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Find out moreMainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way plus some relevant non-fiction titles too.
A gobble-it-up fiery and intense yet thoughtful debut novel about family, betrayal, and witchcraft. Opening the pathway to a fabulous historical fantasy series this calls out as a must-read for young adults. Set during the civil war in 17th century England, 15 year old Evey has to flee with her little sister Dill when her mother is murdered. As with all good young adult novels, it is perfectly easy to slide into and really enjoy as an adult too, particularly with the wonderful cover drawing you in. Touching history, it flies into fantasy, as author Finbar Hawkins examines the meaning of witch. Evey is a complex character and as she tells her own story she has the ability of self-reflection, even if she doesn’t always like what she sees. Witch is a read that fair on crackles with energy, it also encourages thoughts to both consider and soar and deservedly sits as one of our LoveReading debuts of the month.
Written with luminous, crackling style, Cane Warriors is an unforgettable account of Jamaican and British history that must be known, with an unforgettable narrator at its heart. In the words of fourteen-year-old Moa, “the hope of our dreamland churned in my belly,” a powerful statement that pulses through this extraordinary story of Tacky’s War. Based on a revolutionary real-life 1760 Jamaican slave rebellion, a visceral sense of the atrocities Moa and his fellow field slaves are subjected to is evoked from the start. Their bodies are lashed and “roasted by a brutal sun”, Moa hasn’t seen his house-slave mama for three years, his papa lost an arm in mill machinery, and his friend Hamaya fears the day predatory white men will “come for me.” Spurred by the death of Miss Pam who “drop inna da field and lose her life”, and led by Miss Pam’s brother Tacky, who “trod like a king” and whose brain “work quick like Anancy”, the uprising hinges on the freedom fighters killing the plantation master. While Moa is glad to be given a pivotal role in the rebellion, he fears that success and escape will mean he’ll never see his parents or Hamaya again - his conflict is palpable, but he’s set on being a cane warrior. Outside the plantation, Moa’s world is immediately transformed, with his life as a freedom fighter evoked in fine detail (I loved the depiction of him tasting creamy, fleshy sweetsop for the first time). There are bloody battles ahead, executed in the presence of Akan gods, and driven by brotherhood and hope for that dreamland. Lucidly lyrical and raw, I cannot praise Cane Warriors enough.
For ages 9 to 90 ‘Every story is the sound of a storyteller begging to stay alive’, says Khosrou – or Daniel as he’s known to his new classmates in Oklahoma - the narrator of the many wonderful stories that make up this book. Central of course is his own story, how with his mother and sister he had to flee his home in Iran, leaving his father behind, but there are also the stories of his grandparents and great-grandparents, plus the myths that he’s grown up with. Horribly picked on at school and tormented at home by his new step-father, he shares his stories Scheherazade-like with his class and with us, the lucky readers, and because of that we know that one day he will be whole again. Poignant, touching, funny and heart-breaking, this is a book in a million, a story that will connect with every person who reads it and become part of their own.
As Tough Women’s subtitle declares, these are “stories of grit, courage and determination”. True tales from twenty-two tough women from around the globe who undertake awe-inspiring adventures across the globe, from canoeing the Canadian wilderness, to hiking Pakistan, to cycling South America. Its editor is the intrepid Jenny Tough, a Canadian mountaineering expert who notes in her introduction that “the outdoor industry is actually fully of women, but when it comes to the highest level of media…the demographic dwindles to one”. Fortunately, this sexist state of affairs could be on the verge of changing - through giving voice to the “badass outdoorswomen” who here tell their extraordinary stories, this book might just change that narrow narrative and inspire new generations of female adventuresses. Each account enthrals like the best kind of travel writing. There are dazzling evocations of, for example, rugged Himalayan mountain-scapes, lush South American jungles, and howling Norwegian glacial valleys. Many of the women’s stories reveal monumental physical and emotional challenges - challenges tackled and overcome with super-human strength and resilience - and all of them underpinned by a joyously life-affirming spirit of curiosity.
