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This is it. The place for the greatest writing: stories that transcend all other ‘genres’. Literary fiction goes above and beyond any specific genre in order to deliver stories that strike at the heart of what it means to be human.
An interesting, expressive, and bittersweet dual time frame novel. Marine archaeologist Rachel investigates a shipwreck with links to the slave trade, while in 1763 Abigail falls in love with a tobacco trader in Whitehaven. This is the fourth in the Tales from Goswell series. These books feature the village of Goswell in Cumbria and a new main lead (or two) is introduced each time. A slice of history creates a dual timeline, with the present linking to the past and the focus equally on both. Characters from previous books are mentioned which adds continuity, it almost feels like a much loved holiday cottage, returning to a place that feels comfortable and homely. The slave trade spears this storyline, with Katharine Swartz balancing the thoughts of the time with love and as usual with her books, hope. What it is to be family sits centre stage in The Widow’s Secret, and while a tale full of warmth, there is also an undeniable flinty and provocative edge.
Prepare yourself for an emotional read… full of deep abiding love and hope, there are also parts of this book that caused an intensely physical ache long after I’d finished reading. I don’t want to give too much away, I want you to be able to enter as I did, and experience all that is on offer. So, let me just say that Max and Pip have to make an impossible decision, one that will affect them forever more. The prologue sets the scene perfectly, and I felt a fellow sharp intake of breath at the last sentence before moving to chapter one. This is one of those books where I didn’t make many notes as I read, I was completely caught up in the story. Each character is perfectly placed, their emotions reaching out from the page to touch my heart and soul. There are times when right and wrong do not exist in a clear, comprehensive format and this book successfully shreds presupposition into tiny confetti-like pieces. After I had finished reading, the note at the end by Clare Mackintosh sent goosebumps skittering down my arms. After the End is powerful, provocative, and I can wholeheartedly recommend this extraordinarily beautiful read. I have chosen it as one of my picks of the month and a LoveReading star book.
Teeming with life and crackling with energy, told through many distinctive voices, this novel follows the lives of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years. Joyfully polyphonic and sparklingly contemporary, Girl, Woman, Other is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.
What if Jesus had married? What kind of woman would he marry? Who would marry him? These questions are at the heart of Sue Monk Kidd’s sweepingly inventive The Book of Longings. Ana, with her “turbulent black curls and eyes the colour of rainclouds” and a narrative voice that sweeps you up in its bold passion, was born into a wealthy Galilean family. Sharp-minded and a gifted writer, Ana secretly transcribes the stories of matriarchs in the scriptures, women omitted from the records: “To be ignored, to be forgotten, this was the worst sadness of all. I swore an oath to set down their accomplishments and praise their flourishings, no matter how small. I would be a chronicler of lost stories.” Ana seems destined to marry an elderly widower to further her father’s career (he’s the closest adviser to Herod Antipas, whom Ana despises), until she encounters eighteen-year-old Jesus and is emboldened and aroused by his revolutionary ideas: “I called him Beloved and he, laughing, called me Little Thunder.” Jesus understands Ana’s longings, her “life begging to be born,” and she loves his kindness, his capacity for listening. Of course, we know how the real-life narrative plays out, but this affecting story gets under the skin as familiar events unfold through Ana’s eyes, as a proto-feminist, as wife of Jesus, as sister of Judas.
One trouble-making dog brings together two perfect strangers in this USA Today bestselling romantic comedy full of 'fierce humor and fiercer heart.' (Casey McQuiston, NYT bestselling author of Red, White & Royal Blue) Two years after losing her fiancé, Sloan Monroe still can't seem to get her life back on track. But one trouble-making pup with a 'take me home' look in his eyes is about to change everything. With her new pet by her side, Sloan finally starts to feel more like herself. Then, after weeks of unanswered texts, Tucker's owner reaches out. He's a musician on tour in Australia. And bottom line: He wants Tucker back. Well, Sloan's not about to give up her dog without a fight. But what if this Jason guy really loves Tucker? As their flirty texts turn into long calls, Sloan can't deny a connection. Jason is hot and nice and funny. There's no telling what could happen when they meet in person. The question is: With his music career on the rise, how long will Jason really stick around? And is it possible for Sloan to survive another heartbreak? - USA Today bestseller - Publishers Weekly Starred Review - Publishers Weekly bestseller - Kirkus Starred Review - Booklist Starred Review - BookBub, 20 of the Best Romances Coming Out This Year - The Nerd Daily, Most Anticipated 2020 Titles - Goodreads, 28 of the Hottest Romances of 2020 - Bookpage, Most Anticipated Romance of 2020.
