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Detransition, Baby

"A transgressive and irresistible read, unafraid to push boundaries, to be distinctively unconventional and to hope for more."

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LoveReading Says

LoveReading Says

Set in modern-day New York, Detransition, Baby is a detailed portrayal of the multiplicity of motherhood and queer relationships, analysed through the lens of three trans and cis women. It's about the messiness and scope of gender identity in a gender limiting world, the complexity of trans modes of being, as it explores the murky depths of taboo and humanity.

I loved how intricate and mentally stimulating this novel was. It’s use of description and symbolism added a cogent layer of profundity to the story. Such as the way it expounds upon Reese’s “Sex in the City problem”, the desire all women have to find their purpose in life, which for Reese, a trans woman, is to become a mother. Also compelling is Ames’s “baby elephant” analogy, with its commentary on the lack of the “mother figure” within the white trans community and how motherhood is sometimes sought within romantic relationships. Reese and Amy’s relationship, before Amy detransitioned and became Ames, was a romantic attraction built upon a proxy mother-daughter bond. Reese has always wanted to be a mother whereas Ames constantly looks for a parent in their intimate partners. The daring character development here suggests at the Freudian need that many people have, in both cis and trans relationships, to seek out parent or child figures in their partners and roleplay this dynamic whether subsconsciously or not.

"Reese had caught Amy so young in her womanhood, 

in early plaincy, and motherhood had always been a code to their love. 

Not just two women in love, but mother and daughter."

Peters brilliantly characterizes dialogue, giving the reader a clear sense of each character's personality and insecurities through their expressions i.e. Reese's defensive and witty cynicism, Ames's placating reasonableness and Katrina's no-nonsense steeliness. These characters are appealing because of how flawed and murky they are and because Peters gives us a window into their innermost, darkest thoughts which speaks to our own imperfections. As well as the efficacy of the dialogue in painting these characters, the many flashbacks to time periods before Katrina’s pregnancy also added greater depth. Peters transitions between time periods often and this meant lots of tense changes from the reflectiveness of the past to the immediacy of the present but the flow of the story never faltered.

Detransition, Baby was a transgressive and irresistible read, unafraid to push boundaries, to be distinctively unconventional and to hope for more.

Lois Cudjoe

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