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Mainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way.
162 days. That's how long Lexi needs to survive at her new school. Every year, she starts somewhere else under a new name, hiding in plain sight for as long as she can manage. Her record is 134, but it's senior year now and if she can make it till June, she can disappear into the real world. Maybe a big city, where no one recognizes her and no one knows about her brother and what he did. But this time things are different. This time there's her new friend, Ryan, who makes her believe that she belongs somewhere. This time there's Marcus, the boy who looks at her in a way no one has before. This time she's actually started to miss her older brother, Scott, even though she knows she shouldn't. Scott was the boy who hung out with her reading comics and riding bikes. The boy who applied Band-Aids to scraped knees and chased away spiders. But he's also the reason that she's been in hiding away from the world, and from herself. It's just 162 days, but for Lexi that's a few days too many. Because it turns out you can't really run away from who you are. Eventually, the truth will always catch up with you. A letter from the author; Dear Reader, Thank you for sharing in Lexi’s journey. All We Could Have Been stems from several personal experiences and outside influences, but I mostly wanted to think about how much control we have (or should have) over our own narratives. I also thought about how this is even more significant when processing trauma or grief, and Lexi was created from that. Our world moves so quickly, and while that has a lot of benefits, it also means we have been conditioned to think and react almost immediately. As a result, our personal narratives are often shaped outside of ourselves, crafted from one piece here and there, until a series of stories are united into a cohesive whole. Rarely, though, does that whole reflect the truth of the people we are, instead illustrating the perceptions of the circle of people around us. Through this novel, I tried to talk about taking back your own narrative. While our pasts do define and shape us to some degree, we are also so much more than external factors that we can’t control. Traumatic experiences can change how we think, and they often limit our ability to believe in our own agency. We all deserve to find and reclaim our own truth, though. Thank you for reading and for giving Lexi (and readers like Lexi) the power to regain her story. Regards, TE Carter
The astonishing new novel from the incomparable, multi-award-winning and Laureate na nOg Sarah Crossan. I am not who I say I am, and Marla isn't who she thinks she is. I am a girl trying to forget. She is a woman trying to remember. Allison has run away from home and with nowhere to live finds herself hiding out in the shed of what she thinks is an abandoned house. But the house isn't empty. An elderly woman named Marla, with dementia, lives there - and she mistakes Allison for an old friend from her past called Toffee. Allison is used to hiding who she really is, and trying to be what other people want her to be. And so, Toffee is who she becomes. After all, it means she has a place to stay. There are worse places she could be. But as their bond grows, and Allison discovers how much Marla needs a real friend, she begins to ask herself - where is home? What is a family? And most importantly, who am I, really?
Laugh-out-loud funny and instantly recognisable - not since The Inbetweeners has a coming of age story been so irreverent and relatable. Fifteen-year-old Sam is not a famous vlogger, he's never gone viral, and he doesn't want to be the Next Big Thing. In fact he's ordinary and proud of it. None of which was a problem until Dad got rich and Mum made the whole family move to London. Now Sam's off to the North London Academy for the Gifted and Talented, where everyone's busy planning Hollywood domination or starting alt-metal psychedelica crossover bands. Sam knows he'll never belong, even if he wanted to. And that's before he ends up on stage wearing nothing but a fur onesie ... A brilliantly funny look at fitting in, falling out and staying true to your own averageness.
Shortlisted for the UKLA Book Awards 2019 Piglettes won four prizes in France, including the biggest book prize for young adult fiction, the Prix Sorcières. Film and stage versions are also in production. Now Clémentine has translated her book into English. A wickedly funny and life-affirming coming-of-age roadtrip story - winner of France's biggest prize for teen and YA fiction Mireille, Astrid and Hakima have just been voted the three ugliest girls in school by their classmates on Facebook. But does that mean they're going to sit around crying about it?... Well, maybe a little, but not for long! Climbing onto their bikes, the friends set off on a summer roadtrip to Paris. The girls will find fame, friendship and happiness on their journey, and still have time to eat a mountain of food (and drink the odd glass of wine) along the way. But will they really be able to leave all their troubles behind? Piglettes is a hilarious, beautiful and uplifting story of three girls who are determined not to let online bullying get them down.
