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Find out moreMainly aimed at young adults, but high quality and readable for adults too, Young Adult Fiction navigates emotional stories and characters searching for who they are. This diverse genre can feature aspects from any other genre, from Family Dramas to Fantasy with a stop off at Horror and Historical Fiction along the way.
Telling the affecting story of sixteen-year-old Cal’s battles with homophobic bullies, family upheavals, mental health and heartbreak, this hard-hitting page-turner pulls no punches from the opening coming-out scene that results in Cal’s mum needing medical attention and an almighty clash with his dad. Reeling from strife at home and school, along with a series of ill-advised one-night stands, Cal’s life seems to take an upward turn when he falls for handsome, wealthy Matt. But since the course of passion and romance rarely runs smooth, thank goodness Cal’s best friend Em and her joyous Scotch-drinking, straight-talking nan are there when he needs them. Exploring themes of homophobia, self-harm, complex family dynamics, friendship, and intergenerational bonds with clarity and sensitivity, Fall Out is underpinned by a warm message of hope and the possibilities of starting afresh. As Cal says, “You can’t pave over the faults; you can’t wash away the past but sometimes, when you make mistakes, you get a second chance.”
Falling in love, riding out change, figuring out what you want to do with your life – Ciara Smyth’s pitch perfect debut simmers with romance and deep-rooted dilemmas, delivered through witty dialogue and affecting emotional detail. Seventeen-year-old Saoirse (pronounced ‘Seer-sha’- be sure to get it right) is on the cusp of crossing the Irish Sea to read history at Oxford. Except she’s not sure she wants to go. She has more than enough on her plate dealing with her dad’s remarriage, getting over breaking-up with her girlfriend, and coming to terms with her mum’s debilitating illness. She just wants to spend her summer watching horror movies and kissing girls – no strings attached. To that end, Saoirse goes to a mate’s end-of-exams party and gets it on with his cousin Ruby. Irresistibly drawn to Ruby’s good looks and good heart, Saoirse accepts her challenge to embark on a summer romance with all the serious bits left out, in finest romcom tradition. But, as Ruby sagely points out, “the thing about the falling in love montage…is that when it’s over, the characters have fallen in love”. Super smart and funny (“If you are a girl inclined to deface school property, may I suggest the classic penis and balls, as you will avoid suspicion due to stereotyping”), Saoirse is lead fans of contemporary YA will love and root for - flaws and all - and her journey is a thoroughly entertaining, thought-provoking rollercoaster ride.
Exploring the all-consuming throes of love, malicious secondary school social politics, sexual abuse, and how difficult coming out can be, William Hussey’s Hideous Beauty is a top-notch YA thriller with hard-hitting emotional resonance. Forced by social media exposure to come out earlier than planned, Dylan and his gregarious boyfriend Ellis reveal their relationship to the world in spectacular style at a school dance: “Okay, Dylan, this is it. No going back. The closet door is firmly barred behind you, chained and bolted. No re-entry, no refunds. It’s gay all the way from here on out.” Riding high after an unexpectedly jubilant response to their revelation, tragedy strikes when they leave the party - Ellis becomes angry and their car plunges into a lake. While Dylan is rescued, Ellis drowns, leaving Dylan wracked with grief and guilt: “I deserve the pain. I deserve the crazy. I deserve a messed-up hand. No one’s taking these things away from me.” Set on trying to “find out who pulled me out of that car and why they left Ellis to drown”, it’s not long before Dylan stomps into a viper’s nest, uncovering jaw-dropping truths that set him - and readers – reeling. With his family less than supportive, at least best friend Mike remains at Dylan’s side, even though he’s undergoing chemotherapy for leukaemia. Gripping, moving and unflinchingly honest, this is a fiercely affecting novel, told through the cleverly interwoven collision of two timelines.
Despite tackling knife crime and fractured community relations in a sink estate in London and patriarchy in Western Kenya, Not so Black and White is a heart-warming and compelling read. It shines a light on how empowerment transforms lives and its characters of every skin colour and origin are unforgettable.
Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuvre his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - ; every choice Coriolanus makes could lead to favour or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute... and must weigh his need to follow the rules against his desire to survive no matter what it takes.
