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Dostoevsky: Language, Faith and Fiction by Rowan Williams
  

Dostoevsky: Language, Faith and Fiction

Biography / Autobiography   

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Rowan Williams' book provides the reader with many insights into the work of the great Russian novelist. He shows us how Dostoevsky's novels are as relevant today as when they were written and how they offer us a viewpoint that is shaped by faith.

Synopsis

Dostoevsky: Language, Faith and Fiction by Rowan Williams

When an Archbishop of Canterbury takes time off to write a book about Dostoevsky, this is a sign of great hope and encouragement for The Church of England and for all those who seek God.

The current rash of books hostile to religious faith will one day be an interesting subject for some sociological analysis.

But to counter such work, is a book of the profoundest kind about the nature and purpose of religious belief. Terrorism, child abuse, absent fathers and the fragmentation of the family, the secularisation and the sexualisation of culture, the future of liberal democracy, the clash of cultures and the nature of national identity - so many of the anxieties that we think of as being quintessentially features of the early twenty first century and on, are present in the work of Dostoevsky - in his letters, his journalism and above all in his fiction.

The world we inhabit as readers of his novels is one in which the question of what human beings owe to each other is left painfully and shockingly open and there is no place to stand from which we can construct a clear moral landscape. But the novels of Dostoevsky continually press home what else might be possible if we - characters and readers - saw the world in another light, the light provided by faith. In order to respond to such a challenge the novels invite us to imagine precisely those extremes of failure, suffering and desolation. There is an unresolved tension in Dostoevsky's novels- a tension between believing and not believing in the existence of God. In The Brothers Karamazov, we can all receive Ivan with a terrible kind of delight. Ivan's picture of himself we immediately recognise as self-portrait. The god that is dead for him is dead for us. This Karamazov God of tension and terror is often the only one we are able to find. This extraordinary book will speak to our generation like few others.

Reviews

"Rowan Williams is an excellent literary critic. He makes you want to read, or reread, everything that Dostoevsky wrote. The books that he describes are spacious enough to contain a whole world, and beautiful enough to serve as icons that illuminate ours" Andrew Brown, The Guardian, September 2008

"There is an engagement with contemporary literature which is hard to find in any other public figure... He speaks knowledgeably and and appreciatively" The Daily Telegraph, September 2008

"Although Rowan Willaims is very modest about his credentials in writing an important book on Dostoevsky, it is difficult to think of anyone who is better qualified... a remarkable contribution to understanding not just Dostoevsky, but what it might involve to be a religious believer in the world today" Richard Harries, Church Times, October 2008

Wild Ecstasy, people having fits, sons murdering fathers, prostitutes converting psychopaths to Christ-this is the world of Dostoevsky, and you can see why the Archbishop finds it a refreshing change from the current Liliputian crises in the Church" Mary Miers, Country Life, November 2008

About the Author

The Rt. Hon. and Most Reverend Rowan Williams is Archbishop of Canterbury. He was formerly Lady Margaret Professor of Divinity at Oxford and Archbishop of Wales.

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Book Info

Publication date

4th September 2008

Author

Rowan Williams

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Publisher

Continuum International Publishing Group Ltd.

Format

Hardback

Categories

Biography / Autobiography


ISBN

9781847064257

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