Buy from our bookstore and 25% of the cover price will be given to a school of your choice to buy more books. *15% of eBooks.
Audiobooks Narrated by Martin Geeson
Browse audiobooks narrated by Martin Geeson, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us
"Guy de Maupassant's scandalous tale of an opportunistic young man corrupted by the allure of power, 'Bel-Ami' is translated with an introduction by Douglas Parmee in 'Penguin Classics'. Young, attractive and very ambitious, George Duroy, known to his admirers as Bel-Ami, is offered a job as a journalist on La Vie francaise and soon makes a great success of his new career. But he also comes face to face with the realities of the corrupt society in which he lives - the sleazy colleagues, the manipulative mistresses, and wily financiers - and swiftly learns to become an arch-seducer, blackmailer and social climber in a world where love is only a means to an end. Written when Maupassant was at the height of his powers, 'Bel-Ami' is a novel of great frankness and cynicism, but it is also infused with the sheer joy of life - depicting the scenes and characters of Paris in the belle epoque with wit, sensitivity, and humanity. Douglas Parmee's translation captures all the vigour and vitality of Maupassant's novel. His introduction explores the similarities between Bel-Ami and Maupassant himself and demonstrates the skill with which the author depicts his large cast of characters and the French society of the Third Republic."
"This vivid, sensitive tale of adolescent love follows a 16-year-old boy who falls in love with a beautiful, older woman and experiences a whirlwind of changing emotions, from exaltation and jealousy to despair and devotion."
"“Thou hast the keys of Paradise, O just, subtle, and mighty Opium!”
Though apparently presenting the reader with a collage of poignant memories, temporal digressions and random anecdotes, the Confessions is a work of immense sophistication and certainly one of the most impressive and influential of all autobiographies. The work is of great appeal to the contemporary reader, displaying a nervous (postmodern?) self-awareness, a spiralling obsession with the enigmas of its own composition and significance. De Quincey may be said to scrutinise his life, somewhat feverishly, in an effort to fix his own identity.
The title seems to promise a graphic exposure of horrors; these passages do not make up a large part of the whole. The circumstances of its hasty composition sets up the work as a lucrative piece of sensational journalism, albeit published in a more intellectually respectable organ – the London Magazine – than are today’s tawdry exercises in tabloid self-exposure. What makes the book technically remarkable is its use of a majestic neoclassical style applied to a very romantic species of confessional writing - self-reflexive but always reaching out to the Reader. (Summary by Martin Geeson)"
"“Thus I have acted; these were my thoughts; such was I.”
Rousseau’s lengthy and sometimes anguished dossier on the Self is one of the most remarkable and courageous works of introspection ever undertaken. Some readers may be repelled by his tendency to revel in embarrassing accounts of humiliation and fiasco, as if he were striving too hard to achieve an ultimate nakedness, a nakedness of the soul perhaps. Others may recall the compulsive self-searching of the narrator of Proust’s A la recherche du temps perdu, who also rather dwelt on the co-existence in the individual of the vile and the virtuous.
The two opening volumes of the Confessions, presented in this inevitably censored edition of 1903, deal with the author’s childhood and callow adolescence.
Here he is... (Summary by Martin Geeson)"
"On one side of the river he saw a flock of white sheep, and on the other a flock of black sheep. And whenever one of the white sheep bleated, one of the black sheep would cross over, and become white; and when one of the black sheep bleated, one of the white sheep would cross over, and become black.
Before passing on to the Mabinogion proper, Lady Charlotte Guest devotes Volume I of her compilation of medieval Welsh tales to three brief romances of Arthur’s Court. The centrepiece is the story of Peredur, the Dumb Youth – known elsewhere as Perceval, Parzifal, the Holy Fool, et al.
This is the violent world of satin-clad knights and their clashing encounters, peremptory slayings of giants and cave-dwelling monsters – a world where love is as sudden and final as death. (Introduction by Martin Geeson)"
"“Society lies under the spell of ancient terrorism and coagulated errors. Science is either wilfully hypocritical or radically misinformed.”
John Addington Symonds struck many an heroic note in this courageous (albeit anonymously circulated) essay. He is a worthy Virgil guiding the reader through the Inferno of suffering which emerging medico-legal definitions of the sexually deviant were prepared to inflict on his century and on the one which followed. Symonds pleads for sane human values in a world of Urnings, Dionings, Urano-Dionings and Uraniasters - in short, the whole paraphernalia of Victorian taxonomies and undigested Darwinism which, superimposed on the “terrorism” of religion, labelled and to some extent created the specimen “homosexual.”
A discussion of the “manly love” poems of Walt Whitman leads the author to speculate on a better future for the criminalised mutual passions of men; yet he is obliged to defer the dream, for “the world cannot be invited to entertain it.” (Introduction by Martin Geeson)"
""... an alemaunde tre schal floure, a locuste schal be maad fat, and capparis schal be distried; for a man schal go in to the hous of his euerlastyngnesse..." - Eccl. xii, 5 (see Note below).
