To mark the 200th anniversary of the birth of Charles Dickens, a select group of his family and most ardent admirers from the worlds of literature and entertainment; including Joanna Lumley and Simon Callow, gathered in Highgate Cemetery, burial place of many of the Dickens family, to hear readings from his work introduced by his great-great-grandson Mark Dickens and discuss his life.
Simon Callow, the celebrated author of Orson Welles, delivers a dazzling, swift, and accessible biography of the musical titan Richard Wagner and his profoundly problematic legacy--a fresh take for seasoned acolytes and the perfect introduction for new fans.
Richard Wagner's music dramas have never been more popular or more divisive. His ten masterpieces, created against the backdrop of a continent in severe political and cultural upheaval, constitute an unmatched body of work. A man who spent most of his life in abject poverty, inspiring both critical derision and hysterical hero-worship, Wagner was a walking contradiction: belligerent, flirtatious, disciplined, capricious, demanding, visionary, and poisonously anti-Semitic. Acclaimed biographer Simon Callow evokes the intellectual and artistic climate in which Wagner lived and takes us through his most iconic works, from his pivotal successes in The Flying Dutchman and Lohengrin, to the musical paradigm shift contained in Tristan and Isolde, to the apogee of his achievements in The Ring of the Nibelung and Parsifal, which debuted at Bayreuth shortly before his death. Being Wagner brings to life this towering figure, creator of the most sublime and most controversial body of work ever known.
The perfect introduction to the Master.
Over a century after his death, Richard Wagner's music dramas stand at the centre of the culture of classical music. He was a walking contradiction: aggressive, flirtatious, disciplined, capricious, heroic, visionary and poisonously anti-Semitic. His ten great mature masterpieces constitute an unmatched body of work, created against a backdrop of poverty, revolution, violent controversy, critical contempt and hysterical hero-worship.
In this book, Simon Callow plunges the reader headlong into Wagner's world, examining the intellectual and artistic climate of this composer like no other who ever lived, creator of perhaps the most sublime and most troubling body of work in the history of music.
Insightful, incisive & enlightening, the first volume of Simon Callow's comprehensive biography of Orson Welles.
Now in abridged audio, Callow's vastly entertaining chronicle of Welles's first 26 years seems even finer than it did in 1995. The author's ability to skewer his subject's evasions and lies while retaining critical affection for him is perhaps explained by the fact that Callow, an actor himself, understands the need to mythologise. Welles's innovative theatrical work in the 1930s has never been better described or analysed.
Acclaimed actor and writer Simon Callow offers a fresh perspective on one of the greatest novelists in the English language, Charles Dickens, in this lively, colorful biography.
Dickens was one of the first true celebrity authors. Thousands of fans in Britain and America eagerly awaited each new installment of his stories and flocked to see him on his legendary speaking tours. Not only did he create an incredible cast of characters on the page, but he was also a dazzling mimic and storyteller, and he wrote, stage-managed, and acted in plays for the public. Throughout his life, from his childhood performances in pubs to his legendarily powerful reading tours, Dickens was fanatical about the stage. Callow reveals Dickens's genius on and off the page and offers a compelling insight into a life that was driven as much by performance and showmanship as by literature.
"A celebration, jubilant, vigorous, imaginative, and, as Dickens might have said, an all-round sizzler."
-John Carey, The Sunday Times (London)
A short life of Dickens which celebrates the impact of the theatre on his life and work
Acclaimed actor and writer Simon Callow captures the essence of Charles Dickens in a sparkling biography that explores the central importance of the theatre to the life of the greatest storyteller in the English language.
From his early years as a child entertainer in Portsmouth to his reluctant retirement from 'these garish lights' just before his death, Dickens was obsessed with the stage. Not only was he a dazzling mimic who wrote, acted in and stage-managed plays, all with fanatical perfectionism; as a writer he was a compulsive performer, whose very imagination was theatrical, both in terms of plot devices and construction of character.
Like many actors, Dickens felt the need to be completed by contact with his audience. He was the original 'celebrity' author, who attracted thousands of adoring fans to his readings in Britain and across the Atlantic, in which he gave voice to his unforgettable cast of characters.
In Charles Dickens and the Great Theatre of the World, Callow brings his own unique insight to a life driven by performance and showmanship. He reveals an exuberant and irrepressible talent, whose 'inimitable' wit and personality crackle off the page.