Eighteen-year-old Birdie is fanatical about mystery and crime fiction, a world in which she immersed herself while being brought up by her strict grandparents following the death of her mom. Birdie’s perception of detectives reveals much about her own aspirations and personality: “Detectives were cool, calm, and capable. They were usually loners, helping people from a distance...underdogs that people miscalculated.” Now, following the death of her gran and with the support of her mom’s fabulously flamboyant best friend, Birdie tries to find her own way in the world by taking a summer job as a night clerk at a glamorous historic hotel. It’s here that she forms a swoon-some, life-changing relationship with Daniel, the hotel’s handsome, hearing-impaired night driver, as they try to solve a real-life mystery involving a guest. Then, alongside the edge-of-your-seat twists and turns of their investigation, and their fast-blossoming, fated romance, it turns out that Daniel is harbouring secrets of his own. Underpinned by relatable real-life complications and curveballs aplenty, this engaging feast of young adult fiction fizzes with multiple mysteries and the jittery joys of first love. Head here to discover the author’s previous novels, which come equally recommended for their compassionate championing of offbeat, authentic young adult characters.
Jack King - one of the most authentic and charming characters to have stepped off a YA page - and his best-friends-since-childhood Franny and Jillian are on the brink of a new chapter in their lives, picking out colleges, planning their careers, while having fun hanging out. And then Jack meets Kate at a party and falls for her big-time. They’re soul-mates who bond over their love of cereal until, all too soon, Kate dies. But this tragic event turns out to be the beginning of their story, for Kate’s death flips Jack back in time and he meets her again, as if for the first time, with Kate sensing that she knows him from somewhere: “The way you look at me. Like we’ve been doing it our whole lives.” Jack sets about trying to change the course of history, firstly so Kate doesn’t die, and then also to swerve bad stuff away from his friends. But, in classic time travel tradition, this has dangerous effects. Cue Jack wryly referencing Back to the Future and Groundhog Day while up to his neck in serious complications. Take away the pulse-quickening time travel element and you’d still have a novel heated by much heart and humour. With it, this is a firework of urgent, impactful YA fiction, a book that’s ablaze with tough choices and all kinds of love. Throughout there’s a whole lot of heart-melting cuteness - the trio’s friendship, the sweet relationship between Franny and Jillian, Jack’s parents’ perfect marriage. The plot progression and developments revealed through the various play-outs of the past are brain-flippingly smart, with twists wending through to Jack’s desperate need for “one more re-set to undo this tragedy”. Reader, I cried on the bus.
This lithe and lucidly lyrical debut is a delectable treat for fans of inventive, trope-busting fantasy. Seventeen-year-old Lena is a cryptling, a person “marked out by their various deformities”. In Lena’s case, this is a dark birthmark on her face. She lives in Duke’s Forest, a magic-loathing, sealed-off city situated beneath a deadly storm cloud. And now Lena’s on the run. Accused of being a mage, she’s been sentenced to death and is desperate to flee Duke’s Forest. Meanwhile, on the other side of the barrier Constance wants to get back inside the city she fled before her own magical powers were discovered. The two women meet when Lena manages to escape, and their alternating narratives make for an un-put-down-able reading experience as it emerges that the storm cloud is actually a spell, and that they alone possess the power to quell it. Immersive world building, intriguing characters, unexpected twists – this is a smart and atmospheric debut from an author to watch, and comes recommended for fans of Sarah J Maas and Melinda Salisbury.
