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Find out moreCommonly extrapolating elements of current society, dystopian fiction explores the darker side of possible worlds. Discover more than a Brave New World here.
It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined — every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.
A CITY IN QUARANTINE London, the epicenter of a global pandemic, is a city in lockdown. Violence and civil disorder simmer. Martial law has been imposed. No-one is safe from the deadly virus that has already claimed thousands of victims. Health and emergency services are overwhelmed. A MURDERED CHILD At a building site for a temporary hospital, construction workers find a bag containing the rendered bones of a murdered child. A remorseless killer has been unleashed on the city; his mission is to take all measures necessary to prevent the bones from being identified. A POWERFUL CONSPIRACY D.I. Jack MacNeil, counting down the hours on his final day with the Met, is sent to investigate. His career is in ruins, his marriage over and his own family touched by the virus. Sinister forces are tracking his every move, prepared to kill again to conceal the truth. Which will stop him first - the virus or the killers? Written over fifteen years ago, this prescient, suspenseful thriller is set against a backdrop of a capital city in quarantine, and explores human experience in the grip of a killer virus.
A blistering, satirical novel about life under a global media corporation that knows exactly what we think, what we want, and what we do - before we do. Self-anointed guru of the Digital Age, Guy Matthias, has become one of the world's most powerful and influential figures. Untaxed and ungoverned, his company 'Beetle' essentially operates beyond the control of Governments or the law. But trouble is never far away, and for Guy a perfect storm is brewing: his wife wants to leave him; malfunctioning Beetle software has led to some unfortunate deaths which are proving hard to cover up and a mystery hacker, Gogol, is on his trail. With the clock ticking- Guy, his aide Douglas Varley, conflicted national security agent Eloise Jayne, depressed journalist David Strachey, and Gogol, whoever that may be - the question is becoming ever more pressing, how do you live in reality when nobody knows anything, and all knowledge, all certainty, is partly or entirely fake?
Told in narrator Newt’s distinctive phonetic English, this dark debut dazzles with originality and delivers a potent case for combatting inequality. Bearmouth is home to a grim mining business, where men and children labour under inhumane conditions to make their Master wealthy. They work under the earth, under the omniscient Mayker who - so workers are told - “sen us down into the dark Earf/To atone for the sins o our forefarvers an muvvers”. Naïve Newt hasn’t seen daylight in years, but takes pride in being taught to read and write by fatherly Thomas, blithely accepting this lot until the arrival of new boy Devlin. Devlin’s talk of “revolushun” makes Newt feel that things are “unravellin slowly slowly lyke a bootlayce comin all undun.” Life in Bearmouth is beyond bleak, but the sparks of Devlin’s revolutionary spirit catch light and drive Thomas to ask the Master for “more coinage” for the workers, to question why they must pay for essential clothes, to demand to know when the promised safety lamps are coming. Then when tragedy strikes, Newt too realises that things “ent bloody well ryte” and takes on Devlin’s insurgent tendencies, with explosive effects. Emotionally engaging, this searingly original novel about standing up to abuses of power and fighting for freedom is radiant with story-telling excellence.
35 years after the release of The Handmaid's Tale, Margaret Atwood takes us back to Gilead. Following three characters we are introduced to perspectives outside of those of the Handmaids. This is a terrific book that rounds out Gilead and tells of its downfall as opposed to being a direct sequel. A perfect book for anyone who wants to learn more about this restrictive, dystopian regime and for anyone who wants the questions they had at the end of The Handmaid's Tale answered.
35 years after the release of The Handmaid's Tale, Margaret Atwood takes us back to Gilead. Following three characters we are introduced to perspectives outside of those of the Handmaids. This is a terrific book that rounds out Gilead and tells of its downfall as opposed to being a direct sequel. A perfect book for anyone who wants to learn more about this restrictive, dystopian regime and for anyone who wants the questions they had at the end of The Handmaid's Tale answered.
Oh… my… word, this is one fabulous debut! I found a deceptively simple, and stark dystopian foray into a world blighted by bombs and sickness. Monster is completely alone until one day she finds a child. She becomes mother and passes on her knowledge, but are her mothering skills being received in the way she is expecting them to be? Told in the first person, Katie Hale has created short chapters where thoughts scatter, bounce, zigzag. I filed away feelings and emotions as I read, each within touching distance, lying in wait to prod and provoke. This feels honest, as though looking at a future just within grasp, or back to a history that has already happened. The feelings are raw, sometimes painful, yet relatable and believable. I found the premise of this novel absolutely fascinating, I explored interpretation of meaning, motherhood, and thoughts on the basic cycle of life. ‘My Name is Monster’ is poignant, moving and wonderfully different, it is also incredibly intimate, readable and surprisingly beautiful, I adored it.
Darkly playful, Jeanette Winterson’s Frankissstein is an astonishing intertextual re-conjuring of Mary Shelley’s masterpiece, melding an interpretation of Shelley’s novel and life with an exploration of what it is to be human, freedom, sex, gender and love. It’s thought-provoking, thrilling, and funny to boot. Contextualised in - and interspersed with - Shelley’s writing of Frankenstein, we are transported to Memphis where modern-day transgender Dr Ry Shelley attends a robotics expo to “consider how robots will affect our mental and physical health.” Here Ry encounters Ron, the Welsh inventor of a new range of Sexbots he believes will provide a woman to satisfy every male need, from deluxe bots who can hold a conversation (“she waits till you’re finished, of course, no interrupting”), to Germaine, a “70s feminist version with no bra, messy hair and a dildo for anal play”. It’s at the expo that Ry first encounters - and later falls for - Professor Victor Stein, a leader in the field of Artificial Intelligence who has dealings with The Alcor Life Extension Foundation, an Arizona facility that processes dead bodies with the aim of indefinitely extending life. Alongside the love story, and the juxtaposition of Frankenstein with contemporary conversations around A.I., the novel also addresses Brexit, bigotry, racism and English insularity: “The English are serial racists – one group gets accepted, another group becomes the scapegoat”. And back in Shelley’s day, England is described as, "small-minded, smug, self-righteous, unjust, a country that hates the stranger, whether that stranger be a foreigner or an atheist, or a poet, or a thinker, or a radical, or a woman.” Profound, absurd and mischievous, this is an incisive, suggestive romp for our times.
