"There are men who can at times be stirred by the power and conflict of their own emotions to the point of shedding tears. Such a man was Abel Mason. Unhappily married to the shrewish Lena, he sought release in a love affair that soon ended in brutal tragedy. Abel left home, taking with him his young son, Dick, and together they tramped their way to the North where his roots lay. It was a hard and sometimes traumatic journey, and at its end there seemed to open up whole new vistas of life and experience. But the spectre of the past remained, and the burden of its secrets continued to play a major part in shaping both Abel and his son's destiny."
"Jonathan Ratcliffe is the successful manager of Affleck and Tate's engineering works. He has succeeded to this position over the head of Arthur Brett whose ancestors founded the firm, and the inevitable tension between the two men is increased when Arthur Brett finds himself attracted to Vanessa, Jonathan's daughter. She is only 16 but draws envious eyes. Angus Cotton, son of the Ratcliffe's cook, is a rough diamond and an engineer at Affleck and Tate. He has ambitious plans for his future, plans that never included Vanessa, until he is blamed by Jonathan for giving Vanessa a child. This accusation changes the whole course and pattern of the lives and the ensuing struggle of the three families. The classic relationship between a young man of humble origins and the girl from a 'higher' class creates a powerful and wholly memorable story of love, greed and honour."
"When the Gallachers received an invitation from the Duke of Moorshire to attend an evening at Lea Hall, Maggie was overwhelmed. She could still scarcely believe her eyes, even if it was a long-overdue honour - after all her husband Rod had done for the town. She did not see the invitation as the rock on which she was to perish; nor was she prepared for the reaction of her family. Her son Paul, daughter Elizabeth and daughter-in-law Arlette were as delighted as she was but the effect on Sam, Arlette's husband, was to bring his smouldering hatred of his mother to flashpoint. But had Maggie, or any of the Gallachers, foreseen how it would turn out, how irrevocably it would change the lives of the family she loved so dearly, she would have torn that invitation into tiny pieces and thrown them all on the fire."
"In Battenbun, Northumberland, there live four Puddleton men - Grandpop, Old Popo, Pop and Peter. Three of them have two things in common: a squint in one eye and in the other, a glint for the opposite sex. Peter, his mother's only joy, has no squint and no eye for women either - until one day a customer calls at his garage on the edge of the village. The village hadn't seen anything like her before, and wasn't certain it wanted to, and from the moment of her arrival, things began to happen. An eel is found in a pond where none had been known to visit before. Men creep through the woods to find this Slinky Jane, but it is not known whether they seek the eel. . . or this strange girl. . ."
"Harry Blenheim wasn't what you might call a good-looking fellow, but his face was full of character, with the kindest eyes God ever made. That's what his wife Esther had said, back in the days when they'd loved and laughed together. Now, it was five years since they had even kissed goodnight. Still, everyone in Fellburn respected Harry, even if there was no love lost between him and his hard-headed father-in-law. No one was more surprised than Harry that he should let himself become involved in a fling with an office girl. He knew it was a warning sign, that the cracks were beginning to show, but worse was to come. Nice bloke that he was, nothing could have prepared Harry Blenheim for the scandal that shook his life with all the force of an earthquake."
"His full name is Joseph Rooney Smith and he works for the corporation of one of the Tyneside towns as an 'M.P.'. This has nothing to do with the Houses of Parliament, but is short for 'Muck Pusher': Rooney is a dustman. A shy man, Rooney has one aim in life - a comfortable home, but with a difference - he did not want a wife. As a result, Rooney spends his time dodging women; his canniness becomes the envy of his mates and the despair of predatory widows and single women. Yet this resolute bachelor's way of thinking is changed in spite of himself, when he moves his treasured bits of furniture and meets Nellie. She seems shy too, but when she uncharacteristically 'breaks out', not only does she throw the gentle Rooney into utter confusion, she awakens in him feelings he never knew he possessed. Rooney, one of Catherine Cookson's most endearing characters, is an ordinary bloke with a dustbin on his shoulder, romance in his soul and Sir Galahad lurking just below skin level. The story of how Rooney finally pushes through to the surface is warm, amusing and thoroughly enjoyable."
