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Find out moreThis is it. The place for the greatest writing: stories that transcend all other ‘genres’. Literary fiction goes above and beyond any specific genre in order to deliver stories that strike at the heart of what it means to be human.
From childhood in Germany and England to young womanhood in Ghana, this enthralling novel follows a steadfastly thoughtful Ghanaian forging her own identity in the face of fractured family ties, tragedy and colonial imperialism. Though of illustrious heritage, Maya’s childhood as an émigré is complex, uncomfortable and evoked with lyrical precision. Her beautiful mother is self-absorbed, always scented with “powdery luxury” and critical of Maya. ”It’s a pity my child did not take my beauty”, she tells her reflection before counselling Maya to “always look more than perfect. Not just good enough, but perfect”. And Maya receives conflicting messages from her father too. “Boys will not like you if you are too clever”, he tells her, while also criticising an eight out of ten mark: “Why not ten out of ten? You must always do your best.” The arrival of cousin Kojo changes everything. His impassioned talk of Ghana fuels Maya’s understanding of her mother country, her parents, and her own identity. She observes that Kojo’s knowledge “gave him the power to upset the order of things,” leading her to wonder, “Could I learn these secrets and codes, even though I did not grow up in our country?” When she and Kojo are sent to schools in England, Maya experiences the racism of peers who “touched my hair and stroked my skin and passed me round on their laps like a doll”, and Kojo is bullied. No wonder then that he decides that, “this is nothing but a small shitty island that doesn’t work properly. It’s a cold wet Third World country, but they made us think they were all powerful.” Later back in Germany, Maya is maddened by the cultural imperialism of her education: “I could not think of much that was more frightening than fitting into this pinched-in sterile world.” Maya’s story is at once arresting and nuanced, and suffused in an elegant sense of triumph when she returns to Ghana, where Kojo has been struggling to set-up a museum, and in time finds her voice and purpose through navigating a tangle of personal misfortune and cultural complexities.
This is what a reading experience is all about, Ness touches, tests, pushes, strokes, inspires, and I have given this little book my heart. I have hesitated about explaining the background to Ness, but have decided that to know doesn’t unduly shape thoughts. Orford Ness in Suffolk is a shingle island which is constantly changing due to the sea and weather. It is the site of an abandoned military base where research included nuclear weaponry during the Cold War. The author and illustrator know this place, and have created a powerful lyrical read where nature takes steps to stop a crime against the world. It is a wonderful heady mix of novella and poetry-prose, a fantasy creation of word and illustration that took up lodging in my mind. A hagstone, which allows a veiled glimpse to the future or past, sits centre stage throughout the book, the illustrations by Stanley Donwood allowing a viewing station, a pause, before the next taste of action. The words by Robert Macfarlane sing, they just beg to be spoken, to be heard. As I spoke the words, I had the feeling that I was setting them free, and at the final few pages a shiver of emotion skittered down my arms. Ness is a beautiful yet fierce and frightening call, containing a warning that we should be shrieking from the rooftops. I have chosen it as one of my Liz Robinson Picks of the Month, and a LoveReading Star Book.
A stunningly beautiful, courageous read, one that crosses through time to 1612, when witchcraft allegations went hand in hand with fear, power and corruption. This is a work of fiction based on real people, local residents, Pendle witches and all. Let me tell you about the cover of this book, which really is very gorgeous indeed. The green leaves sooth, with fiery bursts of orange-red and gold, I then noticed the fox, the ring, pendant, feather… and last of all, the noose, which of course once I had seen, reached out and became all I could see. I tell you this, because the cover reminds me of how I felt about the book, mysterious, yet almost gentle, I let the words take me, I felt myself floating, and then bites of uncertainty and disquiet started gnaw at my awareness. The persecution of the women hammered home while an otherworldly existence lodged itself in my thoughts, and remains there. Deceptively powerful, moving and provocative, Stacey Hall writes with an eloquent pen. Opening a window into a vivid feast of a read, as a debut novel The Familiars stands out from the crowd.
The clever, seductive, fact and fictional blended story of Truman Capote and the women he placed (and came to rely on) at the very centre of his life. Truman Capote (author of works including novella Breakfast at Tiffany’s and non fiction piece In Cold Blood) could call among his friends and confidants the wealthy, famous and social elite. Their secrets were released to the world when he wrote a fictional piece that aired an awful lot of real life dirty laundry. Swan Song darts through the years, backwards and forwards, releasing information, filling in this breathtaking story. Kelleigh Greenberg-Jephcott apparently took ten years to research, and four years to write Swan Song. Capote’s swans are deliciously stimulating, and speak as one, revealing betrayal, scandal and lives full of emotional and physical excess. It is so wonderfully gossipy and fascinating, it’s all too easy to forget this is a novel (even though seeped in fact). Swan Song is a beguiling, fascinating dream of a read, and comes as highly recommended by me.