I did enjoy this book and was intrigued why a procession of men were walking together with their hands round each other's necks. I loved some of the characters trying to find out why and found Alice and Max very believable if a little slow on the uptake. They stayed near the place where one of the 'processions' started and enlisted other people to help them investigate. I find it hard to write a review without giving away the whole plot but I will say it was rather unusual and yet strangely compelling even if a little slow in the middle, it is worth the read though. Carol Peace, A LoveReading Ambassador
An intriguing and thoughtful debut that pushes, prods, and provokes thoughts on social class, wealth and motherhood. Golden Oaks is a retreat that locates and looks after host females who act as surrogates for the extraordinarily rich, those who can’t or don’t want to carry their own child. Every move, every heartbeat of each host is monitored until they give birth. We follow the lives of four women, each with very different reasons for their involvement with the retreat known by the occupants as The Farm. For the first few chapters I sat on the edge, watching and learning, I then felt myself sliding into the pages, fully immersed, compelled to witness. Joanne Ramos has created a fascinating storyline, with intimate access to the thought processes of the four women ensuring I was able to observe the interaction, the assumptions, the decisions made. The Farm is a clever, challenging debut, and while set just in the future, is very much of our time.
An intriguing and thoughtful debut that pushes, prods, and provokes thoughts on social class, wealth and motherhood. Golden Oaks is a retreat that locates and looks after host females who act as surrogates for the extraordinarily rich, those who can’t or don’t want to carry their own child. Every move, every heartbeat of each host is monitored until they give birth. We follow the lives of four women, each with very different reasons for their involvement with the retreat known by the occupants as The Farm. For the first few chapters I sat on the edge, watching and learning, I then felt myself sliding into the pages, fully immersed, compelled to witness. Joanne Ramos has created a fascinating storyline, with intimate access to the thought processes of the four women ensuring I was able to observe the interaction, the assumptions, the decisions made. The Farm is a clever, challenging debut, and while set just in the future, is very much of our time.
In the author’s alternate 1980s Britain (which he parallels with the current political climate), Britain has lost the Falklands War, Thatcher is fighting for her political life as Tony Benn’s socialism engenders feverish devotion from young voters, and the country is on the verge of leaving Europe. Alongside these tides of change Alan Turing has created a small quantity of expensive, advanced artificial humans called Adams and Eves. Enter our drifter protagonist, 32-year-old Charlie Friend, who blows most of his inheritance on an Adam. He and his younger girlfriend Miranda share in Adam’s co-creation, both of them having a hand in determining Adam’s personality. The first of many challenges come when Adam and Miranda have sex, which leaves Charlie angry and humiliated: “He was a bipedal vibrator and I was the very latest in cuckolds”. And then Adam betrays Miranda, revealing to Charlie that she’s been lying to him. Moral dilemmas and existential questions abound when it seems that Adam is in love with Miranda in a very human sense, a love that’s partly exhibited through his penning of thousands of heartfelt love haikus. Alongside the oft-explored questions around sentience and what it means to be human, this often entertaining novel provokes fresh thought through Miranda’s complicated, tragic past, the characters’ complex current love triangle, and the future she and Charlie might forge for themselves.
An extraordinarily readable and fascinating exploration of ourselves, of what it is to be human. This is a novel that feels completely unique, it is also one that made me consider, ponder, wonder. Open the pages and discover our Earth, yet different, it is 1990 and a British Police Inspector is called to investigate the killings of a species in the Delta, South America. I started to read and was immediately taken away from everything I knew, or thought I knew. Chris Beckett has created a world that is at once distinctively familiar and peculiar, the otherworldly aspect encouraged my thoughts to travel in unexpected directions while I viewed human interaction playing out in typical fashion. Police officer Ben is full of shade and contrast, I found the different strands that knitted and weaved together as the different characters came into play so intriuging. There is a subtlety at play here, the descriptive detail is beautiful, if a little unsettling at times, and I felt I was being allowed to discover the Delta at my own pace. ‘Beneath The World, A Sea’ is different, it is so different that I am still thinking about it, it stirred up feelings and has left them whirling.
Dystopia - The opposite of Utopia.
ORIGIN late 18th cent.: from dys-‘bad’ + Utopia. An imagined place or state in which everything is unpleasant or bad, typically a totalitarian or environmentally degraded one.
H.G. Wells was the first popular dystopian writer with the Time Machine (1895) in which the future doesn’t bring continuous improvements in human kind, rather its demise to the baser darker side of our nature. Through Metamorphosis (1915) by Franz Kafka, Brave New World (1932) by Aldous Huxley Nineteen Eighty-Four (1949) by George Orwell and on to The Handmaid's Tale (1985) by Margaret Atwood dystopian fiction continues to probe the darker areas of the human condition.
Perhaps all the end of world prophecies have fueled the demand, never the less the contemporary dystopian offerings are proving popular reading – especially among a younger audience. We hope you enjoy the selection.