Pedro Salinas (1892-1951), one of the greatest modern poets of any country, is unquestionably the preeminent love poet of twentieth-century Spain. Memory in My Hands includes an ample selection of his three books of love poetry - The Voice I Owe to You [La voz a ti debida], A Reason for Love [Razón de amor], and Long Lament [Largo lamento] in English translation alongside the Spanish original. This trilogy of love poems, the last (posthumous) of which has never been translated before, are of a nature to win a large and devoted audience: they are at once passionate, eloquent, and whimsical.
The introduction to Memory in My Hands sets the poems in context, providing the story of the love affair that inspired the poems. It also raises the question of the nature of autobiographical poetry and considers this collection in the tradition of poetic sequences such as Philip Sidney's Astrophil and Stella.
| ISBN: | 9781433106248 |
| Publication date: | 11th September 2009 |
| Author: | Pedro Salinas, Ruth Katz Crispin |
| Publisher: | Peter Lang an imprint of Peter Lang Inc., International Academic Publishers |
| Format: | Hardback |
| Pagination: | 312 pages |
| Series: | Currents in Comparative Romance Languages and Literatures |
| Genres: |
Literary studies: general Translation and interpretation |
Pedro Salinas (1892-1951), one of the greatest modern poets of any country, is unquestionably the preeminent love poet of twentieth-century Spain. Memory in My Hands includes an ample selection of his three books of love poetry - The Voice I Owe to You [La voz a ti debida], A Reason for Love [Razón de amor], and Long Lament [Largo lamento] in English translation alongside the Spanish original.
Memory in My Hands features in the following genres: Literary studies: general, Translation and interpretation
Hardback. Not Available.
Memory in My Hands was written by Pedro Salinas, Ruth Katz Crispin and published by Peter Lang an imprint of Peter Lang Inc., International Academic Publishers
Memory in My Hands has 312 pages
Yes it is part of Currents in Comparative Romance Languages and Literatures series