Co-written by award-winning novelist Ibi Zoboi and Dr Yusef Salaam, a prison reform activist, poet and one of the Exonerated Five, Punching the Air is a timely, heartachingly powerful free verse novel. Through its shatteringly succinct lyricism, Amal’s story is a mighty call to action that rouses readers to question the deep-rooted and damaging consequences of racially biased societal systems, while radiating the light and hope of art and Amal himself. Sixteen-year-old Amal is a talented poet and artist, but even at his liberal arts college, he’s victimised by destructive preconceptions, deemed disruptive by people who “made themselves a whole other boy in their minds and replaced me with him.” Amal’s budding life careers off-course when he’s wrongfully convicted of a crime in a gentrified area. Even in the courtroom it feels to him “like everything that I am, that I’ve ever been, counts as being guilty”. Standing before judgemental eyes in his specially chosen grey suit, he’s aware that “no matter how many marches or Twitter hashtags or Justice for So-and-So our mind’s eyes and our eyes’ minds see the world as they want to/Everything already illustrated in black and white.” In the detention centre, Amal considers his African ancestry: “I am shackled again,” he says. “Maybe these are the same chains that bind me to my ancestors. Maybe these are the same chains that bind me to my father and my father’s father and all the men that came before.” He expresses society’s double standards with searing clarity too - Black boys are “a mob/a gang ghetto/a pack of wolves animals/thugs hoodlums men” while white boys “were kids having fun home loved supported protected full of potential boys.” But through the beatings and despair, through anger and frustration, Amal finds solace in the supportive letters he receives from a girl in his school, and his “poet, educator and activist” teacher. By turns soul-stirring and inspiring, this sharp exposure of injustice and testament to the transformative power of art comes highly recommended for readers who love the work of Jason Reynolds and Elizabeth Acevedo. Head to our 'Black Lit Matters' list to find more must-read novels by black writers.
Shot-through with a vital message about the importance of giving voice and rightful representation to women who’ve been silenced by centuries of patriarchy, this smart novel melds an intriguing art history mystery with Parisian amour. While Khayyam is clear about what she wants to do with her life - become a respected art historian - her identity is more complex. She’s “French American. Indian American. Muslim American. Biracial. Interfaith.” As such, “Others look at me and try to shove me into their own narrative to define who and what I am. But I’m not a blank page that everyone else gets to write on. I have my own voice.” This statement weaves through the whole novel, which sees Khayyam in Paris for the summer, still reeling from a relationship gone awry back home in Chicago, and from her Young Scholar Prize essay being dismissed as “the work of a dilettante, not a future art historian”. When she happens to run into a cute Parisian boy, who happens to be a descendent of bi-racial French writer Alexandre Dumas, Khayyam and said cute boy (also called Alexandre) embark on an intellectual voyage that leads them to Leila, a nineteenth-century Muslim woman connected to Dumas and Byron. Leila’s forgotten life and silenced voice is revealed through her letters, with Khayyam frequently asserting her desire to right the wrong of “the entire world dehumanizing and erasing this woman who had a life, who mattered.” Through Khayyam the novel also addresses issues around representation and cultural appropriation as she wrestles with determining who has the right to tell Leila’s story, including herself. As Khayyam’s findings hot up, so too does her love life. First there’s the spark between her and Alexandre, then there’s the simmering presence of her Chicagoan ex. With Paris vibrantly evoked as her stage - its history, architecture, secret gardens and food - Leila’s personal life and intellectual prowess combine to create a life-changing summer. This comes hugely commended - and recommended - for its portrayal of an intelligent young woman who refuses to bow to expectations, and who’s determined to give voice to the voiceless. Like Khayyam, it’s smart, thoughtful and inspirational.