At seventeen, Brooklyn hipster Cal is a successful social media journalist accustomed to living in the public eye, with a whopping 435,000 followers on the FlashFame app. But even Cal isn’t ready for the unforgiving media storm he’s thrust into when his pilot dad is shortlisted for NASA’s Orpheus mission to Mars. Initially dead against leaving Brooklyn, Cal begins to wonder whether “maybe Clear Lake, Texas, has a story out there just waiting for me to uncover.” And then there’s handsome Leon, one of the other “Astrokids”, who’s set his heart pounding before they’ve even met. On arrival, and immediately thrust into the spotlight by StarWatch reality TV show, Cal finds himself “admitting I like our new home, even this town”, which in turn “feels like I’m abandoning my old life.” Maybe this is down to his contradictory nature - Cal is anything but a straightforward teenager. He doesn’t think like one. He doesn’t speak like one. Indeed, his thought processes and dialogue can seem out of kilter with his age. He needs everything just-so, but at the same acts impulsively. For example, he can’t stop himself from broadcasting news about his dad to his followers, which - as predicted - results in him facing the wrath of StarWatch. Cal’s settling-in has a lot to do with his rollercoaster romance with Leon. It’s starts out with the thrust of a rocket launch (“This crush is strong. This crush is too powerful. This crush will be the end of me”), and then comes a crash to earth alongside tragedy striking the mission. In the aftermath of this, Cal finds himself working to expose Starwatch’s agenda, both to clear his name and save the mission, and the truths revealed sure ain’t pretty. Covering mental health issues (via Leon’s depression and Cal’s mom’s anxiety) alongside a whirlwind coming-of-age gay love story, The Gravity of Us is an entertaining YA debut that gives many underrepresented folk a chance to see themselves on the page, with the added kick of space exploration and media ruthlessness.
So, so readable, Of Ants and Dinosaurs with the lightest and brightest of touches, made my brain itch with its creativity and klaxon alarm. Perfect for readers from young adult on, this sets itself as a “satirical fable, a political allegory and ecological warning”. In a time long long ago ants and dinosaurs joined forces to build a magnificent civilisation, when doom threatens will the dinosaurs listen to the ants? Cixin Liu is China’s number one science-fiction writer and his The Three-Body Problem was the first translated novel to win a Hugo award. I just love the cover, and the ants marching across the chapter pages had me smiling. As soon as I started to read my attention was well and truly caught. The prologue sets the scene with wonder and I read and believed without a moment's doubt. While portraying the ant and dinosaur alliance, there is very much a warning to the human race here. Deceptively simple and brilliantly clever, Of Ants and Dinosaurs just has to sit as a Liz Pick of the Month and a LoveReading Star Book, I simply adored it.
Inside the Sun is book three of the 8th Island Trilogy. As this is the third and final instalment of Ella’s story I would recommend starting with book one to fully understand the story, there are too many different characters species and quick references to what I assume are events in previous books to read this as a standalone. However, there is a Glossary of characters, creatures, plants and places at the back to help. A teen fantasy book which includes portal jumping, other worlds, strange creatures. This series also handles very real challenges, as Ella is suffering from Cancer and the divide between the races on Jarr-Wya reflect the divisions that can be found in our own society. Facing the ultimate battle against evil and their nemesis the Milia sands, will Ella and her friends be able to stop everything they love being destroyed. And will Ella and her family be able to find a cure for her cancer? I like the map at the start of the book and the illustrations throughout. I don’t often see illustrations in YA fiction, so I thought this was a nice addition. I also liked the illustrations as they help you to picture the different creatures, which I found useful, and also helped to drive the plot forward. I also liked the detailed descriptions of the places and creatures. The author is very good at world-building and it must have taken a lot of time and imagination to come up with the 8th Island worlds. I found the relationships between the characters interesting and the prominent place of Ella’s mum in this book different from the other YA Fiction I’ve read. The group aren’t strangers to peril and it would seem that what they face in the final book may be their biggest challenge to date. Everything is tied up satisfactorily in the final pages and the epilogue and in all, I think this is a good finale to a teen fantasy trilogy.
