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Amadeus, Equus & more: Four Full-Cast BBC Radio Productions
"Peter Shaffer’s three most renowned plays, plus a radio monologue performed by Dame Judi Dench Sir Peter Shaffer was one of the most distinguished and successful British playwrights of his generation. He won the Tony Award for both Amadeus and Equus, and the film adaptation of Amadeus garnered eight Oscars. In 1997, he was awarded an OBE, and he was knighted in the 2001 New Year honours list. This collection contains his best-known plays and a monologue specially written for radio, first broadcast in 1989. Amadeus – Antonio Salieri is 18th-century Vienna’s favourite composer – until a brilliant young upstart, Wolfgang Amadeus Mozart, appears on the scene and takes his crown. Consumed by jealousy, Salieri plots his rival’s downfall… Directed by Sir Peter Hall, this sensational drama is performed by the cast of the original National Theatre production, including Paul Scofield, Simon Callow and Felicity Kendal. Equus – When psychiatrist Martin Dysart is asked by the local magistrate to treat a disturbed 17-year-old boy who has blinded six horses, he soon finds himself in the midst of a nightmare. Starring Peter Barkworth and Ian Sharrock. The Royal Hunt of the Sun – In 1532, Francisco Pizarro and his 167 soldiers captured the last Inca Emperor, Atahuallpa. This gripping drama, starring Gerald Murphy and Norman Rodway, tells the story of the conquest of Peru, and the power struggle and fatal friendship between the Spanish conquistador and the Sun-God King. ‘Whom Do I Have the Honour of Addressing?’ – Alone in her Clapham flat, Angela Parsons dictates a potentially explosive memoir onto her cassette recorder. It is an account of her life, death and a shocking scandal involving Hollywood’s most beloved film star… With Dame Judi Dench as Angela Parsons. Text copyright © Peter Shaffer 1964 (The Royal Hunt of the Sun), 1973 (Equus), 1979 (Amadeus), 1989 (‘Whom Do I Have the Honour of Addressing?’) Cast and credits Written by Peter Shaffer Amadeus Antonio Salieri – Paul Scofield Wolfgang Amadeus Mozart – Simon Callow Constanze Mozart – Felicity Kendal Joseph II – John Normington Gottfried, Baron van Sweiten – Nicholas Selby Count Franz Orsini Rosenberg – Willoughby Goddard Johann Kilian von Strack – Basil Henson Venticelli – Donald Gee/Dermot Crowley Citizens of Vienna – Nigel Bellairs, Susan Gilmore, Peggy Marshall, Robin Meredith, Anne Sedgwick, William Sleigh, Glenn Williams Equus Martin Dysart – Peter Barkworth Alan Strang – Ian Sharrock Heather Salomon – Jennifer Piercey Frank Strang – Malcolm Hayes Dora Strang – Jane Wenham Jill Mason – Jenny Twigge Harry Dalton – Ronald Herdman Young Horseman – Philip Sully Nurse – Jan Carey Other voices – Richard Gibson, Nigel Greaves, David Parfitt, Jonathan Scott The Royal Hunt of the Sun King Atahualpa – Gerald Murphy Pizarro – Norman Rodway Old Martin – Bob Peck Hernando de Soto – Edward de Souza Diego de Trujillo – Gordon Reid Young Martin – Matthew Sim Pedro de Candia – Keith Drinkel Fray Vincente de Valverde – Nigel Anthony Felipillo – David Holt Domingo – Nicholas Mercie Challcuchima – John Fleming Miguel Estete – Martyn Reid Salinas – Peter Gunn Rodas – John Webb Other parts played by members of the cast ‘Whom Do I Have the Honour of Addressing?’ Angela Parsons – Dame Judi Dench © 2025 BBC Studios Distribution Ltd. (P) 2025 BBC Studios Distribution Ltd"
Peter Shaffer (Author), Bob Peck, Felicity Kendal, Full Cast, Gerald Murphy, Judi Dench, Norman Rodway, Paul Scofield, Peter Wynn Barkworth, Simon Callow (Narrator)
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R.D. Wingfield: A Touch of Frost and other thrillers: A BBC Radio 4 Drama Collection
