An absolute gem, this novella is Alan Bennett’s take on the Queen becoming a bibliophile and it is absolutely delightful. At one point the Queen laments not having read books of authors she had met in the past, her private secretary says “But ma’am must have been briefed surely?” to which the Queen responds “Briefing closes down a subject, reading opens it up”.
A very funny and thoroughly enjoyable book about the joy of reading. A must for all book lovers…..and for those that aren’t and should be!
What would happen if the Queen became a reader of taste and discernment rather than of Dick Francis? The answer is a perfect story. The Uncommon Reader is none other than HM the Queen who drifts accidentally into reading when her corgis stray into a mobile library parked at Buckingham Palace.
What would happen if the Queen became a reader of taste and discernment rather than of Dick Francis? The answer is a perfect story. The Uncommon Reader is none other than HM the Queen who drifts accidentally into reading when her corgis stray into a mobile library parked at Buckingham Palace.
She reads widely ( JR Ackerley, Jean Genet, Ivy Compton Burnett and the classics) and intelligently. Her reading naturally changes her world view and her relationship with people like the oleaginous prime minister and his repellent advisers. She comes to question the prescribed order of the world and loses patience with much that she has to do.
In short, her reading is subversive. The consequence is, of course, surprising, mildly shocking and very funny.
Alan Bennett has been one of our leading dramatists since the success of Beyond the Fringe in the 1960s. His television series Talking Heads has become a modern-day classic, as have many of his works for the stage, including Forty Years On, The Lady in the Van, A Question of Attribution, The Madness of George III (together with the Oscar-nominated screenplay The Madness of King George) and an adaptation of Kenneth Grahame’s The Wind in the Willows. His most recent play, The History Boys, won Evening Standard and Critics’ Circle awards for Best Play, The Laurence Olivier Award for Best New Play and the South Bank Award.