From the multi-award-winning author of The Poet X and With the Fire on High comes Elizabeth Acevedo’s exceptional dual-voiced novel about loss, love and sisterhood across the sea, a story partly sparked by the fatal crash of a flight from NYC to Santo Domingo in 2001. Camino Rios has always lived in the Dominican Republic with her aunt Tia, “a woman who speaks to the dead, who negotiates with spirits”, a woman who’s like a mother to her: “Even when Mama was alive, Tia was the other mother of my heart.” Life’s not easy for them on the island, but they have it better than their neighbours as a result of Camino’s beloved Papi working in the US for most of year. To Camino, Papi is a “A king who built an empire so I’d have a throne to inherit”, and she lives for the summer months when he comes home to them. But all life is thrown into terrible disarray when she goes to meet Papi at the airport and learns that his plane has fallen from the sky, and then: “I am swallowed by this shark-toothed truth.” This story is blessed with such divinely piercing language throughout. At the same time, across the Atlantic, Yahaira Rios learns that her hero Papi has died in a plane crash. She already knew he had a wife on the island (but not of his secret daughter), and has always longed to reconcile her Dominican heritage with her American life: “Can you be from a place you have never been? You can find the island stamped all over me, but what would the island find if I was there? Can you claim a home that does not know you, much less claim you as its own?” When it emerges that Papi wishes to be buried back in DR, Yahaira’s Mami insists that she will never let her “touch foot on the sands of that tierra.” But Yahaira has other plans, not least when she’s contacted by a girl named Camino Rios who bears an undeniable resemblance to Papi, and to her too. As well as being exceptionally affecting on grief, forgiveness and family secrets, Clap When You Land is also devastatingly sharp on the exploitative tendencies of tourism. In Camino’s words: “I am from a playground place…Our land, lush and green, is bought and sold to foreign powers so they can build luxury hotels...Even the women, girls like me, our mothers and tias, our bodies are branded jungle gyms…Who reaps? Who eats? Not us. Not me.” Overflowing with truths of the heart, and truths about inequalities that need to be broken, while also addressing the complexities of what it means to be of a place, I can’t praise this highly enough.
Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
This novel moves from poetry to prose, and back again, as it explores a girl’s relationship with her Grandfather. Mizuki can see something is deeply troubling to her Grandfather Ichiro, but she can’t find its source, except it is somehow connected with an old book and Ichiro’s need to create origami paper cranes from it. Mizuki’s worries are expressed in verse before we jump back into prose - to the at times brutal description of the day the bomb fell on Hiroshima and Ichiro’s role in that day and beyond. The descriptions of the effects of the bomb are based on effective research and from survivor’s tales and told in such a way that the reader is entirely there in the moment and the long days after as Hiro rebuilds a life for himself. As we return to Japan in 2018 the novel reverts to poetry to the very modern tale of how Mizuki uses the internet to try to get to the bottom of the problem facing her elderly grandfather. The illustrations in the book help create the many impressions and emotions aroused by the story – they are based on Japanese brush and ink techniques and add a further layer to this already impressive book. This is a harrowing tale but the ultimate redemption in the story leaves one with a sense of hope. Highly recommended.
Award winning author Jenny Valentine is justly renowned for never using three words where one will do, but every word she uses will count. Hello Now is another short novel that punches well beyond its weight. Every novel she writes is completely different, but you always know that you are in for an unforgettable reading experience. So, you would not expect the obvious wish fulfilment fantasy love story of finding true happiness with the perfect time-travelling love object and while that is the bare bones of the story of Jude and Novo, what we get is so much more. Jude is cleverly non gendered throughout the book and so this romance can take on multiple interpretations. The mechanics of Novo’s existence are never logically explained either, but we do have an intense dive into the powerful emotion that often seems beyond rationality and beyond time. It is only when Novo meets Henry, the old reclusive sitting tenant in the house Jude has just moved into, that Jude realises the harsh dilemma facing them. In one of the most touching scenes, Henry and Novo recognise each other for what they are. As Henry later explains to Jude alone, if Novo stays with Jude in her present time, he sentences himself to eternal loneliness once Jude inevitably dies, the same loneliness that Henry currently endures. A sacrifice that Novo is desperate to make but one that Jude cannot live with. Doing what is right is not always easy but embracing the moment, embracing change, and moving forward after loss are lessons worth learning. Exquisitely done and a thought provoking, rewarding read.
