Kwon Yeo-sun is an award-winning Korean writer. She has won the Sangsang Literary Award, Oh Yeongsu Literature Award, Yi Sang Literary Prize, Hankook Ilbo Literary Award, Tong-ni Literature Prize and Lee Hyo-seok Literary Award. Lemon is her first novel to be published in the English language. Janet Hong is a writer and translator based in Vancouver, Canada. She received the TA First Translation Prize and the LTI Korea Translation Award for her translation of Han Yujoo's The Impossible Fairy Tale, which was also a finalist for both the 2018 PEN Translation Prize and the National Translation Award. Her recent translations include Ha Seong-nan's Bluebeard's First Wife, Ancco's Nineteen, and Keum Suk Gendry-Kim's Grass.
Taking in the absurdities of life, misfortune and tragedy, Kwon Yeo-sun’s Lemon is an engaging, read-in-one-sitting novella of remarkable intensity. In some regards, it’s a crime novel, but one that turns the genre on its head to create an enigmatic emotional puzzle in which a woman warped by grief engages with the person she believes killed her sister. Back in 2002, nineteen-year-old Kim Hae-on was murdered in what became called the High School Beauty Murder. There were only ever two suspects, one of whom had an alibi, while no evidence was found to convict the second, so the case was never solved. Seventeen years later, Kim Hae-on’s younger sister, Da-on, remains utterly eaten up by the murder. Her life is on hold, her mind trapped in twisted stasis. Fixated on finding out what happened to her sister, she discovers unexpected truths that strike her to the core. Told from multiple perspectives and times, the story sparks with descriptive perfection, such as this evocation of the victim: “She was very pretty, but not in a typical way. How could I describe it? Her beauty was urgent, precarious, like the piercing wail of a speeding ambulance. I could not look away”. It also swirls with powerful undercurrents of raw emotion - desperation, regret, longing, guilt, the brutal ripples of grief. Presented in all their ludicrous complexities, such raw states are overlaid with the mundanities of everyday life. Though short, this is an intensely gripping and profound reading experience. As Lemon ponders: “Couldn’t each moment we’re living now be the meaning of life?”