"Five full-cast BBC Radio thrillers from renowned crime writer R.D. Wingfield Author and dramatist R.D. Wingfield was best known for creating one of Britain's most beloved fictional policemen, Inspector Jack Frost, who featured in 10 bestselling books and a hit ITV series starring David Jason. This collection includes the radio precursor to the novels and TV show, A Touch of Frost, plus four more gripping dramas. A Touch of Frost - DI Frost is tough, rough and rude. He does things his way - and gets results. But when Denton CID is faced with a spate of major crimes, including rape, robbery, a missing girl and a hit-and-run incident, he finds himself under pressure... Derek Martin stars as Jack Frost. Det Con Webster - Haydn Wood Det Chief Insp Cull - Stephen Thorne Supt Mullett - Alan Dudley Sergeant Wells - Ellis Dale PC Fletcher - Stanley Page WPC Susan Dean - Jill Lidstone Det Sgt Ingram - Gordon Reid PC Smith - Andrew Byatt Paula Grey - Alex Marshall Kitty Reynolds - June Brown Freddie Bicknall - Richard Gold-Parry Directed by Peter King First broadcast BBC Radio 4, 6 February 1982 Outbreak of Fear - When Sergeant Fowler investigates a brutal death in the sleepy West Country fishing village of Polford, he soon discovers he has a serial killer on his hands. Leslie Sands, Nick Orchard and Nicholas Courtney star in this suspenseful drama. Sergeant Fowler .... Leslie Sands PC Beaumont .... Nick Orchard Dave Clark .... Cornelius Garrett The Doctor .... Paul Nicholson Pete Carter .... Derek Graham Mitchell .... Conrad Phillips Rose .... Gillie Graham Fred Dickey .... Fred Bryant Albert .... Douglas Leach Kim .... Deborah Paige Mrs Trevor .... Patricia Gibson Joe Hardy.... John Gabriel Radio DJ..... Jim Reid Vicar .....Ronald Russell Miss Reed... Ann Morrish Chadwick .... Nicholas Courtney Eric Farrow... Malcolm Young Mrs Farrow.... Rosemary Sigel Operator .... Brian Gear Jackson... Roger Leach Director: Brian Miller First broadcast BBC Radio 4, 29 August-26 September 1982 Deadfall - Retired special agent and demolitions expert Harry Davis was once part of a disastrous attempt to assassinate an African leader. Now, years later, his past catches up with him when he is called back to try again. Harry Davis - Bob Peck Jenny Brown - Julie Berry Tom Crossland - Aubrey Woods Colonel Travers - Peter Howell Reynolds - Tim Reynolds Joe - Alan Dudley Det Sgt Redway - Stephen Thorne Police and Secret Agents- Michael Tudor Barnes Agent - Paul Gregory Directed by Ian Cotterell First broadcast BBC Radio 4, 17 December 1987 Daylight Robbery - 'Elderly lady living alone in remote house, willing to take in paying guests.' Miss Pickering's newspaper advert seems innocuous, but she has an ulterior motive - as do the four gentlemen who reply. Miss Pickering -Monica Grey Colonel Fryatt - Norman Shelley Dr Brown - Jonathan Scott Harris - Peter Woodthorpe Wakeson - Howard Goorney Bank Manager - Lewis Stringer Woman in Telephone Kiosk - Daisy Bell Jones - Brian Gear Woman in Crowd - Elizabeth Havelock Constable - Douglas Leach Car Driver - David Ponting Other parts played by the cast. Directed at BBC Bristol by John Cardy First broadcast BBC Radio 4, 2 June 1977 The Cellar In mourning for their little boy, the Bakers move into a secluded cottage - only to find that horror lurks below stairs... John Pullen and Rosalind Ayres star in this spine-tingling supernatural tale. Paul Baker - John Pullen Susan Baker - Rosalind Ayres Mr Crawford - Leonard Fenton Bill - Fred Bryant Alf - Gordon Dulieu Little Boy - Elizabeth Lindsay Directed by Gerry Jones First broadcast BBC Radio 4, 7 April 1979 ©2022 BBC Studios Distribution Ltd (P)2022 BBC Studios Distribution Ltd"
R D Wingfield (Author), Bob Peck, Derek Martin, Full Cast, John Pullen, June Brown, Leslie Sands, Monica Grey, Rosalind Ayres (Narrator)
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Original Sin Is A Lie: How Spirituality Defies Dogma and Reveals Our True Self
