A passionate and imaginative exploration of wood – the material that shaped human history.
As a material, wood has no equal in strength, resilience, adaptability and availability. It has been our partner in the cultural evolution from woodland foragers to engineers of our own destiny. Tracing that partnership through tools, devices, construction and artistic expression, Max Adams explores the role that wood has played in our own history as an imaginative, curious and resourceful species. Beginning with an investigation of the material properties of various species of wood, The Museum of the Wood Age investigates the influence of six basic devices – wedge, inclined plane, screw, lever, wheel, axle and pulley – and in so doing reveals the myriad ways in which wood has been worked throughout human history. From the simple bivouacs of hunter-gatherers to sophisticated wooden buildings such as stave churches; from the decorative arts to the humble woodworking of rustic furniture; Max Adams fashions a lattice of interconnected stories and objects that trace a path of human ingenuity across half a million years of history.
The bestselling author of The King in the North turns his attention to the obscure era of British history known as 'the age of Arthur'.
Somewhere in the dim void between the departure from Britain of the Roman legions at the start of the fifth century and the days of the venerable Bede, the kingdoms of Early Medieval Britain were formed. But by whom? And out of what?
Max Adams scrutinizes the narrative handed down to us by later historians and chronicles, stripping away the most lurid nonsense about Arthur and synthesizing the research of the last forty years to tease out strands of reality from myth. His central theme evolves from an apparently simple question: how, after the end of the Roman state, were people taxed? Rejecting ethnic and nationalist explanations for the emergence of the Early Medieval kingdoms, Adams shows how careful use of a wide range of perspectives from anthropology to geography can deliver a picture of the emergence of distinct polities in the sixth century that survive long enough to be embedded in the medieval landscape, recorded in the lines of river, road and watershed and in place names.
'A triumph - a Game of Thrones in the Dark Ages' TOM HOLLAND.
The magisterial biography of Oswald Whiteblade, exiled prince of Northumbria, who returned in blood and glory to reclaim his birthright.
A charismatic leader, a warrior whose prowess in battle earned him the epithet Whiteblade, an exiled prince who returned to claim his birthright, the inspiration for Tolkien's Aragorn.
Oswald of Northumbria was the first great English monarch, yet today this legendary figure is all but forgotten. In this panoramic portrait of Dark Age Britain, archaeologist and biographer Max Adams returns the king in the North to his rightful place in history.
'A triumph - a Game of Thrones in the Dark Ages' TOM HOLLAND.
The magisterial biography of Oswald Whiteblade, exiled prince of Northumbria, who returned in blood and glory to reclaim his birthright.
A charismatic leader, a warrior whose prowess in battle earned him the epithet Whiteblade, an exiled prince who returned to claim his birthright, the inspiration for Tolkien's Aragorn.
Oswald of Northumbria was the first great English monarch, yet today this legendary figure is all but forgotten. In this panoramic protrait of Dark Age Britain, archaeologist and biographer Max Adams returns the king in the North to his rightful place in history.
Max Adams explores Britain's lost early medieval past by walking its paths and exploring its lasting imprint on valley, hill and field. From York to Whitby, from London to Sutton Hoo, from Edinburgh to Anglesey and from Hadrian's Wall to Loch Tay, each of his ten walk narratives form a portrait of a Britain of fort and fyrd, crypt and crannog, church and causeway, holy well and memorial stone.
Admiral Lord Collingwood, the eldest son of a Newcastle merchant, went to sea in 1761 at the age of thirteen. In his nearly fifty years in the Navy Collingwood's service took him to Boston, where he lived and fought during the American War of Independence; to Antigua, where he and Nelson both fell in love with Mary Moutray; to Corsica; Sicily; and Menorca, where he ended his career as the effective viceroy of the Mediterranean.
