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The Boy

"Brutal and tender, this extraordinary debut unpacks devastating loss, family dynamics, Cork’s criminal underworld, and how the smallest decisions we make dramatically impact the paths we take."

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LoveReading Says

LoveReading Says

Centred on the eponymous boy who, exposed by the turmoil of grief, is pulled into Cork’s criminal underbelly, Mark Gyves’ The Boy is gritty and lyrical through its remarkable polyphonic narrative.

The book begins with a bombshell, when the Guards bring news of the death of the Boy’s mother, which sets him recollecting his early childhood: “She was beautiful then and Da loved her, he recalled. Loved the bones of her. Every fucking sinew and molecule, he knew them all”. For his part, the Boy’s father was “a handsome wild bastard.

Dangerous, funny and brilliant, with a shock of black hair atop a rogue’s ceann. Those piercing blue eyes that could stop a charging rhino dead in its fuckin’ tracks”.

Then we meet more of the Boy’s family, including his brother Fallon, who does business with The Big Fella, a man of power in “the country’s burgeoning crime scene”, and a person of “influence in political and business circles”, and his Uncle Feargal, who’s graduated from petrol bombs and riots to handguns and armed robbery. Then there’s Clifford, a wealthy landowner who runs Kilduggart Hall, a place that grimly harbours a clan of abducted boys.

In the wake of the vicious blow of another death, the Boy teeters on a tightrope as he’s woven ever tighter into a tapestry of organised crime and familial legacies, with Mark Gyves’ extraordinary writing conjuring the most dreadful, unthinkable acts and events with a brutal beauty. Weaving a powerful story of greed, grief, guilt, dark secrets, and tangled legacies, The Boy blends the propulsive energy of a crime thriller with the arresting style and emotional subtleties of literary fiction. As such, this is a novel for fans of Colin Barrett, and readers who love character-driven page-turners with layered depth.

Joanne Owen
Reviewed by Joanne Owen
Joanne Owen’s lifelong love of reading and writing began when she was growing up in Pembrokeshire, and very much wished that witches (and Mrs Pepperpot) were real.
More reviews by Joanne Owen
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About The Boy

The Boy is a powerful novel of wasted talent, loss, greed and revenge – but also of discovered genius and life-affirming friendship.

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Primary Genre Crime and Mystery
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