Following hot on the heels of Resurrection, this eleventh instalment of Skulduggery Pleasant’s incomparable exploits offers everything devoted fans have come to expect - all-out action, astonishing twists, riotously witty repartee – and more, for this latest epic ramps up the stakes on the emotional front. Intrepid, intelligent, endlessly entertaining Valkyrie Cain is no stranger to fighting to keep her friends and family from harm, but this gripping story sees her having to face her biggest battle yet when a cruel killer captures her little sister, Alice. Worse still, she has just twelve hours to track her down. The sense of urgency and anxiety is heart-poundingly evoked, and I thoroughly enjoyed discovering more about Omen.
Westworld meets The Handmaid’s Tale in this start to a thrilling, subversive near future series from New York Times bestselling author Suzanne Young about a girls-only private high school that is far more than it appears to be. Some of the prettiest flowers have the sharpest thorns. The Girls of Innovations Academy are beautiful and well-behaved—it says so on their report cards. Under the watchful gaze of their Guardian, they receive a well-rounded education that promises to make them better. Obedient girls, free from arrogance or defiance. Free from troublesome opinions or individual interests. But the girls’ carefully controlled existence may not be quite as it appears. As Mena and her friends uncover the dark secrets of what’s actually happening there—and who they really are—the girls of Innovations Academy will learn to fight back. Bringing the trademark plot twists and high-octane drama that made The Program a bestselling and award-winning series, Suzanne Young launches a new series that confronts some of today's most pressing ethical questions.
Compiled by YA author and broadcaster Juno Dawson, this inspiring anthology of illustrated short stories by LGBTQ+ writers shines a light on a kaleidoscopic array of experiences through an equally kaleidoscopic breadth of genres, themes and styles. From Chinese lesbian fairytale The Phoenix’s Fault by Cynthia So, to Simon James Green’s hilarious, heart-warming Penguins (who would’ve thought a pair of penguins could steal a person’s coming out thunder?!), this is a powerfully diverse collection. Alongside more established names, among them authors David Levithan and Jess Vallance, and illustrator David Roberts, special mention must go to the four new voices whose stories grace these pages – be sure to seek out what Karen Lawler, Michael Lee Richardson, Cynthia So and Kay Staples do next. These are stories of struggle and trouble, passion and promise, with much wit, warmth, wisdom and support shared along the way. And so it seems fitting to leave the last loud, proud, celebratory words to Dan from David Levithan’s queer youth choir story: “You hold your ground. You sing out loud and proud in defiance of all the people who want you to be quiet”.
Smart, soulful, authentic and original, there’s no doubt that Zentner is an outstanding YA writer. His debut novel was a southern gothic gem, his second an incisive account of grief and guilt, while this is a contemporary coming-of-age classic, replete with a heartrending road trip, feverish romance and LOLs aplenty. About to graduate from high school, best friends Josie and Delia host a humorous horror movie show on public access TV, with Delia channeling her estranged dad’s love of low-budget fright fests and Josie working towards a career in TV. Experts in the art of witty back-and-forth tennis-rally banter, the girls are super close, but unsettling changes are on the horizon. Delia is desperately torn-up by being abandoned by her dad and, having tracked him down to Florida, has to decide whether she wants to contact him, just when it looks like Josie is about to leave her to take up an internship in another city. While this simmers, and as Delia struggles with being “the mother to my mother”, they’re invited to attend Shivercon. Seeing this gathering of horror moviemakers as the ideal opportunity to meet and enlist the support of an iconic presenter, they embark on a twelve-hour road-trip to Florida with Josie’s new boyfriend Lawson in tow, and Delia now set on seeing her dad. Josie and Lawson’s unexpected romance is as head-over-heels uplifting as Delia’s reunion with her dad is poignant, and there are plenty of entertaining plot twists and moments of everyday magic as this novel wends to a heartfelt conclusion.
