intense portraits of their protagonist’s complex relationship to home (Jamaica). All of them exude elegance and insights into the human condition. In my book, that’s pretty much short story perfection. Though distinct, the twelve stories are united by the courage of their protagonists, and an exploration of what it is to be black in white worlds. In Motherland we meet compassionate Roxanne, who moved from Jamaica and works in a London care home. She encounters racism, but strikes a bond with an elderly writer resident. Then there’s Ayo in Finding Joy, who leaves Jamaica to study in Louisiana and finds agency through personal upheavals “in this foreign place.” Each story, and each woman’s experiences, had me utterly in their thrall.
I met Tochi on a panel right before the pandemic hit and he was so delightful and engaging that I took a copy of his book home with me. Post #MeToo, a depressingly predictable number of male writers have suddenly turned away from tough guy narrators to writing women protagonist who are feisty and kick ass and love to give blow jobs. Tochi isn’t like that. He has a kindness and curiosity that imbues his characters with respect and believable complications. His young women are trying to find a place in the world that seeks to stifle them. That they are able to find ways through the many obstacles thrown in their paths speaks to Tochi’s sensitivities and I dare say his own family’s immigrant experience. Selected by our Early Summer 2021 Guest Editor Karin Slaughter