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Audiobooks Narrated by Earl Sewell
Browse audiobooks narrated by Earl Sewell, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us
"An Essay for Ezra is a critique of terror that begins but by no means ends with the presidency of Donald J. Trump. A father addresses his son and a boy shares his observations in a dynamic dialogistic exchange that is a commentary of and for its time, taking the measure of racial terror and of white supremacy both in our moment and as a historical phenomenon.
Drawing on the social and political thought of James Baldwin and Martin Luther King, Grant Farred examines the temptation and the perils of essentialism and the need to discriminate—to engage the black mind as much as the black body. With that dialectic as his starting point, Farred engages the ideas of Jameson, Barthes, Derrida, Adorno, Kant, and other thinkers to derive an ethics of being in our time of social peril. His antiessentialist racial analysis is salient, especially when he deploys Dave Chappelle as a counterpoint to Baldwin—and Chappelle's brilliant comic philosophic voice jabs at both racial and gender identity.
Standing apart for its willingness to explore terror in all its ambivalence, this theoretical reflection on racism, knowledge, ethics, and being in our neofascist present brings to bear the full weight of philosophical inquiry and popular cultural critique on black life in the United States."
"Passion, ambition, and escape in the colorful artistic underworld off-Broadway
Cammie, a dancer in her thirties, has just landed her first part in a show since coming to New York City. Yet the tug of familial obligations and the guilt of what she sacrificed to be there weigh down her dancing feet. The early narrative follows the cast of the show, with a backstage glimpse into the chaotic and colorful world of struggling performers.
Cammie’s lover, Tom, an older piano player, came to the city as a young man in the 1980s with a story eerily in tune with Cammie’s own.
Through their triumphs and failures, both learn the fleetness of glory, the sweetness of new love, and how a dream come true isn’t cherished until it’s passed. The bright lights of the stage intoxicate, while degradation and despair lurk close behind the curtain. Their stories are marred by two viruses, AIDS in the 1980s and COVID-19 today, both of which ravaged the performing arts community, leaving a permanent scar on those who lived through them.
Cammie thinks she finally has her chance in a major show, until COVID forces the unthinkable—Broadway being shut down. The physical, financial, and emotional toll this takes on the dancers and musicians of the story is laid bare. The effort it took to survive even the next day in New York City becomes a stark reality for many of the characters. “It took a lot of lucky breaks to make it here. This pandemic would undo a lot of lucky breaks for a lot of people.”"
"Jason Tanner, protégé of Dr. Martin Luther King, Jr., has been by his mentor’s side in New York to spread the message of passive resistance. In Harlem, the epicenter of black culture, poet Anita Hopkins tries to capture the message of Malcolm X, which she believes with all her heart: the time is now; enough is enough. When Jason goes to the iconic B Flat lounge and sees Anita perform, he’s transfixed. Her passion for what she believes runs as deep as his. And Anita has never met anyone who can match her wit for wit like this. Their scorching desire for each other clashes with their fundamentally opposed beliefs…until, in a cruel twist of fate, Jason is drafted for Vietnam. With the country at a breaking point and their romance caught in the center, both Anita and Jason are going to have to redefine heart, home, and what they truly desire."