"“Original sin” is a lie. Jesus, a deeply profound teacher of Love and Unity, never said a thing about “original sin”. It’s a doctrine invented by Augustine of Hippo over three hundred years later. While there are certainly issues within institutional religion, upon textual examination and spiritual contemplation; there are also beautiful, enduring teachings of collective harmony and inner transformation. Underneath layers of ego, the real message shines through. “Truth is One; The sages call it by many names.” —Rig Veda In this book, author Bob Peck takes us through his own highlights of the “spiritual buffet line”: from present-embracing Zen Buddhists to insightful Indigenous shamans and compassionate karma yogis. He explores the Avatar doctrine of the Bhagavad Gita, the Work of Byron Katie, new science in relation to spirit, and the true loving message of Jesus. As Peck articulates, the Bible is not infallible, but in certain moments it does point to the Reality of Who We Are; as does Sri Ramana Maharshi, Carl Jung, Anandamayi Ma, the Gospel of Thomas, Dōgen, and A Course in Miracles. From psychedelics to ‘the illusion’, to Peck’s own learnings along the way, Original Sin Is A Lie is here to point us to a rich spectrum of mystic wisdom across the spiritual traditions and ultimately help us uncover our True Nature. What else is there to do? Original Sin Is A Lie: How Spirituality Defies Dogma and Reveals Our True Self by Bob Peck Audiobook read by Bob Peck Edited by Bob Peck & Scott Standley Cover design by Elizabeth Nelson & Sarah Thomas (sarahmade.co) Audiobook guitars by Scott Standley (scottstandley.com) Audiobook produced by Nick Wright (nickjackwright.com) originalsinisalie.com"
Bob Peck (Author), Bob Peck (Narrator)
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"Women In Love studies the nature of relationships between men and women through four very different characters, each of whom seeks fulfilment in their own way. Gudrun seeks an intellectual equal, while for Ursula, overwhelming love is all that will suffice; Gerald attempts to fill his emotional void with success and physicality, whereas Birkin desires total commitment from both his lover and his friend. Lawrence uses the foursome to form a complex emotional web, voicing his own views through the semi-autobiographical figure of Birkin. 1. LOVES OLD AND NEW. Gudrun Brangwen, recently returned from London to Beldover in the industrial Midlands, sits discussing marriage with her sister Ursula. Both sisters agree that they may not marry at all - then go off to watch a wedding. There Ursula notices Rupert Birkin, lover of Hermione Roddice. Gudrun eyes the attractive Gerald Crich, son of the local mine-owner. Later, the sisters are invited to Hermione's country home. Hermione, enraged by Birkin's rejection of her, attacks him with a paperweight. He fends her off and staggers away. The fight signals that all is over between him and Hermione. 2. LOVE'S UNSMOOTH PATH. Ursula encounters Birkin by a mill pond and they take his punt to an island. There they talk about love - a word that Birkin insists has been vulgarised and will not use, because he seeks a relationship on a higher plane than the physical. But Ursula insists that love is all and at their next meeting Birkin gives in to her, calling her 'my way love'. Soon after, Gerald's father gives a water-party which all the Brangwens attend. Gudrun meets Gerald again; he gives the sisters a canoe and they paddle to an island. 3. DANCING AND DROWNING. While Ursula sings; Gudrun starts to dance and suddenly realises that a herd of Highland cattle is watching them. Undaunted, she dances up to them when a shout makes them stampede: Gerald and Birkin have arrived. Gudrun, annoyed, walks away and Gerald follows her. They argue and she strikes him, losing the self-control that is so important to her. However, the four return to the party as couples, Gudrun paddling Gerald in the canoe and Ursula with Birkin. As they cross the now dark waters, desperate cries are heard; Diana Crich, Gerald's sister, has fallen in and the young doctor has dived in to save her. Gerald dives repeatedly, but they are not found until dawn, when the drained lake reveals their corpses. 4. PROPOSALS. Birkin, ill again, ponders his relationship with Ursula, whose love he fears will overwhelm him. Gerald tells Birkin that he will offer Gudrun the post of art teacher to Winifred, his younger sister. As old Mr Crich is ill, Gerald has taken over the running of the family firm and reorganises it along more dynamic lines, obsessed with efficiency, mechanisation and the material world. Birkin finally confesses his love to Ursula, but when he goes to her home to propose to her, he meets her father first and the whole attempt proves a fiasco. 