The Tale of Miss Berta London is one of reinvention and introspection. Following the powerful fashion editor as she experiences knockbacks and must work as a nanny, a position outside her comfort zone but one that allows her to reflect on the important things in life. I found the premise for this book to be quite traditional; the story of the rich person, through a degree of adversity, re-educated to become of benefit to society (A Christmas Carol anyone?) is a classic storyline that can be reinvented to suit a wide variety of situations and time periods. As I started reading, I admit I had to take a brief pause to find out what era the book was supposed to be set in, the writing appeared to me to be more traditional in tone. I liked the concept of the story and the lessons it aims to teach, that you can follow your own path, not the ones parents lay out for you, and that there’s always a chance to change your ways and make sure what you do can benefit others. I liked the flashbacks to earlier in Beta’s childhood, as I felt this allowed me to understand the path she has taken and why, as well as pre-empting the strong family values that come to light later in the book. Although I would recommend suspending disbelief while reading (the speed of repurchasing a home and moving in one obvious example), I think that the underlying message is wholesome and of value. I think that The Tale of Miss Berta London is a light-hearted, traditional style tale that could be read and enjoyed by a wide range of ages.
It's here! Number one bestselling author Stephenie Meyer makes a triumphant return to the world of Twilight with this highly-anticipated companion; the iconic love story of Bella and Edward told from the vampire's point of view. When Edward Cullen and Bella Swan met in Twilight, an iconic love story was born. But until now, fans have heard only Bella's side of the story. At last, readers can experience Edward's version in the long-awaited companion novel, Midnight Sun. This unforgettable tale as told through Edward's eyes takes on a new and decidedly dark twist. Meeting Bella is both the most unnerving and intriguing event he has experienced in all his years as a vampire. As we learn more fascinating details about Edward's past and the complexity of his inner thoughts, we understand why this is the defining struggle of his life. How can he justify following his heart if it means leading Bella into danger? In Midnight Sun, Stephenie Meyer transports us back to a world that has captivated millions of readers and brings us an epic novel about the profound pleasures and devastating consequences of immortal love.
“Don’t take things for granted – challenge everything. That means challenging big business and your governments and, most of all, challenging yourself to act now and save the planet,” so writes activist author Blue Sandford, the seventeen-year-old founding member of Extinction Rebellion Youth London, in her inspiring call-to-action introduction to Challenge Everything. The only official handbook from Extinction Rebellion, this youth-driven, youth-oriented manifesto speaks loud and clear to the legions of young people who feel disenchanted with world leaders, and angry at the greed of big business dictating the downward direction of the world, all enhanced by strikingly designed slogans and illustrations. At the book’s heart is the powerful message that, “you are responsible for your own actions.” For example, “every time you take an uber, go on holiday on a plane, buy new trainers, even turn on the lights and heating, you’re contributing to climate and ecological collapse, you’re indirectly destroying rainforests and wildernesses.” This is typical of the book’s punch-packing perspective. Above all else, the author seeks to empower her readers with a change of mindset, one that challenges all aspects of the status quo, with the ultimate aim of saving the planet. Covering everything from the destructive effects of flying and the fast fashion industry, to the importance of re-wilding and reconnecting with nature, this potently persuasive manifesto also has a powerful practical emphasis, with details on the forms challenges might take, such as boycotting, non-violent direct action, campaigning and government lobbying.
In this rip-roaringly feminist re-imagining of Cinderella, our justice-seeking heroine, Sophia, seeks a princess rather than a prince, and bodice-ripping is done in the name of shedding the shackles of patriarchy. Giddily entertaining, and spiced with dagger-sharp dialogue and romantic attraction, one message beams bright through Sophia’s story - “do not be silent. Raise your voice. Be a light in the dark.” Though 200 years have passed since Cinderella’s time, a twisted version of her legacy lives on in Lille, where the present-day Prince Charming, King Manford, has decreed that girls must recite the fairy tale daily and, at the age of sixteen, they will be sent to the palace to be chosen by a man at a grand ball. Attending the ball is law, and, in the words of Erin, Sophia’s best friend and lover, “It is our only hope for making some kind of life”, for those not chosen are doomed to an even worse existence than being married off. As Sophia’s father admits, “I’d rather see you unhappy than imprisoned or killed.” Such is the impossible situation. So, Sophia goes to the ball, still hoping to escape with Erin, still burning with anger that the “founding tenet of our laws is that women, no matter their standing, are at the mercy of the fickle whims of men.” At the grandiose selection event, girls are put on show for the male suitors, some of them old enough to be Sophia’s grandfather, “but that doesn’t stop them from shamelessly ogling the young girls.” As shocking events unfold here, she flees and finds a sisterly comrade in flame-haired Constance, who also sets her heart alight. As the feminist fugitives go on the run, Constance reveals truths about Cinderella’s real story - a story that was suppressed and twisted into patriarchal propaganda by men in power. And so they embark on a quest to find the White Wood, the last known location of the original fairy godmother, who might just hold the key to further truths that will help Sophia rouse revolution. What an inventive, entertaining and flamboyantly feminist treat this is.
