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Mainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way.
Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
This novel moves from poetry to prose, and back again, as it explores a girl’s relationship with her Grandfather. Mizuki can see something is deeply troubling to her Grandfather Ichiro, but she can’t find its source, except it is somehow connected with an old book and Ichiro’s need to create origami paper cranes from it. Mizuki’s worries are expressed in verse before we jump back into prose - to the at times brutal description of the day the bomb fell on Hiroshima and Ichiro’s role in that day and beyond. The descriptions of the effects of the bomb are based on effective research and from survivor’s tales and told in such a way that the reader is entirely there in the moment and the long days after as Hiro rebuilds a life for himself. As we return to Japan in 2018 the novel reverts to poetry to the very modern tale of how Mizuki uses the internet to try to get to the bottom of the problem facing her elderly grandfather. The illustrations in the book help create the many impressions and emotions aroused by the story – they are based on Japanese brush and ink techniques and add a further layer to this already impressive book. This is a harrowing tale but the ultimate redemption in the story leaves one with a sense of hope. Highly recommended.
The fairy tale you thought you knew… The story of the Sea Witch, the villainess from Hans Christian Anderson’s classic tale The Little Mermaid, told from the viewpoint of the Sea Witch when she was a twelve-year-old girl… Evie has been wracked with guilt ever since her best friend, Anna, drowned. So when a girl appears on shore with an uncanny resemblance to Anna, Evie befriends her in an effort to make amends. And as the two girls catch the eyes – and hearts – of two charming princes, Evie believes that she might finally have a chance at happy ever after. But is Evie’s new friend really who she says she is? Or will Evie discover, too late, the truth of her bargain? A gripping story of friendship, betrayal and the power of hope…Because ‘though magic can shape life and death… love is the one thing it cannot control
Like When We Collided and Open Road Summer, The Map from Here to There demonstrates Emery Lord’s talent for capturing the exhilaration and angst of characters on the cusp of adulthood. “I was beginning to think that half of growing up was figuring out when to let go and when to hold on,” Paige muses partway through her story journey, but being an anxiety prone over-thinker, that’s not an easy conundrum to crack. After the pain of her first boyfriend passing away a few years back, life has taken an upward turn. She has a set of supportive friends, she’s excited by the prospect of studying screenwriting, and she’s besotted with her new boyfriend Max. But having such an active life – working shifts at a cinema, applying to college, taking on a theatre internship, wanting to spend time with Max and her friends - begins to take its toll. Paige wants it all, but big decisions must be made, and the trouble is, saying yes to one thing (like choosing where to go to college) means saying no to another. When fatalism kicks in and affects her close relationships, Paige takes heart from her mom’s wise words: “As much as I love a pro-and-con list – and you know I do – sometimes you have to ignore all of that. Your gut instinct can say a lot.” Authentic, honest and shot through with empathy, this offers a helping hand to young adults navigating similarly confusing crossroads, alongside being an out and out entertaining story.
The author has revealed just how much of this searing novel is based upon her own experiences at school which lends credibility and authenticity to the situations described, but she has also created utterly believable and relatable characters with truly authentic teen voices and dialogue. Within a few pages we are thrust into the raw pain of grief and utter disbelief in the aftermath of a teen suicide. The narration alternates between 15-year-old Nathan, the younger brother who discovered Al’s body and Megan the school friend who shared Al’s passion for art, but each chapter is cleverly introduced by the voice of Al himself. Both Nathan and Megan are wracked with guilt, blaming themselves for letting Al down. Nathan, by not picking up the call from Al on that fateful afternoon and Megan by sticking with the ‘cool’ kids and not acknowledging Al as a friend. Nathan wants to understand why Al was driven to suicide and Megan wants to prove to the world how special he was. Gradually we develop a deep and nuanced understanding of their growing relationship and of all the characters involved: be they friends, family or even ‘villains’. There are no cardboard cyphers here. The thought provoking, intelligent writing also reveals the overwhelming influence of social media on the lives of young people. Megan can use Instagram and Facebook to positively celebrate Al’s artwork, but together they discover the extremes of cyberbullying he had been exposed to and which ultimately pushed Al over the edge, helped by the casual spite which colours so much daily interaction on social media.