5. COMING TOGETHER. Humiliated, Birkin visits Gerald again. They talk and agree to a bout of naked wrestling. Birkin finds this an intensely moving experience, as he has long wanted a more intimate friendship with Gerald. After a visit to London, Gudrun is welcomed back by Winifred with flowers: she occupies the studio at Shortlands, the Crich family home. Birkin meets Ursula and takes her for a drive through the countryside. They quarrel but make up, and finally spend the night together in Sherwood Forest, united at last. 6. ONE MARRIAGE. Depressed by his father's death and needing someone else to supply his emotional strength, Gerald slips into Gudrun's house one night and sleeps with her. For her the night passes painfully slowly. Soon after, Ursula announces to her parents that she is to marry Birkin the next day, causing a row as her parents are upset by her independent, unconventional attitude. Gerald talks of marriage too, but does not mean it. After their wedding, Birkin and Ursula give up their respective jobs at Beldover and Gerald suggests all four go away for Christmas. Gudrun feels insulted that Gerald dare make plans for her, but nevertheless they set off for the Tyrol. 7. IN THE ALPS. At first all goes wonderfully well as they enjoy the freedom of the mountains. But Gudrun feels remote from Gerald, whose physical presences she adores but whose emotional and intellectual feebleness she despises. The two sisters enjoy the company of Loerke, a sculptor, but their men hate him. Ursula grows tired of the snow, however, so she and Birkin leave for Italy. 8. HATRED AND DEATH. Alone with Gerald, Gudrun is free to speak her mind. She says that she never loved him, but only pitied him. The hostility between them creates such a tension that sexually Gerald thrills Gudrun more than ever. Loerke is delighted to discover that she is not married to Gerald, and suggest that she goes to Dresden with him. Gerald hates Loerke but does not take him seriously. Instead, he feels a mounting desire to kill Gudrun. She announces that she is leaving and on her last day she goes out with Loerke. Gerald appears, hits Loerke and starts to strangle Gudrun. Then, realising the futility of this, he drops her and makes off, later dying in the snow. Birkin and Ursula hurry back, but Ursula finds her sister unmoved. Birkin is distraught at Gerald's death, bitterly resenting the way that he has been abandoned, for as he tells Ursula, he had loved and needed Gerald."
D.H. Lawrence (Author), Bob Peck (Narrator)
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"The thrilling sequel to Alistair MacLean’s masterpiece of World War II adventure, The Guns of Navarone. The guns of Navarone have been silenced, but the heroic survivors have no time to rest on their laurels. Almost before the last echoes of the famous guns have died away, Keith Mallory, Andrea and Dusty Miller are parachuting into war-torn Yugoslavia to rescue a division of Partisans … and to fulfil a secret mission, so deadly that it must be hidden from their own allies."
Alistair MacLean (Author), Bob Peck (Narrator)
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"This haunting drama of vengeance and forgiveness crowns the group of tragicomic romances that Shakespeare composed at the end of his career. Sometimes read as his farewell to the stage, the play contains some of Shakespeare's most lyrical verse. Prospero, wise Duke of Milan, has been deposed by Antonio, his wicked brother, and exiled with his daughter Miranda to a mysterious island. But Prospero possesses supernatural powers. Aided by the spirit Ariel, Prospero uses his magical art to bring his enemies under his control. Prospero is played by Bob Peck, Ariel by Adrian Lester, Jennifer Ehle is Miranda, Simon Russell Beale is Antonio, Jamie Glover is Ferdinand, and Richard McCabe plays Caliban."
