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Picturing the (Un)Dead in Beirut

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Picturing the (Un)Dead in Beirut Synopsis

Martyr posters are more than obituary images - they can act as visual politics. Focusing on Rabih Mroué's play How Nancy Wished That Everything Was an April Fool's Joke (2007), Agnes Rameder analyses how contemporary artists question and appropriate Lebanese martyr posters. By linking the posters from the Wars in Lebanon (1975-1990) to contemporary posters, she shows that these images continue to the present day, that martyrs are still created and that deaths, such as those who were killed in the explosion on 4 August 2020, are still visually remembered. This study does not focus on how such pictures are perceived by a Western audience but delves into the use and abuse of martyr posters that were intended to be shown to the Lebanese.

About This Edition

ISBN: 9783837675399
Publication date:
Author: Agnes Rameder
Publisher: Transcript an imprint of transcript
Format: Paperback
Pagination: 414 pages
Series: Image
Genres: History of art
Media studies
Theory of art

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