This debut novel was inspired by the author’s work creating Run the World, an organisation that empowers women and girls from marginalised backgrounds through sport and storytelling and the authenticity of this, at times harrowing story, is palpably evident. As is the skill of the accomplished writing which makes great use of typography and layout to really make every word count. This speeds the reader through the narrative, but it also cuts deep to reveal the emotions experienced by our narrator. Amber Rai is only ‘truly alive’ when running and shows great potential. But her alcoholic, abusive, misogynistic father refuses to allow her on the track. She has seen her older sister Ruby denied university and married off against her will and her downtrodden, abused mother is literally powerless to help, trapped as much by illiteracy and lack of English as the violence of her equally illiterate, unemployed husband. Amber has friends and teachers who believe in her, but she cannot explain what really goes on at home. She is a complex and believable character with very real flaws that she painfully recognises: ‘inflicting pain on others/halves your own hurt’. But the story is cleverly structured on The Anatomy of a Revolution and inspired by her reading about revolutions for history, Amber, Ruby and her mother gradually empower each other to take small steps to freedom. This is an important, rewarding, highly empathetic read which, despite the dark subject matter, offers hope but no simplistic solutions.
Published in partnership with Girl Up, the UN women’s foundation, Feminists Don't Wear Pink (and other lies) is an exhilaratingly empowering anthology of essays by 52 women written in response to the question: what does the F word mean to you? The contributors’ answers are as varied and individual as womankind itself, with the book innovatively divided into sections covering Epiphany, Anger, Joy, Poetry Break, Action and Education, followed by helpful Further Reading recommendations and rousing Last Words essays. Often amusing, and always honest, edifying and powerfully personal, contributors from the world of screen and stage include Keira Knightly, Emma Watson, Lolly Adefope, Kat Dennings and Amy Trigg, while activist authors include anti-FGM campaigner Nimco Ali, Amika George, creator of the #FreePeriods campaign, and Alice Wroe, founder of Herstory. Readers beginning their feminist journey will find Claire Horn’s ‘A Short History of Feminist Theory’ especially useful, summarising as it does the movement’s origins, multi-stranded history and contemporary incarnations. Diverse, empowering, and united by a spirit of sisterly solidarity, these essays are a motivational, supportive rallying call to young women.
The title of this highly empathetic and nuanced novel continues to cleverly resonate when we see chapters headed “the bulimic,” “the cool girl,” “the girlfriend,” “the popular girl”, “the best friend” and so on. At first, we do not identify these first-person narrators, but they soon begin to mesh and enable us to have a real depth of understanding of the main characters and emphasises the conflicting roles that girls feel themselves forced to inhabit. Taking place over a timeline that spans just a week, a high school is rocked and divided by the revelation that Mike, a popular high achiever and ‘golden boy’ student, has given his girlfriend, Maya, a black eye. Subsequent rumours result in split opinions about Maya: some believe that Mike should be expelled, while others think he might not have been her abuser. Maya’s best friend, Junie, from whom she’s become distanced due to Mike’s isolating behaviour, is also dealing with anxiety and obsessive-compulsive disorder which she copes with by cutting and Maya’s relationship anxiety has also prompted bulimia. This is an unflinching, hard-hitting novel which certainly does not glamorise disordered behaviour, but enables us to understand how these negative coping mechanisms arise and to appreciate the challenges the girls face as they learn to trust and help each other again. Ultimately this is an empowering novel which advocates honesty, self-belief and the value of friendship. It will resonate deeply and provoke valuable discussion of important real-life issues.
Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Renée Watson’s remarkable What Momma Left Me is a wise and nourishing story rooted in themes of resilience, healing and love. With high school on the horizon, African American Serenity is struggling to piece her life back together following the brutal death of her beloved momma and the loss of her dad. Amidst this sensitively evoked maelstrom, Serenity finds hope in the form of her wholesome grandparents, church (where Grandpa is a pastor), brother Danny and new friend and confidante Maria, a bright beam of light who harbours her own bleak secrets. Serenity handles her grief, set-backs and challenging dilemmas with dignity, her grandparents a constant, calming presence as they impart wisdom, such as this nod to Maya Angelou’s ‘Still I Rise’ poem: “That’s why we say ‘we rise’, children. There have been lots of things that have tried to keep us down. But we’ve got resilience running through these veins.”Empathetically charting Serenity’s grief, first romance and growing up (what Serenity does to save Maria from an unsafe situation shows strength and wisdom way beyond her years), this huge-hearted novel comes highly recommended for its honesty, depth and engaging readability, along with Watson’s Piecing Me Together and Watch Us Rise (the latter co-authored with Ellen Hagan).