William Shakespeare (Author), Adrian Lester, Bob Peck, Jamie Glover, Jennifer Ehle, Simon Russell Beale, a full cast (Narrator)
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"ACT IScene 1. The ghost of Old Hamlet, King of Denmark, has appeared to officers guarding the castle of Elsinore. When the apparition is witnessed by Horatio, friend of the Dead King’s son, he fears that it portends ill. He decides to tell young Hamlet, hoping that the ghost might reveal to him the cause of its restlessness.Scene 2. The dead king’s brother, Claudius, has assumed the crown and married the widowed Queen Gertrude. He dispatches emissaries to Norway where the king’s nephew Fortinbras is threatening Denmark with war. The King and Queen urge young Hamlet to cast off his dark mood. Once alone, the prince vents his violent grief at his father’s death and outrage at his mother’s “incestuous” remarriage. Wen Horatio tells Hamlet about the ghost, he too suspects foul play.Scene 3. Laertes warns his sister, Ophelia, not to take seriously Hamlet’s attentions because, being a prince, he is not free to make his own choices in matters of love. Scene 4. Hamlet and Horatio meet on the battlements. The ghost appears and beckons to Hamlet to follow him. Scene 5. The ghost describes to Hamlet how it was murdered by Claudius. It urges him to revenge the crime. ACT II Scene 1. Polonius, a garrulous counsellor and father to Ophelia and Laertes, instructs Reynaldo to investigate the kind of life Laertes is leading in Paris. Ophelia describes Hamlet’s bizarre behavior to Polonius who attributes this to her recent rejection of him. Scene 2. The King and Queen ask Rosencrantz and Guildenstern, old friends of Hamlet, to discover the cause of the prince’s erratic behavior. The King of Norway has stopped Fortinbras’ preparations for war against Denmark. Polonius takes Hamlet’s scathing and capricious wit as proof of his insanity. Hamlet greets Rosencrantz and Guildenstern warmly, but becomes suspicious of their motives. He is, however, pleased to hear that a company of players has arrived at Elsinore. Once alone, he berates himself for his failure to undertake his revenge. He plans to have the players enact King Hamlet’s murder and to observe Claudius’ reaction as a way of ascertaining his guilt. Act III Scene 1. Rosencrantz and Guildenstern have failed to uncover the reason for Hamlet’s behavior. Hamlet shocks Ophelia with his crude and bitter contempt for women and marriage. Their conversation is overheard by Claudius, who recognizes that it is not thwarted love that is responsible for Hamlet’s dangerous instability. He resolves to send him on a diplomatic mission to England to get him away from the court. Polonius suggests that Gertrude should persuade Hamlet to confide in her; he himself will eavesdrop on their conversation. Scene 2. Hamlet tells Horatio to watch Claudius during the play for signs of guilt. As a murder identical to that of King Hamlet is enacted, Claudius rises in fright and calls for lights, thus ending the performance. Hamlet is summoned to his mother’s closet and vows to “speak daggers to her, but use none.” Scene 3. Claudius orders Rosencrantz and Guildenstern to accompany Hamlet to England. Once alone he expresses agony at his dreadful crime. Hamlet comes upon him trying to pray, but desists from killing him on the grounds that, were Claudius to die in prayer, his soul might go to heaven rather than hell. Scene 4. Hamlet harangues Gertrude so violently that she cries out for help. Polonius responds from his hiding place and Hamlet, believing him to be Claudius, stabs through the arras, killing him. He then continues his furious indictment of Gertrude, until the ghost enters, reminding him of his mission. Having implored his mother to repent, he drags away Polonius’ body. ACT IV Scene 1. Gertrude is now convinced of Hamlet’s madness and Claudius is determined that he should leave for England immediately. Scene 2. Rosencrantz and Guildenstern beg Hamlet to reveal the whereabouts of Polonius’ corpse. Scene 3. Hamlet speaks wildly, but