WINNER OF THE BOOKER PRIZE 2019 Teeming with life and crackling with energy, told through many distinctive voices, this novel follows the lives of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years. Joyfully polyphonic and sparklingly contemporary, Girl, Woman, Other is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.
An absolutely delightful story ready and waiting to wrap you up in a delicious blanket of warming feel-good. Ellie thinks she is happy, assumes she is happy, but a present from a harp-making stranger heralds change. Oh I did enjoy this story, told in alternate chapters by Ellie and Dan, I settled myself into a comfy spot and stayed there until I had finished. Dan introduces himself in the most simple and beautiful way, he is able to see through clutter to the heart of things and I have to admit to rather falling in love with him. Hazel Prior doesn’t spell things out for you, instead I felt that I was able to explore and encouraged to contemplate. The descriptions of Exmoor, nature, and colour are particularly special, and I now find myself taking the time to look properly, to really see, to feel, to smile. Ellie and the Harp Maker is truly lovely and rather special, if you feel like a hug, then read this book!
This brilliant novel will be released in February 2020. Click here to pre-order a copy! An exquisitely written and beautifully emotional novel that will remain in my heart and thoughts. Edward survives a plane crash in which every other person, including his parents and brother, die. As the only survivor he becomes the lodestone for the relatives of the other passengers. Ann Napolitano writes with huge compassion as she explores overwhelming grief, and the tragedy is sensitively and skilfully handled. Knowing what is coming, in no way prepares you for the journey. Two time frames travel together, the first immediately leading up to the crash, the second as Edward learns how to survive the aftermath. Scattered within are smaller, intense, briefly short stories that added to, and intertwined with the overall tale. I was allowed to find my own way, to consider and contemplate as I walked alongside Edward. I felt the most profound heartache and joy as I sank into the lives of the passengers, not only incredibly thoughtful, it is also a thought-provoking read. Dear Edward has been chosen as one of our LoveReading Star Books, it is a must-read and truly deserves to be a huge success.
This brilliant debut will be released in February 2020. Click here to pre-order a copy! A debut novel to read slowly, to savour, to adore. Yes, this is a rather special and beautiful read, and I want to climb a few rooftops to shout about it. Missy Carmichael is lonely, she lives by herself in a huge house, when opportunities arise for friendship and more, can she reach out and take them? I admit to having fallen in love with Missy, she isn’t perfect and she makes mistakes (who doesn’t!), yet there is something about her that tiptoed into my heart and soul and has taken up residence. So often we just see a snapshot of someone, a moment or period in their life, however not here. Beth Morrey has not only brought her to life, but by also dipping into the past, we discover the gems that make Missy, well, Missy! The surrounding characters are a wonderfully quirky bunch, and Bob is an absolute delight. I laughed and I cried (oh how I cried). Saving Missy meanders gently, poignantly, beautifully, to what was for me, a perfect ending. I adored meeting Missy and so have chosen this lovely debut novel as one of our star books.
Burning with an intense, provocative fire, this is a debut that doesn’t flinch from the troubled world it creates. 25 years ago, a 16 year old school girl and her teacher disappeared, now a journalist investigates the mystery at the heart of the boarding school. The prologue intrigues, answering a question while bursting open many more. I felt a seductive unsettling call and settled in. Three women sit centre stage in this story, the missing Louisa, her friend Victoria, and the journalist. I gained access to the school and sank into the heady highs and lows of teenage years. A veil of mystery covers Temple House, the school sits in both time periods, a chilling constant between the two. It is as much about the unsaid, the unseen, as it is what is revealed, and Rachel Donohue handles the balance with surety. The ending really spoke to me, it opened my thoughts and encouraged them to travel. I have no doubt that The Temple House Vanishing will stay with me for some time to come, it is an assured and compelling debut.
Everything changes for rural lad Emmett Farmer when a gloriously grouchy wise woman compels him to be her bookbinding apprentice. While this line of work is generally shrouded in superstitious fear, Emmett is shocked when his mentor explains that they “don’t make books to sell, boy. Selling books is wrong”. Rather, their gothically intriguing trade involves binding unwanted memories into books: ”Whatever people can’t bear to remember. Whatever they can’t live with. We take those memories and put them where they can’t do any more harm”. Most clients are wealthy; well-to-do gentlemen who have their servants and wives bound so they forget what wrongs their masters and husbands have done to them. No wonder then, that Emmett is horrified to discover a book bearing his own name, and so a tempestuous tangle of secrets unfurls. The novel is also fragrantly spiced with witty references to literary history and the novel as an art form: “It makes one wonder who would write them [novels]. People who enjoy imagining misery, I suppose. People who have no scruples about dishonesty”. Yet through the duplicity of her exquisitely crafted characters, and luminous storytelling, this novel’s author reveals truths of the human spirit in a most entertaining and absorbing fashion.
