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Audiobooks Narrated by Frank Phillips
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Tarzan's amazing ability to establish kinship with some of the most dangerous animals in the jungle serves him well in this exciting story of his adventures with the Golden Lion, Jad-bal-ja, when the great and lordly animal becomes his ally and protector. Tarzan learns from the High Priestess, La, of a country north of Opar which is held in dread by the Oparians. It is peopled by a strange race of gorilla-men with the intelligence of humans and the strength of gorillas. From time to time they attack Opar, carrying off prisoners for use as slaves in the jewel-studded Temple where they worship a great black-maned lion. Accompanied by the faithful Jad-bal-ja, Tarzan invades the dread country in an attempt to win freedom for the hundreds of people held in slavery there...
Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.
A DEFINITIVE COMPENDIUM OF FOOD WISDOMEating doesn't have to be so complicated. In this age of ever-more elaborate diets and conflicting health advice, Food Rules brings a welcome simplicity to our daily decisions about food. Written with the clarity, concision and wit, this indispensable handbook lays out a set of straightforward, memorable rules for eating wisely, one per page, accompanied by a concise explanation. It's an easy-to-use guide that draws from a variety of traditions, suggesting how different cultures through the ages have arrived at the same enduring wisdom about food.Whether at the supermarket or an all-you-can-eat buffet, this is the perfect guide for anyone who ever wondered, "What should I eat?"
This Audiobook contains the Collection of Rudyard Kipling:
- The jungle book
- Just So Stories
- Kim
- Captains Courageous
- Mowgli: All of the Mowgli Stories from the Jungle Books
- Puck of Pook's Hill
- France At War On the Frontier of Civilization
- Letters of Travel
- A Fleet In Being
- The Fringes Of The Fleet
- American Notes
Published in 1866, Battle-Pieces and Aspects of the War is a collection of poems about the Civil War by Herman Melville. Many of the poems are inspired by second- and third-hand accounts from print news sources (especially the Rebellion Record) and from family and friends. A handful of trips Melville took before, during, and after the war provide additional angles of vision into the battles, the personalities, and the moods of war. In an opening note, Melville describes his project not so much as a systematic chronicle (though many of the individual poems refer to specific events) but as a kind of memory piece of national experience. The 'aspects' to which he refers in the title are as diverse as 'the moods of involuntary meditation—moods variable, and at times widely at variance.' Much of the verse is stylistically conventional (more so than modern readers perhaps expect from the author of Moby-Dick), but the shifting subjectivities and unresolved traumas that unfold in the collection merit repeated contemplation. Melville's Battle-Pieces do not offer a neatly versified narrative of the Civil War but rather kaleidescopic glimpses of shifting emotions and ambivalent reflections of post-war America
The Confidence-Man: His Masquerade was the last major novel by Herman Melville, the American writer and author of Moby-Dick. Published on April 1, 1857 (presumably the exact day of the novel's setting), The Confidence-Man was Melville's tenth major work in eleven years. The novel portrays a Canterbury Tales-style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism. Many critics have placed The Confidence-Man alongside Melville's Moby-Dick and 'Bartleby the Scrivener' as a precursor to 20th-century literary preoccupations with nihilism, existentialism, and absurdism.
This Audiobook contains the complete novels of H.G. Wells:
- The War of the Worlds
- The Time Machine
- The Sea Lady
- The Island of Doctor Moreau
- The Invisible Man
- The War That Will End War
- The Food of the Gods and How it Came to Earth
- The First Men in the Moon
- The Discovery Of The Future
- Tales of Space of time
- Little Wars
- Love and Mr Lewisham
- The Wonderful Visit
- The New Machiavelli
In 1915, as the 'Great War' (World War 1) entered its second year Rudyard Kipling made a journalistic tour of the front, visiting French armed forces. By then he was already winner of the Nobel Prize for Literature (the first writer in English to be so honoured). He published his observations in articles in the Daily Telegraph in England, and in the New York Sun. At that stage of the war nationalistic sentiments were running high but the true cost of war was beginning to be understood 'at home'.
The collection of journalistic pieces is preceded by a poem, 'France', that had been published before the outbreak of war (in 1913) which has a more overblown jingoistic feel to it than the reflections on war itself. The poem does, though, show Kipling's love of France, as well as his sense of the destiny of imperial dreams.
[Kipling] became involved in the debate over the British response to the rise in German naval power known as the Tirpitz Plan to build a fleet to challenge the Royal Navy, publishing a series of articles in 1898 which were collected as A Fleet in Being. And as always with Kipling there is that wonderful sardonic humor and attention to the lower orders of being.
'The Faith of Men' is a short story collection originally published in 1904 and contains eight of Jack London's adventure tales, all of them set in London's favorite milieu -- the Yukon Territory. 'A Relic of the Pliocene' concerns a 'homely, blue-eyed, freckle-faced' hunter named Thomas Stevens and his tracking and eventual killing of a prehistoric mammoth. 'A Hyperborean Brew' also concerns Thomas Stevens and his schemes. 'In Batard,' an evil master makes a monster of an evil dog. Other stories included are 'The Faith of Men,' 'Too Much Gold,' 'The One Thousand Dozen,' 'The Marriage of Lit-Lit,' 'Batard,' and 'The Story of Jees Uck.
The Cruise of the Snark (1913) is a memoir of Jack and Charmian London's 1907-1909 voyage across the Pacific. His descriptions of 'surf-riding', which he dubbed a 'royal sport', helped introduce it to and popularize it with the mainland. London writes: Through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it.
The Communist Manifesto was conceived as an outline of the basic beliefs of the Communist movement. The authors believed that the European Powers were universally afraid of the nascent movement, and were condemning as 'communist,' people or activities that did not actually conform to what the Communists believed. This Manifesto, then, became a manual for their beliefs.
In it we find Marx and Engel's rehearsal of the idea that Capital has stolen away the work of the artisan and peasant by building up factories to produce goods cheaply. The efficiency of Capital depends, then, on the wage laborers who staff the factories and how little they will accept in order to have work. This concentrates power and money in a Bourgeois class that profits from the disunity of workers (Proletarians), who only receive a subsistence wage.
If workers unite in a class struggle against the bourgeois, using riot and strikes as weapons, they will eventually overthrow the bourgeois and replace them as a ruling class. Communists further believe in and lay out a system of reforms to transform into a classless, stateless society, thus distinguishing themselves from various flavors of Socialism, which would be content to have workers remain the ruling class after the revolution.
The Manifesto caused a huge amount of discussion for its support for a forcible overthrow of the existing politics and society.
