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Find out moreElisabeth Gifford grew up in a vicarage in the industrial Midlands. She studied French literature and world religions at Leeds University. She has written articles for The Times and the Independent and has a Diploma in Creative Writing from Oxford OUDCE and an MA in Creative Writing from Royal Holloway College. She is married with three children. They live in Kingston on Thames but spend as much time as possible in the Hebrides.
Inspiring, gorgeous, powerful. The Lost Lights of St Kilda is a beautifully written story brimming with guts and determination. When Fred meets Chrissie in 1927 a love flickers into being, the memory of their time together remains with them through the challenging years ahead. This may be described as a love story between two people, it is also a love story about St Kilda, Scotland’s first World Heritage Site. Elisabeth Gifford has used fictional characters in a real setting, with the abandonment of St Kilda and the Second World War adding an incredibly vivid framework to the story. Taking place over forty years, the novel actually starts in 1940 with Fred as a prisoner of war, plotting escape. From here we move backwards and forwards in time, in such a way that the words continued to flow into my awareness and created an intricate patchwork of knowledge and understanding. This love feels real, there is an inner core of strength, hope, and resilience on offer that really spoke to me. I rather fell in love with The Lost Lights of St Kilda, it joins my Liz Robinson picks of the month and comes as highly recommended by me.
An emotionally tough read that tells a story which must not be forgotten. Based on the lives of two of the central characters, Sophia and Misha, it centres on an orphanage in the Warsaw ghetto during the Second World War and of the work of Dr Janusz Korezak, the Good Doctor of the title. The story begins in 1937 when Poland is independent. The anti-Jewish bigotry festering in fascist Germany is slowly spreading throughout Central Europe but life is still pleasant in Warsaw. Misha and Sophia are in love. There is a charming chapter when, in July 1939, the children from Korezak’s orphanage are taken to the country for a month of games and fresh air; an idyllic time and a poignant contrast to the horror to come. I do not need to tell you what happens, just to mention the word Treblinka is enough. Getting there in August 1942 is harrowing yet compulsive reading as we follow the adventures of Misha and Sophia and indeed the wonderful Dr Korezak. There is a postscript about the site today where a large stone monolith commemorates the awful events carried out there. It is surrounded by smaller stones each representing a village, town or city from which the Jews and Romanies were taken. Only one stone has the one word, Korezak.
An emotionally tough read that tells a story which must not be forgotten. Based on the lives of two of the central characters, Sophia and Misha, it centres on an orphanage in the Warsaw ghetto during the Second World War and of the work of Dr Janusz Korezak, the Good Doctor of the title. The story begins in 1937 when Poland is independent. The anti-Jewish bigotry festering in fascist Germany is slowly spreading throughout Central Europe but life is still pleasant in Warsaw. Misha and Sophia are in love. There is a charming chapter when, in July 1939, the children from Korezak’s orphanage are taken to the country for a month of games and fresh air; an idyllic time and a poignant contrast to the horror to come. I do not need to tell you what happens, just to mention the word Treblinka is enough. Getting there in August 1942 is harrowing yet compulsive reading as we follow the adventures of Misha and Sophia and indeed the wonderful Dr Korezak. There is a postscript about the site today where a large stone monolith commemorates the awful events carried out there. It is surrounded by smaller stones each representing a village, town or city from which the Jews and Romanies were taken. Only one stone has the one word, Korezak.
Scotland, 1860. Reverend Alexander Ferguson, naive and newly-ordained, takes up his new parish, a poor, isolated patch on the Hebridean island of Harris. His time on the island will irrevocably change the course of his life, but the white house on the edge of the dunes keeps its silence long after Alexander departs. It will be more than a century before the Sea House reluctantly gives up its secrets. Ruth and Michael buy the grand but dilapidated building and begin to turn it into a home for the family they hope to have. Their dreams are marred by a shocking discovery. The tiny bones of a baby are buried beneath the house; the child's fragile legs are fused together - a mermaid child. Who buried the bones? And why? Ruth needs to solve the mystery of her new home - but the answers to her questions may lie in her own past. Based on a real nineteenth-century letter to The Times in which a Scottish clergyman claimed to have seen a mermaid, Secrets of the Sea House is an epic, sweeping tale of loss and love, hope and redemption, and how we heal ourselves with the stories we tell.