This intelligent, beautifully eloquent and powerful crime novel thoroughly provoked my feelings, and still remains in my thoughts. Mickey Fitzpatrick is a police officer patrolling the area she grew up in. Kensington in Philadelphia is known for drugs and sex workers, when a killer arrives on the streets, Mickey prays that her little sister doesn’t become a victim. The author Liz Moore has an intimate knowledge of the real Kensington, she has interviewed the people drawn there by drugs, written non fiction, and completed community work, she obviously cares a great deal for this neighbourhood and its people. Her novel set in Kensington has been a long time in the coming, she wanted to: “do this world justice”, to: “fairly represent”. As I started to read, the ‘list’ stopped me in my tracks, I read it again, pondered, and then moved on to the first two pages which hit my mind with a wallop and gave it a good shake. Mickey narrates her story, she is so clear, sharp, on point, and I could see, feel, taste her words. Kensington, Mickey and her family flooded my mind in short, fierce, expressive chapters of ‘then’ and ‘now’. I felt a connection to emotions, to this story, it truly spoke to me. I feel this novel will be one that I regularly return to, and I’ll take away something a little different each time. Long Bright River is a stunning read, it aches with poignant, vivid intensity and I absolutely loved it. There is no other option for me, than to choose it as a LoveReading Star Book, and a Liz Robinson Pick of the Month.
Acclaimed as an editor of unparalleled ingenuity, the late, great Diana Athill was herself a remarkable writer. Her memoirs and this - her only novel - are compelling, candid and affectingly meticulous, with a precise style reminiscent of Jean Rhys, whose work Athill edited and championed. Indeed, Meg, the main character here, with her self-critical wit, lodging house living and misfortune in matters of the heart is somewhat reminiscent of Rhys’s characters. The daughter of a poor pastor and distant mother, Meg found school “hateful and humiliating” and “knew that the adjectives most often used in connection with my name were ‘conceited’, ‘superior’ and ‘affected’”. But it’s here that Meg discovers her talent for drawing and befriends grown-up, glamorous, wealthy Roxane, to whom she remains complicatedly connected for many years. After attending art school in Oxford, Meg defies convention and moves to London where she finds some happiness in the chaos of a shared house. While Meg becomes a sought-after illustrator, her existence always feels precariously unsettled. She falls in love with entirely the wrong man and their passionate affair renders her impotent in many regards. “Two sayings which I detest”, she declares: “You must face facts” and “You can’t have your cake and eat it’”. And herein lies Meg’s fundamental struggle to find ease (her needs and outlook are at odds with the world), which Athill explores to intense affect in this luminous coming-of-age treasure.
So beautifully written, the chills prowl with unexpected menace to climb inside your thoughts, to lurk and provoke. Richard and Juliette’s son Ewan died at the age of 5, Juliette, convinced that her son is still in the house turns to a group of occultists, while Richard searches for the remains of a hangman’s oak tree opposite their home Starve Acre. Andrew Michael Hurley doesn’t waste a single word, each forms a web to create a picture as he captures the essence of a thought or thing. As the story grows, as the oak planted itself in my minds eye, the unsettling force of grief came to settle over everything. I sank into this tale and couldn’t leave, reading from the deep, dark and incredibly soulful first page through to the startling last in one heady afternoon. Folklore gathers in the background, grief preys on the unsuspecting, and a compelling story unfolds. Highly recommended, I have chosen Starve Acre as one of my picks of the month, and a LoveReading Star Book.
Discover and be transported by eight wonderfully diverse stories based on the myth, legend and folklore at eight English Heritage sites from the toe of Cornwall to the tip of Northumberland. Editor Katherine Davey, English Heritage, and September Publishing have worked their magic alongside the authors while Clive Hicks-Jenkins has created striking and disquieting illustrations to accompany each story. To give you an idea as to the quality on offer, the authors in order are, Edward Carey, Alison MacLeod, Paul Kingsnorth, Sarah Hall, Graeme Macrae Burnet, Sarah Moss, and Fiona Mozley. Journalist James Kidd introduces the tales, highlighting the importance of folklore, and states that: “The moods of the eight stories are similar eclectic, by turns comic or uncanny, absurd or scholarly, angry or fanciful, unsettling of poignant”. The location each story has been based on, sits at the end of the story, as while some are obviously of the site, others hover, offer, suggest. The afterword by the knowledgeable Charles Kightly explains the background to each of these new stories, the history and tradition that each site is steeped in. From sharp and pointed, to lyrical and whimsical, the creative and inspiring stories in These Our Monsters twisted in my mind. If you enjoy an original and wonderful blend of folklore, myth and legend, stop right here!
