Welche Mythen den Krieg in der Ukraine am Leben erhalten
Mythen haben Russlands Krieg gegen die Ukraine den Boden bereitet. Von der Erfindung eines geeinten russischen Volks durch den deutschen Mönch Innozenz Giesel bis zum Narrativ einer russischen Krim – russische Propaganda nimmt die Ukraine und ihre Geschichte seit Jahrzehnten in Geiselhaft. In seinem die Jahrhunderte umspannenden Buch führt uns Mikhail Zygar zu den Ursprüngen von Russlands Imperialismus – und weist so den Weg aus seinen zerstörerischen Wahnvorstellungen.
"I read this book in one night, truly a page-turner. It leaves a profoundly scary impression: [Putin's court is the] real House of Cards ." --Lev Lurie, writer and historian All the Kremlin's Men is a gripping narrative of an accidental king and a court out of control. Based on an unprecedented series of interviews with Vladimir Putin's inner circle, this book presents a radically different view of power and politics in Russia. The image of Putin as a strongman is dissolved. In its place is a weary figurehead buffeted--if not controlled--by the men who at once advise and deceive him. The regional governors and bureaucratic leaders are immovable objects, far more powerful in their fiefdoms than the president himself. So are the gatekeepers-those officials who guard the pathways to power-on whom Putin depends as much as they rely on him. The tenuous edifice is filled with all of the intrigue and plotting of a Medici court, as enemies of the state are invented and wars begun to justify personal gains, internal rivalries, or one faction's biased advantage. A bestseller in Russia, All the Kremlin's Men is a shocking revisionist portrait of the Putin era and a dazzling reconstruction of the machinations of courtiers running riot.
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The window between two equally stifling autocracies-the imperial family and the communists-was open only briefly, in the last couple of years of the 19th century until the end of WWI, by which time the revolution was in full fury. From the last years of Tolstoy until the death of the Tsar and his family, however, Russia experimented with liberalism and cultural openness. In Europe, the Ballet Russe was the height of chic. Novelists and playwrights blossomed, political ideas were swapped in coffee houses and St. Petersburg felt briefly like Vienna or Paris. The state, however couldn't tolerate such experimentation against the backdrop of a catastrophic war and a failing economy. The autocrats moved in and the liberals were overwhelmed. This story seems to have strangely prescient echoes of the present.
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