Set in the United States ‘fifteen minutes in the future’ this cuttingly timely cautionary tale exposes Islamophobia and bigotry through the injustices inflicted on seventeen-year-old Layla and her resulting fight for freedom. Layla has her sights set on her future when, on one terrifying night, she and her parents are visited by the Exclusion Authority. “Under order of the Exclusion Authority and by the powers vested in the secretary of war under Presidential Order 1455, we are here to serve notice and carry out your relocation,” declares one of the suited men. What “relocation” means in this hostile, intolerant society is that Layla and her family are snatched from their home and interned in a camp with fellow Muslim-Americans, their wrists stamped with permanent ID numbers on arrival. The backdrop of book-burnings, curfews, Exclusion Laws and a president who declares, “Muslims are a threat to America” is all too powerfully prescient and evoked in an entirely believable fashion. But while confined in the camp, strong, caustic-tongued Layla orchestrates an uprising against the guards and camp Director. Urgent and intense – much like Layla’s acts of resistance – this novel of social justice will chill, grip, start conversations and mobilise readers to speak out against racism and intolerance. In the words of Layla’s poet dad, “we have a moral and ethical obligation to tell the truth.
Don't miss this prequel to the multi award-winning SLATED trilogy by Teri Terry, queen of the teen thriller! I'm just one girl. What can I do? Sam's cosy life as daughter of the Deputy Prime Minister is about to end. These are turbulent times. Borders have closed and protests are turning violent. The government blames the country's youth, and is cracking down hard. Mobile phones are blocked, gatherings are banned and dissent is brutally crushed. Sam is torn between family loyalty and doing what is right. When she meets Ava and Lucas her mind is made up. One girl, one choice. She can make a difference: she must. Even if her life - and her heart - are on the line ... A red-hot thriller packed with secrets and revelations that shines a new light on the award-winning SLATED trilogy.
Written by the founder of Everyday Sexism, and based on real-life experiences, double-standard “slut shaming” and sexual degradation are here exposed with vital urgency, and interwoven with the gripping story of a medieval woman whose abuse at the hands of a misogynistic society has present-day parallels. Fifteen-year-old Anna and her mum have moved hundreds of miles so she can escape the sexist bullying she was subjected to at her last school. But as Anna tries to make a fresh start, her past rears its head and continues to haunt her. While suffering torrents of abuse from her peers, Anna immerses herself in a history project that draws her into the tragic life of Maggie, an unmarried young woman from the 17th century. In juxtaposing Maggie and Anna’s experiences, the author lays bare an unbroken thread of misogyny from the Middle Ages to today’s culture of “revenge porn” and sexual shaming. Centuries on from scold’s bridles and burnings at the stake, women are still blamed and punished for the brutal behaviour of men. But Anna finds strength in her friendships with Alisha, Cat and Robin, and her connection with Maggie makes this a potent page-turner that will speak to a generation. As the author states in her afterword, “You are not alone, you are not to blame, and you deserve to feel better”. Or, in Anna’s words, “We are the granddaughters of the witches you burned. And we’re not putting up with it any more.”
Clued-up creative activists Chelsea and Jasmine attend a New York school that’s proud of its progressive approach, with classes and clubs called things like Science for Social Justice and Poets for Peace and Justice. But, while forward-thinking liberalism is supposed to lie at the heart of their school’s ethos, Jasmine and Chelsea are infuriated by its evident neglect of women’s rights: “It feels like everyone outside Amsterdam Heights is taking it seriously, but here, it’s like we think the work is done… But it’s not”. When Chelsea’s drama teacher tries to coax her to develop a stereotypical “sassy and angry” black female character, she’s inspired to set up the Write Like a Girl club with a punch-packing feminist blog that sets off a whole lot of buzz in the school community. Alongside attempts to silence the girls’ powerful voices and direct action, Jasmine faces painful personal loss, but they remain strong, firmly fixed on changing the status quo “from the inside out”. Insightful on gender inequity, and the intersection of gender and race, this comes highly recommended for fans of Angie Thomas. Chelsea and Jasmine’s story is a smart and awe-inspiring call to action, a vital novel with the power to empower a generation of young women, much like co-author Renée Watson’s previous book, Piecing Me Together.