Deeply in love and about to marry, students Misha and Sophia flee a Warsaw under Nazi occupation for a chance at freedom. Forced to return to the Warsaw ghetto, they help Misha's mentor, Dr Korczak, care for the two hundred children in his orphanage. As the noose tightens around the ghetto, Misha and Sophia are torn from one another, forcing them to face their worst fears alone. Meanwhile, refusing to leave the children unprotected, Korczak must confront a terrible darkness.
Secrets of the Sea HouseScotland, 1860. Reverend Alexander Ferguson, naive and newly ordained, takes up his new parish, a poor, isolated patch on the Hebridean island of Harris. His time on the island will irrevocably change the course of his life, but the white house on the edge of the dunes keeps its silence long after Alexander departs. Secrets of the Sea House is an epic, sweeping tale of loss and love, hope and redemption, and how we heal ourselves with the stories we tell.Return to FourwindsAt Fourwinds they gather: Alice and Ralph, Patricia and Peter, to celebrate the marriage of their children. But the bride is nowhere to be seen. What could have caused Sarah to vanish? As both families search for the answer, the past floods through the corridors of the old house. Return to Fourwinds is a sweeping, lyrical story of the things we choose to tell and the secrets that we keep.
***Shortlisted Author For Historical Writers' Association's Debut Crown For Best First Historical Novel*** What will it cost to hide your deepest secrets from those you love most? At Fourwinds they gather: Alice and Ralph, Patricia and Peter, to celebrate the marriage of their children. But the bride is nowhere to be seen. What could have caused Sarah to vanish? As both families search for the answer, the past floods through the corridors of the old house. What secret has Ralph been keeping from his wife? What is it about Alice's wartime encounter with Peter that has haunted her ever since? Return to Fourwinds is a sweeping, lyrical story of the things we choose to tell and the secrets that we keep.
***Shortlisted Author For Historical Writers' Association's Debut Crown For Best First Historical Novel*** One house. Two families. A lifetime of secrets. At Fourwinds they gather: Alice and Ralph, Patricia and Peter, to celebrate the marriage of their children. The marquee is on the lawn, breathing in and out in the summer heat. But the bride is nowhere to be seen. As both families are drawn together, the past floods through the corridors of the old house. What secret has Ralph been keeping from his wife? What is it about Alice's wartime encounter with Peter that has haunted her ever since? And what could have caused Sarah to vanish without a word to any of the people she loves? Moving from the orange groves of Valencia and the spacious houses of the British countryside to the post-war slums in the north, Return to Fourwinds is a sweeping, lyrical story of the things we tell and the things we keep to ourselves. Is Sarah's disappearance a culmination of the pressures that have kept the two families apart? Or can they work together to bring her back to Fourwinds?
Nur das Meer kennt die Wahrheit. Das Leben auf der kleinen schottischen Insel Harris orientiert sich seit eh und je am Lauf der Gezeiten. Hier hofft Ruth, das Zuhause zu finden, das sie seit dem Selbstmord ihrer Mutter vermisst. Zusammen mit ihrem Mann will sie ein altes Cottage zu einem Bed & Breakfast umbauen. Doch bei den Arbeiten machen sie einen grausigen Fund: Suglingsknochen. Wer war das Kind? Woran ist es gestorben?Knnen ihr die Aufzeichnungen eines jungen Pastors, der vor ber hundert Jahren in dem Cottage lebte, den Schlssel zu diesem Geheimnis liefern? Der Geistliche war einem alten schottischen Mythos auf der Spur, und was er damals herausfand, wirkt fort bis in die Gegenwart und auf Ruths eigene Familiengeschichte
***Shortlisted For Historical Writers' Association's Debut Crown For Best First Historical Novel*** Scotland, 1860. Reverend Alexander Ferguson, naive and newly-ordained, takes up his new parish, a poor, isolated patch on the Hebridean island of Harris. His time on the island will irrevocably change the course of his life, but the white house on the edge of the dunes keeps its silence long after Alexander departs. It will be more than a century before the Sea House reluctantly gives up its secrets. Ruth and Michael buy the grand but dilapidated building and begin to turn it into a home for the family they hope to have. But their dreams are marred by a shocking discovery. The tiny bones of a baby are buried beneath the house; the child's fragile legs are fused together - a mermaid child. Who buried the bones? And why? Ruth needs to solve the mystery of her new home - but the answers to her questions may lie in her own past. Based on a real nineteenth-century letter to The Times in which a Scottish clergyman claimed to have seen a mermaid, Secrets of the Sea House is an epic, sweeping tale of loss and love, hope and redemption, and how we heal ourselves with the stories we tell.
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