This innovative collection of essays is focused on the idea of transmedialization: the ways that the traditional forms of the predominantly oral cultures of Scotland and Brittany (poetry, song and story) can be transformed by the use of hybrid forms and new digital technologies.
The volume invites readers from a range of disciplines - music, art, literature, history, cultural memory studies, anthropology or media studies - to consider how an intermedial aesthetics of the edge can enable these distinctive cultures to thrive. The languages of both cultures are presently endangered and the essays seek to connect notions of language with a culture which can align its traditions with the concerns of the present day. The collection proceeds from a conceptual analysis of poetry film, peripheral vision and the concerns of peripheral communities to an examination of inventive practices in the film-poem, experimental video, film portrait, word-image, digitised music, sound-image and genre-contestant narratives. The collection also includes contributions from creative practitioners who utilize a range of hybrid forms to revitalize the traditional vernacular cultures of Scotland and Brittany.
The book will be of interest to scholars working in art history, literature, film studies, media studies, music, cultural theory, and philosophy.
| ISBN: | 9781032536019 |
| Publication date: | 20th September 2024 |
| Author: | Lindsay Blair, Camille Manfredi |
| Publisher: | Routledge an imprint of Taylor & Francis |
| Format: | Hardback |
| Pagination: | 238 pages |
| Series: | Routledge Advances in Art and Visual Studies |
| Genres: |
History of art Cultural studies Media studies Philosophy: aesthetics Literary studies: general The arts: general topics Music Poetry |
This innovative collection of essays is focused on the idea of transmedialization: the ways that the traditional forms of the predominantly oral cultures of Scotland and Brittany (poetry, song and story) can be transformed by the use of hybrid forms and new digital technologies.
The volume invites readers from a range of disciplines - music, art, literature, history, cultural memory studies, anthropology or media studies - to consider how an intermedial aesthetics of the edge can enable these distinctive cultures to thrive. The languages of both cultures are presently endangered and the essays seek to connect notions of language with a culture which can align its traditions with the concerns of the present day. The collection proceeds from a conceptual analysis of poetry film, peripheral vision and the concerns of peripheral communities to an examination of inventive practices in the film-poem, experimental video, film portrait, word-image, digitised music, sound-image and genre-contestant narratives. The collection also includes contributions from creative practitioners who utilize a range of hybrid forms to revitalize the traditional vernacular cultures of Scotland and Brittany.
The book will be of interest to scholars working in art history, literature, film studies, media studies, music, cultural theory, and philosophy.
Intermedial Art Practices as Cultural Resilience features in the following genres: History of art, Cultural studies, Media studies, Philosophy: aesthetics, Literary studies: general, The arts: general topics, Music, Poetry
Intermedial Art Practices as Cultural Resilience is available in Hardback
Intermedial Art Practices as Cultural Resilience was written by Lindsay Blair, Camille Manfredi and published by Routledge an imprint of Taylor & Francis
Intermedial Art Practices as Cultural Resilience has 238 pages
Yes it is part of Routledge Advances in Art and Visual Studies series
£139.50