"This audiobook is narrated by a digital voice.
Prepare to be enlightened and entertained! In 'The Praise of Folly,' Erasmus, the wittiest mind of the Renaissance, takes center stage as the personification of Folly herself. With razor-sharp satire, she delivers a scathing critique of human folly, hypocrisy, and the absurdities of society. From the clergy to lovers, philosophers to fools, no one is spared Erasmus's sharp tongue. But fear not, for within this witty barrage lies a profound exploration of human nature and the pursuit of wisdom. Join Folly on a hilarious and thought-provoking journey as she reveals the truth hidden beneath the surface of our world."
"In Praise of Folly, also translated as The Praise of Folly, is an essay written in Latin in 1509 by Desiderius Erasmus of Rotterdam and first printed in June 1511. Inspired by previous works of the Italian humanist Faustino Perisauli De Triumpho Stultitiae, it is a satirical attack on superstitions, other traditions of European society and on the Western Church.
Erasmus revised and extended his work, which was originally written in the space of a week while sojourning with Sir Thomas More at More's house in Bucklersbury in the City of London. The title Moriae Encomium had a punning second meaning as In Praise of More. In Praise of Folly is considered one of the most notable works of the Renaissance and played an important role in the beginnings of the Protestant Reformation."
"Desiderius Erasmus of Rotterdam (1466-1536) was known as Prince of the Humanists - though a theologian, a Catholic priest and the leading European scholar of his time. A close friend of Sir Thomas More, Erasmus' writings had a strong influence on the growing movement for change in Christian Europe, both Lutheran and the Counter-Reformation. These two essays are among his most important - and well-known - writings.
'The Praise of Folly', written in Latin in 1509 and spoken by the goddess Folly (who champions a lively enjoyment of life), was a bold satire on (in the cautious contemporary environment) not only Western classical traditions but also the Catholic Church. Dedicated to More himself, Erasmus wittily challenged entrenched views in so forthright (and humanist) a style that it could have brought him in direct conflict with the papacy. Fortunately the pope, Leo X, enjoyed the humour and the challenge! It is here presented in the lively modern translation by Leonard H. Dean.
'Against War' (c. 1517) is 'an impassioned plea for peace among beings human, civilised, Christian'. A deeply humanist text, widely read through Europe in the ensuing years, it has a continuing currency. 'Nothing is either more wicked or more wretched, nothing doth worse become a man than war.' Leighton Pugh reads the classic translation by John Wilson."
"Hinter dem tollen Wirrwarr menschlichen Treibens, hinter den Mängeln, Schwächen, Fehlern und Untugenden sieht Erasmus die Thorheit als etwas nur Allzumenschliches an. Sie ist ihm dasjenige geistige Element, das dem Erdendasein überhaupt erst Reiz und Wert verleiht.
Das Horazische Dulce est desipere in loco ist hier zu einem Prinzip der Weltanschauung erhoben und wird halb im Ernst, halb im Scherz von einer lächelnden Lebensphilosophie als Vademecum für jeden Erdenpilger gepriesen. Daß der geistreiche und seine Thesen mit unzähligen gelehrten Zitaten erhärtende Autor sich dabei nicht immer konsequent bleibt und mitunter wie z. B. in seiner Polemik gegen Kirche und Theologie aus dem Ton und der Rolle eines Lobredners der Thorheit fällt, darf weiter nicht verwunderlich erscheinen. - Zusammenfassung aus dem Vorwort"
"The Praise of Folly (Greek title: Morias Enkomion (?????? ????????), Latin: Stultitiae Laus, sometimes translated as In Praise of Folly, Dutch title: Lof der Zotheid) is a satirical essay written in 1509 by Desiderius Erasmus of Rotterdam (1466/69-1536). It is considered one of the most influential works of literature in Western civilization and one of the catalysts of the Protestant Reformation.
It starts off with a satirical learned encomium after the manner of the Greek satirist Lucian, a piece of virtuoso foolery; it then takes a darker tone in a series of orations, as Folly praises self-deception and madness and moves to a satirical examination of pious but superstitious abuses of Catholic doctrine and corrupt practices in parts of the Roman Catholic Church-to which Erasmus was ever faithful-and the folly of pedants (including Erasmus himself). Erasmus had recently returned, disappointed, from Rome, where he had turned down offers of advancement in the curia, and Folly increasingly takes on Erasmus' own chastising voice. The essay ends with a straightforward statement of Christian ideals.
The essay was hugely popular, to Erasmus' astonishment and sometimes his dismay. Before Erasmus' death it had already passed into numerous editions and had been translated into French and German. An English edition soon followed. It influenced teaching of rhetoric during the later sixteenth century. It was put on the Index of forbidden books by the Council in Trent in 1559. (Summary adapted from Wikipedia)"