ALL HE DID WAS FALL IN LOVE WITH ME AND THE WORLD TURNED HIM INTO A MONSTER Vanessa Wye was fifteen-years-old when she first had sex with her English teacher. She is now thirty-two and in the storm of allegations against powerful men in 2017, the teacher, Jacob Strane, has just been accused of sexual abuse by another former student. Vanessa is horrified by this news, because she is quite certain that the relationship she had with Strane wasn't abuse. It was love. She's sure of that. Forced to rethink her past, to revisit everything that happened, Vanessa has to redefine the great love story of her life – her great sexual awakening – as rape. Now she must deal with the possibility that she might be a victim, and just one of many. Nuanced, uncomfortable, bold and powerful, My Dark Vanessa goes straight to the heart of some of the most complex issues of our age.
Swinging from South Africa to England: one woman's hunt for her birth mother in an all-too-believable near future in which an antibiotic crisis has decimated the population. A prescient, thrilling debut. Decades of spiraling drug resistance have unleashed a global antibiotic crisis. Ordinary infections are untreatable, and a scratch from a pet can kill. A sacrifice is required to keep the majority safe: no one over seventy is allowed new antibiotics. The elderly are sent to hospitals nicknamed 'The Waiting Rooms' ... hospitals where no one ever gets well. Twenty years after the crisis takes hold, Kate begins a search for her birth mother, armed only with her name and her age. As Kate unearths disturbing facts about her mother's past, she puts her family in danger and risks losing everything. Because Kate is not the only secret that her mother is hiding. Someone else is looking for her, too. Sweeping from an all-too-real modern Britain to a pre-crisis South Africa, The Waiting Rooms is epic in scope, richly populated with unforgettable characters, and a tense, haunting vision of a future that is only a few mutations away.
“For the last thirty-two years, you’ve not once trotted out for a run around the block. And now you tell me with a straight face that you want to run a marathon.” So begins this scathingly amusing novel that sees 64-year-old Remington - recently forced to retire early after an unsavoury employment tribunal – develop an unhealthy obsession with extreme exercise and his hideously competitive trainer, Bambi. Remington’s wife, sixty-year-old Serenata has always been a solitary exerciser (“I find large numbers of people doing the same thing in one place a little repulsive”), so the fact that her “husband had joined the mindless lookalikes of the swollen herd” comes as a shock, and an insensitive affront too, given that she was recently compelled to give up a lifetime of running after a diagnosis of osteoarthritis in both knees. Their spiteful bickering begins immediately, with neither party displaying themselves in a favourable light. Indeed, both characters are largely unlikeable, which makes their sniping all the more entertaining. Remington bemoans accusations of privilege, thus revealing said privilege: “I’m a little tired of being told how ‘privileged’ I am... How as a member of the ‘straight white patriarchy’ I have all the power. I’m supposedly so omnipotent, but I live in fear, less like a man than a mouse.” After (eventually) crossing the finish line of his first marathon, Remington signs-up for a gruelling triathlon, with his farcical persistence in spite of serious incidents and injuries making this novel both hilarious and excruciatingly cringe-worthy, albeit with an unexpectedly bittersweet upshot.
A multi-perspective narrative following Aiyanna and a number of other characters. This book also spans time, jumping from Aiyanna in the modern-day and back through history. This book seems to be part sci-fi, part literary fiction. Aiyanna is seeking treatment for a deep depression when she discovers a secret about herself which leads her deep into her family history. Each character we encounter throughout the book teaches us about family, love, understanding and the human condition. These lessons are also imparted on Aiyanna, an insight I’m sure anyone who believes in reincarnation would love, to be able to look into their past lives and experiences to impact the decisions or mistakes they make. The book is separated well, with the name of the character in focus at the top of each chapter. This is an interesting story about time, belief in reincarnation and in some cases the butterfly effect, the idea that one small action or decision can have a knock-on effect, sometimes throughout history.
A beautifully engaging novel that both broke and truly captured my heart. We travel with Laure through three time frames, from Prague of 1986, through to Paris of today. She finds love, and founds a museum based on promises broken, discarded, forgotten. Elizabeth Buchan writes with such eloquence, compassion and meaning. I felt, really felt the history and heartache. The past and the present somehow balance, as they move backwards and forwards slowly cutting snippets of information free. I fully existed in each moment, almost forgetting another point existed until I found myself there and became immersed once more. I really cared about the characters, including the museum, the idea is captivating, and so completely believable I feel as though I should be able to walk through its doors. The Museum of Broken Promises is for a me a must-read, I’ve chosen it as one of our star books, it is quite simply, glorious.