Like When We Collided and Open Road Summer, The Map from Here to There demonstrates Emery Lord’s talent for capturing the exhilaration and angst of characters on the cusp of adulthood. “I was beginning to think that half of growing up was figuring out when to let go and when to hold on,” Paige muses partway through her story journey, but being an anxiety prone over-thinker, that’s not an easy conundrum to crack. After the pain of her first boyfriend passing away a few years back, life has taken an upward turn. She has a set of supportive friends, she’s excited by the prospect of studying screenwriting, and she’s besotted with her new boyfriend Max. But having such an active life – working shifts at a cinema, applying to college, taking on a theatre internship, wanting to spend time with Max and her friends - begins to take its toll. Paige wants it all, but big decisions must be made, and the trouble is, saying yes to one thing (like choosing where to go to college) means saying no to another. When fatalism kicks in and affects her close relationships, Paige takes heart from her mom’s wise words: “As much as I love a pro-and-con list – and you know I do – sometimes you have to ignore all of that. Your gut instinct can say a lot.” Authentic, honest and shot through with empathy, this offers a helping hand to young adults navigating similarly confusing crossroads, alongside being an out and out entertaining story.
The author has revealed just how much of this searing novel is based upon her own experiences at school which lends credibility and authenticity to the situations described, but she has also created utterly believable and relatable characters with truly authentic teen voices and dialogue. Within a few pages we are thrust into the raw pain of grief and utter disbelief in the aftermath of a teen suicide. The narration alternates between 15-year-old Nathan, the younger brother who discovered Al’s body and Megan the school friend who shared Al’s passion for art, but each chapter is cleverly introduced by the voice of Al himself. Both Nathan and Megan are wracked with guilt, blaming themselves for letting Al down. Nathan, by not picking up the call from Al on that fateful afternoon and Megan by sticking with the ‘cool’ kids and not acknowledging Al as a friend. Nathan wants to understand why Al was driven to suicide and Megan wants to prove to the world how special he was. Gradually we develop a deep and nuanced understanding of their growing relationship and of all the characters involved: be they friends, family or even ‘villains’. There are no cardboard cyphers here. The thought provoking, intelligent writing also reveals the overwhelming influence of social media on the lives of young people. Megan can use Instagram and Facebook to positively celebrate Al’s artwork, but together they discover the extremes of cyberbullying he had been exposed to and which ultimately pushed Al over the edge, helped by the casual spite which colours so much daily interaction on social media.
This debut novel was inspired by the author’s work creating Run the World, an organisation that empowers women and girls from marginalised backgrounds through sport and storytelling and the authenticity of this, at times harrowing story, is palpably evident. As is the skill of the accomplished writing which makes great use of typography and layout to really make every word count. This speeds the reader through the narrative, but it also cuts deep to reveal the emotions experienced by our narrator. Amber Rai is only ‘truly alive’ when running and shows great potential. But her alcoholic, abusive, misogynistic father refuses to allow her on the track. She has seen her older sister Ruby denied university and married off against her will and her downtrodden, abused mother is literally powerless to help, trapped as much by illiteracy and lack of English as the violence of her equally illiterate, unemployed husband. Amber has friends and teachers who believe in her, but she cannot explain what really goes on at home. She is a complex and believable character with very real flaws that she painfully recognises: ‘inflicting pain on others/halves your own hurt’. But the story is cleverly structured on The Anatomy of a Revolution and inspired by her reading about revolutions for history, Amber, Ruby and her mother gradually empower each other to take small steps to freedom. This is an important, rewarding, highly empathetic read which, despite the dark subject matter, offers hope but no simplistic solutions.
Published in partnership with Girl Up, the UN women’s foundation, Feminists Don't Wear Pink (and other lies) is an exhilaratingly empowering anthology of essays by 52 women written in response to the question: what does the F word mean to you? The contributors’ answers are as varied and individual as womankind itself, with the book innovatively divided into sections covering Epiphany, Anger, Joy, Poetry Break, Action and Education, followed by helpful Further Reading recommendations and rousing Last Words essays. Often amusing, and always honest, edifying and powerfully personal, contributors from the world of screen and stage include Keira Knightly, Emma Watson, Lolly Adefope, Kat Dennings and Amy Trigg, while activist authors include anti-FGM campaigner Nimco Ali, Amika George, creator of the #FreePeriods campaign, and Alice Wroe, founder of Herstory. Readers beginning their feminist journey will find Claire Horn’s ‘A Short History of Feminist Theory’ especially useful, summarising as it does the movement’s origins, multi-stranded history and contemporary incarnations. Diverse, empowering, and united by a spirit of sisterly solidarity, these essays are a motivational, supportive rallying call to young women.
The years leading up to your 20s are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood. This section of fantastic books for young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.