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Find out moreLionel Shriver is a novelist whose previous books include The Post-Birthday World, A Perfectly Good Family, Game Control, Double Fault, The Female of the Species, Checker and the Derailleurs, and Ordinary Decent Criminals. She is widely published as a journalist, writing features, columns, op-eds, and book reviews for the Guardian, New York Times, Wall Street Journal, Financial Times, Economist, Marie Claire, and many others. She is frequently interviewed on television, radio and in print media. She lives in London and Brooklyn, NY.
Winner of the Orange Prize for Fiction 2005. Narrated by a mother, Eve, in letters to her estranged husband, this is a truly horrific story of a 15-year old boy’s killing spree but it is more the tale of how he got there than of the crime itself. It harks back to Eve’s relationship with her husband and the upbringing of the child. The big question is how much she is, or not, to blame for the tragedy that unfolds. Stark and unbelievably painful, it touches on truths not often spoken of. A great book. ~ Sarah Broadhurst
Winner of the Orange Prize for Fiction 2005. Narrated by a mother, Eve, in letters to her estranged husband, this is a truly horrific story of a 15-year old boy’s killing spree but it is more the tale of how he got there than of the crime itself. It harks back to Eve’s relationship with her husband and the upbringing of the child. The big question is how much she is, or not, to blame for the tragedy that unfolds. Stark and unbelievably painful, it touches on truths not often spoken of. A great book. ~ Sarah Broadhurst
Eva never really wanted to be a mother; certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker and a teacher who tried to befriend him. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood and Kevin's horrific rampage in a series of startlingly direct correspondences with her absent husband, Franklyn. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails. Adapted and directed by Lynne Ramsay (Morvern Callar, Ratcatcher), the film of We Need to Talk About Kevin stars Tila Swinton (I Am Love) and John C. Reilly (The Aviator), with Ezra Miller (Californication) as the eponymous teenage murderer.
Eva never really wanted to be a mother; certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker and a teacher who tried to befriend him. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood and Kevin's horrific rampage in a series of startlingly direct correspondences with her absent husband, Franklyn. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
Winner of the Orange Prize for Fiction 2005. Narrated by a mother, Eve, in letters to her estranged husband, this is a truly horrific story of a 15-year old boy’s killing spree but more than that it's the tale of how he got there rather than of the crime itself. It harks back to Eve’s relationship with her husband and the upbringing of the child. The big question is how much she is, or not, to blame for the tragedy that unfolds. Stark and unbelievably painful, it touches on truths not often spoken of. A great book.
WINNER OF THE ORANGE PRIZE FOR FICTION 2005 Two years ago, Eva Khatchadourian?s son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York. Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault? Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.
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