Traditionally composed by Solomon sometime around 950-970 BCE but dated on linguistic evidence somewhere in the third century, this meditation on the futility of mankind's striving can bring comfort to those of firm or fragile faith, or of no faith at all. The text used here is a revision of Wycliffe's original translation, made by his follower John Purvey in the mid-1390s. Wycliffe's chapter divisions in some cases differ from those of later versions (the King James, for example).
The Preacher, in his musings on the human condition, enlivens his melancholy observations with flashes of angry despair, resentment and even grim humour, all powerfully conveyed by Wycliffe's translation. Note: The King James Version avoids a direct reference to the aphrodisiac qualities of capparis (caper-berries) in its rendering: "the Almond tree shall flourish, and the grashopper shall be a burden, and desire shall faile..." (Introduction by Martin Geeson)"
"The title of the novella is almost an adequate summary in itself. The "boy-meets-girl-then-loses-her" story is universal but not, I think, banal - despite a surprise ending which notoriously turns out to be very little of a surprise. First Love is given its originality and poignancy by Turgenev's mastery of the piercing turning-point (akin to Joyce's "epiphanies") that transforms the character's whole being, making a tragic outcome inevitable. Even the nature symbolism is rescued from triteness by lovely poetic similes - e.g. "but at that point my attention was arrested by the appearance of a speckled woodpecker who busily climbed up the slender stem of a birch-tree and peeped out uneasily from behind it, first to the right, then to the left, like a musician behind the bass-viol." (Summary by Martin Geeson)"
"Numerous theories have been proposed for the causes of dancing mania, and it remains unclear whether it was a real illness or a social phenomenon.
One of the most prominent theories is that victims suffered from ergot poisoning, which was known as St Anthony's Fire in the Middle Ages. During floods and damp periods, ergots were able to grow and affect rye and other crops. Ergotism can cause hallucinations, but cannot account for the other strange behaviour most commonly identified with dancing mania.
Many sources discuss how dancing mania, and tarantism, may have simply been the result of stress and tension caused by natural disasters around the time, such as plagues and floods...people may have danced to relieve themselves of the stress and poverty of the day, and in doing so, attempted to become ecstatic and see visions. Sources agree that dancing mania was one of the earliest forms of mass hysteria, and describe it as a "psychic epidemic", with numerous explanations that might account for the behaviour of the dancers.
Another popular theory is that the outbreaks were all staged, and the appearance of strange behaviour was down to its unfamiliarity. Religious cults may have been acting out well-organised dances, in accordance with ancient Greek and Roman rituals. Despite being banned at the time, these rituals could be performed under the guise of uncontrollable dancing mania. (Introduction from Wikipedia, slightly adapted.)"
"The extraordinary child-adult Prince Myshkin, confined for several years in a Swiss sanatorium suffering from severe epilepsy, returns to Russia to claim his inheritance and to find a place in healthy human society. The teeming St Petersburg community he enters is far from receptive to an innocent like himself, despite some early successes and relentless pursuit by grotesque fortune-hunters. His naive gaucheries give rise to extreme reactions among his new acquaintance, ranging from anguished protectiveness to mockery and contempt. But even before reaching the city, during the memorable train journey that opens the novel, he has encountered the demonic Rogozhin, the son of a wealthy merchant who is in thrall to the equally doomed Natasha Filippovna: beautiful, capricious and destructively neurotic, she joins with the two weirdly contrasted men in a spiralling dance of death... (Summary by Martin Geeson)"
""He had faith in his good fortune, in that power of attraction which he felt within him - a power so irresistible that all women yielded to it."
Though firmly set in 1880s Paris, Maupassant's gripping story of an amoral journalist on the make could, with only slight modifications of detail, be updated to the 1960s, to the Reagan-Thatcher years, or maybe to the present day. Anti-hero Georges Duroy is a down-at-heel ex-soldier of no particular talent. Good-looking but somewhat lacking in self-confidence, he discovers an ability to control and exploit women - whereupon his career in journalism takes off, fuelled by the corruption of colleagues and government arrivistes. He may be a provincial Don Juan, but he is neither accident-prone nor heading for a fall...
A Hollywood screen adaptation is in preparation at the time of recording. (Summary by Martin Geeson)"
""She was more to me than a sister, a mother, a friend, or even than a mistress, and for this very reason she was not a mistress; in a word, I loved her too much to desire her..."
More of the amours of the twentysomething Jean-Jacques: here initiated into a strangely compromised manhood by his "maman" and perennial comforter -
"Was I happy? No: I felt I know-not-what invincible sadness which empoisoned my happiness, it seemed that I had committed an incest, and two or three times, pressing her eagerly in my arms, I deluged her bosom with my tears. On her part, as she had never sought pleasure, she had not the stings of remorse..."
(Introduction by Martin Geeson)"
![[Italian] - Bible (Wycliffe) 21: Ecclesiastes Audiobook](https://covers.audiobooks.com/images/covers/large/SABLIB9788749.jpg)