The Devil’s Apprentice is a YA fantasy novel written from the viewpoint of a 13-year-old boy who finds himself in hell – literally. It’s an adventure story with a twisty mystery to solve, with some innocent early-teen romance and historical references as well. It’s the first book in The Great Devil War series. The book is very well written and well translated from Danish, with plenty of dark humour. It features impressive world building through vivid imagery, and I enjoyed visualising the author’s clever concept of Hell and its occupants. The Devil’s Apprentice reminded me of the Harry Potter series, as the plot is complex enough to satisfy teenagers and adults (of all ages), yet simple enough to entertain pre-teens. It covers some moralistic themes, including good versus evil, knowing right from wrong and that even the most angelic people can have a dark side, so its suitability will depend on a child’s maturity. As expected, the book focuses mainly on death, with a mention of suicide and punishment/redemption in the afterlife. Some adults may disagree with certain concepts, but the book would provide a good starting point for discussions. I’m not surprised The Devil’s Apprentice is a popular series in Denmark and I can see it potentially doing well in the UK too. I found it highly compelling and raced through it. As soon as I finished, I eagerly looked forward to the next one, which is always a sign of an enjoyable read. Victoria Goldman
High-intensity YA fantasy ablaze with magic, conflict and high-stakes hazards. This fiercely-paced fantasy novel centres around fifteen-year-old Phae, whose father is an all-powerful mage, and whose mother is of the Lintari, a band of warrior earth guardians. As such, Phae’s blood had “the potential to make her one of the most powerful beings the old world had ever known”, a fact that sits somewhat uncomfortably with her. She feels “anger at herself, anger at her parents; anger at her mother for not being there; anger at her life. Why couldn’t she just be normal?” Except she isn’t normal, and when her tutor meets an untimely death, Phae feels compelled to leave the Magical Isle to seek safety on the mainland, where much danger and conflict awaits. Throughout, the intensity of Phae’s story journey never lets up and perhaps the impact of some key scenes would benefit from more ebb and flow between the relentlessly high-octane action. Overall, though, this is a gripping read, driven by snappy dialogue and a sense of adventure.
Penguin Audio presents Eve of Man by Giovanna and Tom Fletcher, read by Charlotte Ritchie and Josh Dylan. AGAINST ALL ODDS, SHE SURVIVED. THE FIRST GIRL BORN IN FIFTY YEARS. THEY CALLED HER EVE . . . Described by Tom and Giovanna as an unconventional love story set in a dystopian future, Eve of Man is the tale of what happens when you turn sixteen and realise you're the most important person in the world. Do you embrace your fate - or do you run from it? Visit Tom and Giovanna's social media channels to watch the trailer, and don't forget to check back here for more information in the coming weeks.
This authentic YA page-turner about making sense of the whirlwind that is growing-up fizzes with heart, humanity and honest true-to-life experiences.For the past few years Vetty, her dad and little sister Ariel have been living with her aunt, trying to get themselves back on track after the death of her mum. Now they’re moving home to Camden, Vetty is hopeful that “soon I’ll be back to me”, not least because she’ll be reunited with best-friend-since-childhood Pez. But on her return, things are agonizingly strained between them. “It’s like we’ve skipped from kids to something else but it’s not at all clear which steps we’ve missed”. On top of this painful gulf, Vetty is struggling with her sexuality, trying to make sense of the fact that she’s attracted to boys and girls, while Pez is consumed by a struggle of his own that’s effecting all his relationships. Sexuality, love and friendship are explored in all their giddy complexity as Vetty, Pez and their wider circle of friends try to make sense of the world and their place within it. Every bit as life-affirmingly authentic as the author’s debut, No Filter, this comes thoroughly recommended for fans of Holly Bourne, Sara Barnard and Non Pratt.
Life-lessons, loves, laughs & LOADS more!
Especially compiled for Young Adults, this section is awash with wonderful worlds to escape to, great stories and characters you’ll love.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.
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