This book provides an in-depth analysis of Anton Chekhov's four great plays within their cultural context: The Seagull, Uncle Vanya, The Three Sisters, and The Cherry Orchard.
The author explores how Chekhov's historical situation as a non-aristocratic writer gave him an intense awareness of his relationship to the past. Chekhov had a very literary imagination and thus an essential feature of his work is the way he used intertextuality to incorporate and react to the work of his predecessors. Chekhov's plays therefore lend themselves to analysis that uses Harold Bloom's theory of the anxiety of influence. Applying these principles make it possible to give coherence to Chekhov's. The anxiety of influence was a pervasive factor in Chekhov's evolution, and explains why Chekhov used intertextuality more frequently, and to greater effect, than any of his contemporaries. Close study of Chekhov's four great plays shows that they have a hitherto unrecognized stylistic alternation. 'Chekhov the Anxious Playwright' makes extensive use of recent Russian scholarship (including dissertations) on Chekhov and synthesizes it with Western scholarship to produce a general understanding of his plays in their cultural context. It will be the first major book that brings together both a wide range of scholarship and as well as literary theory to analyze Chekhov's plays.
This book will be of great interest to students and scholars in theatre history and Russian literature.
| ISBN: | 9781032581101 |
| Publication date: | 29th April 2026 |
| Author: | James M Curtis |
| Publisher: | Routledge an imprint of Taylor & Francis |
| Format: | Hardback |
| Pagination: | 200 pages |
| Series: | Routledge Advances in Theatre & Performance Studies |
| Genres: |
Literary studies: plays and playwrights Regional / International studies Theatre studies Writing and editing guides |
This book provides an in-depth analysis of Anton Chekhov's four great plays within their cultural context: The Seagull, Uncle Vanya, The Three Sisters, and The Cherry Orchard.
The author explores how Chekhov's historical situation as a non-aristocratic writer gave him an intense awareness of his relationship to the past. Chekhov had a very literary imagination and thus an essential feature of his work is the way he used intertextuality to incorporate and react to the work of his predecessors. Chekhov's plays therefore lend themselves to analysis that uses Harold Bloom's theory of the anxiety of influence. Applying these principles make it possible to give coherence to Chekhov's. The anxiety of influence was a pervasive factor in Chekhov's evolution, and explains why Chekhov used intertextuality more frequently, and to greater effect, than any of his contemporaries. Close study of Chekhov's four great plays shows that they have a hitherto unrecognized stylistic alternation. 'Chekhov the Anxious Playwright' makes extensive use of recent Russian scholarship (including dissertations) on Chekhov and synthesizes it with Western scholarship to produce a general understanding of his plays in their cultural context. It will be the first major book that brings together both a wide range of scholarship and as well as literary theory to analyze Chekhov's plays.
This book will be of great interest to students and scholars in theatre history and Russian literature.
Chekhov, the Anxious Playwright features in the following genres: Literary studies: plays and playwrights, Regional / International studies, Theatre studies, Writing and editing guides
Chekhov, the Anxious Playwright is available in Hardback
Chekhov, the Anxious Playwright was written by James M Curtis and published by Routledge an imprint of Taylor & Francis
Chekhov, the Anxious Playwright has 200 pages
Yes it is part of Routledge Advances in Theatre & Performance Studies series
£154.79