Ancient gods and the elemental spirit of an island are interwoven with modern reality in this remarkable debut that begins with a family impoverished by the decline of the sugar cane industry. In the pounding, poetic words of Augie, the father of the household: ”I was once the sugarcane. I was the cane and clacking and the sugar-sweet smoke of the reaping season.” Amidst escalating money struggles, a shiver of sharks save seven-year-old Nainoa from drowning, which the family embrace as a sign from Hawai’i’s ancient gods, especially when Nainoa also seems to have been bestowed with healing powers. Throughout the writing is majestically powerful, from punch-packing phrases that slam you in the gut, to monumental descriptions that rise, crash, roar and swell like Big Island waves, not least when life unravels again after Nainoi – now a young adult - and his siblings leave the island for various parts of the USA. Sister Kaui captures one of the novel’s core themes when, relocated to San Diego, she speaks of being, “A person of here and there, and not belonging in either place.” Meanwhile, in Portland, struggling with his healing gift, and the failings of this gift, Nainoa recalls the shark incident and memories call to him: “Home. Come home.” With its sweeping sense of myth, this multi-voiced family saga is a brilliant, involving exposition of how the places we inhabit also inhabit us at bone-deep level. It rings and rages with the wrath, revival, healing and hope of its characters.
Glorious, simply and beautifully glorious! Inspired by Shakespeare’s son Hamnet, this is the imagined story behind the writing of Hamlet, which was written between 1599 and 1601. Hamnet and Hamlet were apparently “entirely interchangeable in Stratford records in the late sixteenth and early seventeenth centuries”. Maggie O’Farrell says she wanted to write this story for over thirty years. “What did it mean for a father to name a tragic hero after his ( ) son. What was this unusual act telling us?” The cover design is beautiful, it called to me. On opening, I slipped into and fell in love with this tale. Hamnet has an almost otherworldly feel, and yet is as earthy and believable as can be. Two time frames sit side by side, Hamnet becoming ill in 1596, and then the earlier story of Shakespeare and Agnes meeting and falling in love. The descriptions became clear bright images in my mind. I could feel the words, they echoed deep inside me, creating pools of emotion. I cried on finishing, all the feelings that Hamnet created slipped out of me and trickled down my cheeks. I adore Hamnet, it now sits on my list of favourite books, and will be one that I reread each year. Chosen as a Book of the Month, LoveReading Star Book, and Liz Pick of the Month.
Quirky, provocative, and fabulous, these short stories highlight everyday normality and yet firmly shake the roots of your thoughts. Hannah Vincent is a novelist and playwright, I first came across her writing in 2014 when I read Alarm Girl, which I can still clearly remember (bearing in mind just how many books I read, it shows you how powerful her writing is). Although these short stories might leave you with more questions than answers they are actually perfectly formed. Sweary, occasionally shouty, definitely challenging, the mundane is examined, and experienced in a completely different way. She-Clown and Other Stories is a really interesting and decidedly different collection of 16 stories that I can wholeheartedly recommend.
Quirky, provocative, and fabulous, these short stories highlight everyday normality and yet firmly shake the roots of your thoughts. Hannah Vincent is a novelist and playwright, I first came across her writing in 2014 when I read Alarm Girl, which I can still clearly remember (bearing in mind just how many books I read, it shows you how powerful her writing is). Some short stories feel as though you’d like more, want more, these leave more questions than answers and yet are perfectly formed. Sweary, occasionally shouty, definitely challenging, the mundane is examined, and experienced in a completely different way. She-Clown and Other Stories is a really interesting and decidedly different collection of 16 stories, that I really do wholeheartedly recommend.