Through the tangled identity struggles of authentic characters you’ll truly care about, Alice Oseman’s Loveless extends an understanding hand to aromantic asexuals (people who experience little-to-no romantic or sexual attraction, also known as aro-ace) while guiding all readers through fears of being alone and dealing with the pressure to hook up. Moreover, it’s a thoroughly entertaining, gripping page-turner that shows finding happiness isn’t dependent on romantic love. Georgia is desperate to experience her first kiss before she and her two best friends head to Durham University. After being made to feel “weird” and “disgusting” when she confesses to her peers that she’s never kissed anyone, Georgia seizes an opportunity to snog the one and only crush she’s ever had. When this goes spectacularly wrong in a scene that sizzles with tension and scorching comic timing, it hits her that “I hadn’t ever fancied anyone,” that the reality of kissing and romance “disgusts me.” But still she resolves to “try harder. I wanted forever love. I didn’t want to be loveless.” At Durham, while still struggling to find love, Georgia finds new friends in her outwardly confident, sexually active roommate, and Sunil, president of her college’s LBGTQ society. Sunil’s compassion and personal experiences help her discover who she is, to realise that she’s not alone in not feeling sexual or romantic attraction. Georgia’s journey to discovery is far from smooth, though, with many friendship-threatening, edge-of-your-seat errors made along the way.
With characteristic vision and grace Meg Rosoff has done it again in this exquisite novel that merits a place alongside I Capture the Castle, Bonjour Tristesse and The Lost Estate (Le Grand Meaulnes) for its coming-of-age, loss-of-innocence excellence. Though contemporary, it feels timeless and elementally affecting, much like the Great Godden’s impact on the family whose story it tells. With an idyllic seaside summer stretching ahead, the tingling anticipation of The Great Godden’s unnamed teenage narrator is deliciously palpable: “This year is going to be the best ever: the best weather, the best food, the best fun. The actors assembled, the summer begins.” But there are still two more actors to take to the stage - enter the Godden brothers in a shiny black car. The narrator’s older sister Mattie is immediately smitten by magnetic, handsome, self-assured Kit: “She was desperate to lose her virginity, and what sort of person would say no to Mattie? Surely not some movie star’s kid, fresh off the plane?” Though Mattie is certainly attractive, it’s obvious that charmer Kit has the upper hand of any situation, but might he also be a trouble-maker, as his curt, less-of-a-looker brother warns? Such wonderings underpin some of this novel’s essence. With the stage fully set and summer speeding towards the climax of a wedding, it poses fundamental questions about motivation, and the nature of agency, of lust, of the desire to be seen for who you are. Quivering with unease, passion and paranoia, it also reveals how past experiences engrave themselves upon us, creating fault-lines that may crack and cause future ructions. Sophisticated, seductive and smoothly readable, this is a summer story par excellence, and a coming-of-age tale for all times.