when Claudius tells him he must set out for England immediately, he agrees. Left alone, Claudius confesses that he has plotted Hamlet’s death. Scene 4. Fortinbras is marching with his army to do battle over an unimportant piece of land. Hamlet compares his own wrongs, still unavenged, and resolves to take action at last. Scene 5. Ophelia, deranged with grief at her father’s death, comes to Claudius and Gertrude, singing distractedly. Laertes arrives, hot to avenge Polonius’ murder. Scene 6. Horatio receives a letter from Hamlet saying that he has been captured by pirates on his way to England and that they have returned him to Denmark. Scene 7. Claudius tells Laertes that he cannot punish Hamlet for Polonius’ murder because he is loved both by Gertrude and the people of Denmark. He persuades Laertes to wait until an “accidental” death can be arranged for Hamlet; a fencing match will be organized and the tip of Laertes’ sword will be dipped in poison. Gertrude announces that Ophelia has drowned herself. ACT V Scene 1. A grave is being dug. Hamlet and Horatio arrive, and Hamlet jests with the gravedigger. The grave is Ophelia’s, and when her funeral procession arrives, Laertes jumps into the grave to bid his sister a last farewell, Hamlet follows, claiming that his love for Ophelia was greater than her brother’s; they fight. Claudius urges Laertes to bide his time patiently. Scene 2. Hamlet tells Horatio how, en route for England, he discovered Claudius’ plot to have him killed. Having forged an order for the deaths of Rosencrantz and Guildenstern, he escaped. Osric, a courtier, tells Hamlet of the proposed fencing match with Laertes; Hamlet agrees to take part. The match begins. Gertrude drinks poisoned wine meant by Claudius for Hamlet, should Laertes’ sword fail to kill him. Hamlet is wounded by the poisoned sword which, in the course of the scuffle, comes to his own hand; he wounds Laertes with it. Dying, Laertes confesses the plot. Hamlet stabs Claudius fatally with the poisoned sword, then dies, naming Fortinbras as his successor. Fortinbras arrives, claims the crown of Denmark, and orders a soldier’s funeral for Hamlet. CASTHamlet: Simon Russell Beale / Ophelia: Imogen Stubbs / Gertrude: Jane Lapotaire / Claudius: Bob Peck / Polonius: Norman Rodway / Ghost, Gravedigger: Paul Jesson / Horatio: Alan Cox / Laertes: Damian Lewis / Rosencrantz: John McAndrew / Guildenstern: Clarence Smith / Player King: Clifford Rose / Fortinbras: Chook Sibtain / Marcellus, Osric: Nicholas Rowe / Cornelius, Reynaldo: Alex Boyd-Williams / Prologue, Lucianus, Doctor: Nicholas Murchie / Player Queen: Steven O’Neill / Bernardo: Alan Westaway / Francisco: Alex McSweeney / Voltemand: Nick Monu Director: Clive Brill / Composer: Dominique Le Gendre / Production coordinators: Polly Coles and Charlotte Harvey / Sound engineer: Wilfredo Acosta / Producers: Bill Shepherd and Tom Treadwell TRACK LISTDisc 1Track 1: Act I, Scene iTrack 2: Act I, Scene iiTrack 3: Act I, Scene iiiTrack 4: Act I, Scene ivTrack 5: Act I, Scene vTrack 6: Act II, Scene iTrack 7: Act II, Scene ii (up to line 85) Disc 2Track 1: Act II, Scene ii (from line 85)Track 2: Act III, Scene iTrack 3: Act III, Scene iiTrack 4: Act III, Scene iiiTrack 5: Act III, Scene iv Disc 3Track 1: Act IV, Scene iTrack 2: Act IV, Scene iiTrack 3: Act IV, Scene iiiTrack 4: Act IV, Scene ivTrack 5: Act IV, Scene vTrack 6: Act IV, Scene viTrack 7: Act IV, Scene viiTrack 8: Act V, Scene iTrack 9: Act V, Scene ii"
William Shakespeare (Author), Bob Peck, Imogen Stubbs, Jane Lapotaire, Norman Rodway, Simon Russell Beale, a full cast (Narrator)
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The Life and Works of Beethoven
"The first of a series of musical biographies, written and presented by broadcaster Jeremy Siepmann, with Bob Peck as Beethoven. In this set the life and music of the revolutionary composer/pianist is unveiled in considerable detail with many musical examples."
Jeremy Siepmann (Author), Bob Peck, Jeremy Siepmann (Narrator)
Audiobook
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