"It was a wartime white wedding but it was not a love match. Annie Cooper married George McCabe for one reason only: she was expecting his child. But Annie was a girl of spirit and determined to make the marriage work. Annie applied herself to that task as she matured into a woman of character and resource. The family prospered even as it grew. She bore George four children, but it was the first who always held her heart in the hollow of his hand. From early childhood, Rance was a problem. There were traits in his character that were hard to excuse or even understand, but whatever trouble he got into, Annie would forgive him. Mother and son were bound together by an invisible cord; invisible but strong enough to become a noose for both of them."
"Prudence Dudley was a woman who appeared to have everything: an undeniably attractive woman who had already achieved considerable success as a novelist. Yet she remained at odds with life after her sad rejected childhood and a more recent deeply wounding emotional crisis. Nearing a breakdown, Prudence seeks support from her staunch and supportive Auntie Maggie, and flees to her rented cottage in the Lake District. They encounter the owner of the cottage, aggressive and overbearing David Bernard Michael McVeigh. In time, Pru comes to learn that his iron façade is not the whole man and that life had dealt him as raw a deal as ever it had her. Relentlessly, Pru finds herself drawn more and more into the affairs of a strange household. By helping those in her household, will Pru come closer to finding her happiness?"
"John Emmerson was a lonely man. He had a wife, a son, friends, but he was isolated from all the people and events around him by the tragedy of his past. Then he met Cissie, and for the first time his loneliness eased a little. Cissie was everything that his wife Ann was not. She was warm, compassionate and generous. And she was quick to sense the needs of a desolate unhappy man. But Cissie was also a young widow: poor, and with a young son to support. And John Emmerson was one of the town's leading solicitors - a man of importance whose every move was watched by the local dignitaries. . ."
"In the brooding north country hills, a man and a woman fought for the passion they felt for each other that the world branded a disgrace. . .Agnes Thorman - the proud but forlorn mistress of a once-grand estate, whose society forbade her the man who was her equal in all but name. . .Robert Bradley - a gifted craftsman, as visionary and challenging as the dawning new age. He had yet to seize his dream, which could destroy the woman he loved. . .And Milicent Thorman - the strange, wise girl-child fated to play a part in the lovers' unfolding destiny. . ."
"To outsiders, Dr Paul Higgins' life appeared to be happy and contented. Everyone had a good word for him and his home life appeared to be ideal. At 36, Bett Higgins could still pass for a much younger woman, not just in looks but in the way she loved the company of people half her age. A grand couple, some might say. But once the surgery was closed and the curtains drawn, the façade that Paul and Bett Higgins presented to the world concealed a welter of hate and ill-conceived bitterness that had grown worse with the passing years. Between them stood the barrier of the past - of secrets that each had long kept close. Unable to forgive each other, they led their separate lives - until Bett decided to allow her spite and resentment to culminate in revenge on the husband she did not love. . ."
"There were plenty around Fellburn who said Maggie Rowan was as plain as a pikestaff, a woman consumed with jealousy at her sister's good fortune in marrying well. But Maggie Rowan, with her dogged determination to succeed, had two raging ambitions beneath a cold and forbidding exterior: to become the mother of a child whom she could love and to escape from the life of the miner's cottage to one of the big houses on Brampton Hill. When she marries the easy-going Chris Taggart, her marriage is planned shrewdly and without sentiment. Like her, he is considered the 'odd man out' and, for that reason, the only one likely to have her and who unleashes her hidden desire to be loved."
Join our community for the latest bookish news, reading recommendations, exclusive opening extracts, author events and competitions. It\'s all free. And enter a monthly draw to win a £50 Gift Card. See past winners here