Kesia Lupo's We Are Bound By Stars is a fine follow-up to We Are Blood and Thunder, a richly-realised fantasy epic in which intrigue, trickery and powerful gifts from the gods throng through a cast of colourfully compelling characters. If you’re a fan of female-fronted fantasy, of Leigh Bardugo and Sarah J. Maas, this series is sure to be your chalice of char. Beatrice is one of three female mask-makers in the kingdom of the Wishes, a cluster of volcanic islands ruled by a Contessa. As a result of a secret pact the Contessa made with Mythris, patron god of the Wishes, the chosen triplet mask-makers are taught to create masks with powers that aid “the Contessa in discovering and destroying her enemies”, as long as the chain of inheritance remains intact. As a middle sister, Beatrice makes Grotesques, masks that “draw power from expression”, creations with the power to manipulate emotions, but she’s desperate to flee this life of bondage. Then there’s Livio, born into a powerful family, destined to be the first male leader in aeons, but his magic is overwhelmingly wild. When his path collides with Beatrice’s, it falls to them to prevent devastating insurgency, as menacing masked assassins close in on their heels. Can they cut the strings of a controlling puppet master? Can they change the course of destiny? As their tales twist along a troubled path, the sense of time running out, of high-stakes decisions, of human emotions are grippingly evoked within a tangled web of magical trickery.
Telling the affecting story of sixteen-year-old Cal’s battles with homophobic bullies, family upheavals, mental health and heartbreak, this hard-hitting page-turner pulls no punches from the opening coming-out scene that results in Cal’s mum needing medical attention and an almighty clash with his dad. Reeling from strife at home and school, along with a series of ill-advised one-night stands, Cal’s life seems to take an upward turn when he falls for handsome, wealthy Matt. But since the course of passion and romance rarely runs smooth, thank goodness Cal’s best friend Em and her joyous Scotch-drinking, straight-talking nan are there when he needs them. Exploring themes of homophobia, self-harm, complex family dynamics, friendship, and intergenerational bonds with clarity and sensitivity, Fall Out is underpinned by a warm message of hope and the possibilities of starting afresh. As Cal says, “You can’t pave over the faults; you can’t wash away the past but sometimes, when you make mistakes, you get a second chance.”
Is there such a word as bookstruck? Because that is what I'm feeling right now, The Court of Miracles is a debut, the start of a trilogy, and a stonkingly good read. I believe both (older) young adults and adults will fall for this and I suggest just throwing yourself in and letting go. Find yourself in a reimagined Paris years after the French Revolution has failed with some of the cast of Les Miserables… this is what might have been. As well as cast members (with notable exceptions), there are little references to Les Mis to discover along the way which made me smile but please don’t think of this as being a historical tale as you are opening up a whole new world. I think The Court of Miracles would work without already knowing Eponine, Cosette, Gavroche and friends, as some develop in a completely unexpected way and there are a whole host of new characters to meet. Eponine (Nina) the Black Cat narrates, and after her father sells her beloved sister, she becomes a thief in the criminal underworld of the Court of Miracles. She soon finds herself another sister Cosette (Ettie), but in order to protect, she must betray. Opening up the trilogy in the best possible way The Court of Miracles is an adventurous story stuffed full of revenge, courage, and love. While it felt like a wondrous tale in its own right, there is obviously still much to come. I adored it and this oh so readable novel sits as a Debut of the Month, LoveReading Star Book, and Liz Pick of the Month.
Steggie Belle & The Dream Warriors is an interesting fantasy tale which leads us into the dark world of dreams. Reminding me slightly of a darker Peter Pan, the main character and “author” of the story you’re reading is Zoofall and is hurrying to recollect the tales of his travels in the dream worlds. Tying in the concepts of lucid dreaming with mythology, Steggie Belle & The Dream Warriors is an adventure story with a Good vs Evil Battle at its heart. I liked the style of writing throughout, Zoofall’s written account is conversational in tone, giving it the feel of a spoken story. It reminded me of the style of Homer’s Odyssey, with moments when the storyteller addresses you directly interspersed throughout the plotline of events that have already happened. I also like the threads of Greek Mythology and scientific explanation which run through the book. I think that these elements make Steggie Belle & The Dream Warriors multi-faceted and adds a believable edge to the story as a whole. There’s scope to add more to this story, to discover in more detail what happens after Zoofall finishes writing. However, I also think that this book is perfectly well-rounded as it is. It leaves you with questions, but this adds to the mystery of the book and allows the reader to draw their own conclusions.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.