Set in 1980s Atlanta, Tayari Jones’s Silver Sparrow is a rich tour de force that sparkles with wit, warmth and candid lyricism. Exploring the weight of secrets and the complexities of love and family life through the compelling coming of age stories of sisters estranged by their father’s bigamy, this novel lingers long in the soul. “The truth is a strange thing. Like pornography, you know when you see it.” This potent proclamation cuts to the novel’s core, for Dana and her mother Gwen are the other wife, the other daughter, of bigamist James, and they know this truth while his first wife and daughter remain oblivious. Upset when James tells her that being his second daughter “You are the one that’s a secret,” Gwen poignantly informs Dana that rather than being secret, she’s simply “unknown. That little girl there doesn’t know she has a sister. You know everything.” Knowledge that she possesses the truth offers Dana consolation, of sorts. While James’s other family is financially better off, both wives have a distinct lack of agency. Indeed, the novel is sharp on showing how women often have to make their lives from what men decide, such as when Gwen remarks that when you’re four weeks late, “All you can do is give him the news and let him decide if he is going to leave or if he is going to stay.” The novel is also powerful on elemental love and the nature of memory, such as Dana’s response to being gifted a fur coat her father won in a card game: “To this day and for the rest of my life I will always have a soft spot for a man with rum on his breath.” In time, during her own tempestuous teenage years, Dana orchestrates encounters with her sister and they become friends, with tension rising as the secret threatens to detonate. With finely drawn, flawed characters that pull readers’ loyalties in different directions, this commanding, compassionate novel confirms the author’s exceptional gifts.
With its finely-evoked Haiti setting and interlacing of one woman’s search for her grandchild with another’s search for her absent mother, Island on the Edge of the World by Deborah Rodriguez, author of The Little Coffee Shop of Kabul and The Kabul Beauty School, comes heartily recommended for fans of thought-provoking family dramas. Estranged from her mum, Alice, and her poisonously controlling stepdad Jim, who’ve established a mission on Haiti - Charlie has been living with grandmother Bea for the past year. When psychic Bea dreams that something isn’t right with Alice, Charlie reluctantly agrees to travel to the island to check she’s OK. At the airport they meet Lizbeth, a widow who’s learned that she might have a grandchild on Haiti, where her son - also deceased - worked for an NGO. The novel really finds its flow when the three women set foot on the island and search for Lizbeth’s grandchild together, with Charlie additionally trying to find her mother, and perhaps also the strength to forgive her. Alongside the women’s personal quests, truths about Haitian history, culture and post-earthquake poverty are revealed through Mackenson, their driver, translator and all-round fountain of knowledge and help. His calm voice cuts through misconceptions about the island, exposing the debilitating effects of negligent international aid practices and ignorant “white saviours”. As a pacy race against time plays out in Port-au-Prince, Bea’s encounters with a flirtatious Frenchman and the bond she forms with Mambo Michèle, a Voudou priestess, deliver delightful moments of energy and light.
Love, friendship and family come in all different shapes and sizes... Gina has been going with the flow for years - she'd rather have an easy life than face any conflict. She runs her childminding business from her cottage at the edge of The Evergreens, a charming Victorian house and home to three octogenarians who have far too much fun for their age. But when The Evergreens is put up for sale, Gina and the other residents face losing their home. To protect her business and save her elderly friends from eviction, Gina must make a stand and fight for the first time in her life. As Gina's ideas for saving The Evergreens get bigger and bolder, she starts to believe it might just be possible. The only thing is, does she believe in herself?
She married for her future. But then she fell in love . . . Escape into the world of Mr Darcy and Elizabeth Bennet one more time with this charming, poignant story for fans of Miss Austen by Gill Hornby and Longbourn by Jo Baker. Charlotte Collins is the dutiful wife of Hunsford's vicar. Although it may not be perfect, her marriage allows her security, and so she patiently tolerates Mr Collins' awkward lectures and cares for their young daughter. But there's more to Charlotte than she'd have you think. Fiercely intelligent and pragmatic, Charlotte yearns for something more. When she meets Mr Travis, a local farmer, Charlotte starts to feel a spark of something she has never felt before. Could it be desire? Could it even be love? And will she listen to what her head is telling her or should she follow her heart?
Literary fiction is a bit of a “catch-all” phrase. Some call it “Serious Fiction” but we prefer to think of it as all of the greatest stories ever told, all in one place. This is where you will find literary classics from literary masters past and present.
Why not have a look at our monthly featured titles for inspiration? Revisit old friends? Discover new ones? Or finally read that book that your friends have been banging on about for ages? Whatever your reasons, settle down with your favourite tipple, unwind and open your mind with the home-spun brilliance of authors like Martin Amis, Salman Rushdie, David Nicholls and Zadie Smith; or those from further afield: Gabriel Garcia Marquez, Haruki Murakami, Ben Okri, Jostein Gaarder and so many more. There are obviously so many to choose from, you could get lost in the Sea of Choices.