Imparting an infectious passion for politics, speaking-out and trying to make a difference, Yes No Maybe So, co-authored by Becky Albertalli and Aisha Saeed, is a resonant, readable page-turner with an adorable cross-cultural romance at its heart. Jamie Goldberg is a self-professed klutz with confidence issues and a commitment to campaigning for his local Democrat candidate. While he hates being the centre of attention and has no interest in “power for its own sake”, Jamie is certain that “I want to be a history changer. I want to help draw the line.” It’s on the campaign trail that he meets Maya. With her parents recently separated, their vacation plans cancelled, and her best friend distracted with college plans, Maya figures she’d just as well do something during the summer. The Islamophobia Maya experiences while canvassing elicits a mix of shock, anger and defiance. “We don’t want the racist asshole guy to win, right?” she says of the bigot who slurs her during one doorstep encounter. “He already did win. In 2016,” Jamie quips of the US President. As the heat of the campaign intensifies, not least when they stand against a Republican bill seeking to ban head and face coverings in public spaces, and Jamie’s car is defaced with an anti-Semitic sticker, so too does their friendship, with their cross-cultural relationship portrayed with authentic empathy. Maya and Jamie’s dual narrative plays out with page-turning urgency and their awakenings – political, personal and romantic – are a genuine joy to experience. While Jamie has to learn from his Ramadan-related gaffes, and there are conflicts to navigate, their friendship – and more – transcends boundaries.
This is everything you could ask of a sequel to A Curse So Dark and Lonely, and then some. Readers are returned to the well-formed world of Emberfall and its neighbouring territory of Syhl Shallow, where political ambition and newly revealed secrets threaten Rhen’s crown, and where intriguing new characters take centre stage. Among these is Lia Mara, eldest daughter of Syhl Shallow’s Queen. Lia Mara has been overlooked as heir to the throne in favour of her beautiful younger sister and, in many ways, the driving message of this tale belongs to Lia, a wise, compassionate young woman who’s “used to being underestimated”, but stands her ground in the name of doing the right thing. While Prince Rhen has been freed from the curse of the malevolent enchantress Lilith, his kingdom is now subject to new threats. Rhen’s loyal right hand man, Commander Grey, has gone, assumed dead, and there are rumours that Rhen’s secret half-brother is about to lay claim to the Emberfall throne. In hiding rather than dead, Grey encounters Lia and accompanies her to Syhl Shallow. Handsome and powerful, he would make a fine husband for Lia’s younger sister, but his heart is elsewhere. The enthralling story of political struggle is thrillingly laced with conflicts of the heart - both romantic and familial - to create a satisfying feast of YA fantasy fiction, with a cliff-hanger climax that suggests a yet more explosive third installment is on its way.
This is a sensitive, often funny and thoroughly engaging story of teenagers coming to terms with who they are. It’s easy to think in these liberal times that anything goes, but teens will be quick to point out that growing up is as difficult as it’s ever been. It’s particularly hard for David, one of the two central characters in this assured debut. David has known since the age of eight that he wants to be a girl. Teased as a freak at school, he feels he can’t even tell his family. New boy Leo seems to have problems too and when the two become friends they discover they have more in common than they ever thought. This ultra-readable, highly entertaining story could also provide readers with some much needed reassurance that normal is as normal does.
In Mia Campbell-Richardson, Lisa Williamson has created one of the stroppiest, most self-absorbed heroines ever to grace the pages of a novel. The middle of three daughters, Mia has convinced herself that she is unloved and overlooked by her parents in favour of her awe-inspiringly successful sisters. Indeed, when Grace, Cambridge-bound big sister returns home from her gap year pregnant – to the shock of all – Mia responds by laughing; it’s hardly surprising the atmosphere at home is tense. No matter how badly she behaves however, readers will remain on Mia’s side, such is the skill and sensitivity of Williamson’s portrait of a girl who for all her outward confidence is as nervous and insecure on the inside as the rest of us. As the story unfolds Mia has to acknowledge her anxieties, and that helps her renew relationships with her family. Sharply observed, painfully honest in its depictions of young teens, this is another impressive novel from one of the most exciting young authors around. Recommended for readers who enjoy the trials and tribulations of Mia are Trouble by Non Pratt and The Baby by Lisa Drakeford.
Endearingly authentic, Ro Snow is a character who stirs tenderness, empathy and much urging to survive and thrive. As a result of mum Bonnie’s extreme hoarding habit (every room of their house is a mountain of paper and pointless Amazon purchases), Ro has isolated herself, fearing that if anyone saw the squalor she and Bonnie live in, Social Services would intervene. Ro’s self-centered, insensitive dad has a new family and is no use whatsoever, which means she and Bonnie have reversed roles, with Ro keeping an eye on their bank balance while Bonnie shops and watches TV by day and earns a living as a singer by night. As this role reversal takes its toll on Ro, a fairy godmother materialises in the form of irrepressibly energetic Tanvi, who’s recently returned to school after being treated for cancer. There’s a truly uplifting, tear-jerking moment when Ro experiences the pure joy of people really believing in her, but Bonnie’s road to recovery won’t be a smooth ride. Highly readable, realistic and wholesomely heartfelt, this confirms Lisa Williamson as a YA author of remarkable empathy. Read about the story behind Paper Avalanche in our author Q&A.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.