I absolutely adored this very special, surprising and exquisitely written novel focusing on the period between the First and Second World Wars. In 1925 Selina Lomax regularly appears in the papers as she and her friends attend parties and live life to the full. When Selina meets struggling artist Lawrence Weston her life changes beyond all recognition. I entered ‘The Glittering Hour’ expecting the beautiful relationship tale that I found. However I also left having experienced so, so much more. Iona Grey has created sentences that caught and transported me with their stunning descriptions. The story slinks through time and space, effortlessly revealing links from the past that become present in the future. As I read, moments of understanding speared my awareness and left me reeling. I felt joy, tenderness, aching sadness, and I cried, really, really cried at the beauty in front of me. I wield my highly recommended stamp of approval all over The Glittering Hour, it really is the most wonderfully heartfelt and meaningful read, and so sits as a LoveReading star book.
Stunningly gorgeous short stories and wonderful illustrations make for an absolute treasure trove of a book. I have quite simply fallen in love with Foxfire, Wolfskin, it makes my heart sing. Discover 13 short stories about shapeshifting women, the shortest story being three and a half pages long. All are “either reimaginings of older tales, or contain characters, beings and motifs which appear in older tales”. On opening the book, I felt as though I was walking into an age old story, the descriptions are startling, vivid, touchable. I began with Wolfskin, which is sharp and edgy, it hurts, it feels… right. After finishing Wolfskin, I immediately read it again, this time out loud. I fell headlong in once more, and at the extraordinary end, emotional goosebumps skitter-scattered down my arms. All of these stories have a unique strength to them and I disappeared into each one. Just a note on the accompanying illustrations by Helen Nicholson. They are fresh, original, and yet have that same age old feel of the stories. At the very end you will find notes on each tale, the inspiration behind them and where the idea appears in folklore. Foxfire, Wolfskin is full of beautiful stories that take hold, bite, leave their mark and I adored it so much I had to add it as one of my picks of the month!
Suffused in the haunting longings and losses of complex, compelling Mari, The Jeweller shines with mysterious originality. Mari is a market stallholder in a West Wales seaside town whose wares come from clearing the houses of the dead, and who spends hour after hour fashioning a perfect emerald. Throughout, the language is exquisitely vivid, the story dappled with shocking, jarring moments, such as when Mari is publicly accused of being responsible for a man’s death, and the depiction of her pet monkey’s degeneration. And then there’s the unexpected discovery that leads to a reunion that releases Mari to a new life. Gleaming with precise lyricism (kudos to translator Gwen Davies, who rendered it from the original Welsh), this mesmeric novel has a truly mythic quality.
Told in narrator Newt’s distinctive phonetic English, this dark debut dazzles with originality and delivers a potent case for combatting inequality. Bearmouth is home to a grim mining business, where men and children labour under inhumane conditions to make their Master wealthy. They work under the earth, under the omniscient Mayker who - so workers are told - “sen us down into the dark Earf/To atone for the sins o our forefarvers an muvvers”. Naïve Newt hasn’t seen daylight in years, but takes pride in being taught to read and write by fatherly Thomas, blithely accepting this lot until the arrival of new boy Devlin. Devlin’s talk of “revolushun” makes Newt feel that things are “unravellin slowly slowly lyke a bootlayce comin all undun.” Life in Bearmouth is beyond bleak, but the sparks of Devlin’s revolutionary spirit catch light and drive Thomas to ask the Master for “more coinage” for the workers, to question why they must pay for essential clothes, to demand to know when the promised safety lamps are coming. Then when tragedy strikes, Newt too realises that things “ent bloody well ryte” and takes on Devlin’s insurgent tendencies, with explosive effects. Emotionally engaging, this searingly original novel about standing up to abuses of power and fighting for freedom is radiant with story-telling excellence.
Literary fiction is a bit of a “catch-all” phrase. Some call it “Serious Fiction” but we prefer to think of it as all of the greatest stories ever told, all in one place. This is where you will find literary classics from literary masters past and present.
Why not have a look at our monthly featured titles for inspiration? Revisit old friends? Discover new ones? Or finally read that book that your friends have been banging on about for ages? Whatever your reasons, settle down with your favourite tipple, unwind and open your mind with the home-spun brilliance of authors like Martin Amis, Salman Rushdie, David Nicholls and Zadie Smith; or those from further afield: Gabriel Garcia Marquez, Haruki Murakami, Ben Okri, Jostein Gaarder and so many more. There are obviously so many to choose from, you could get lost in the Sea of Choices.