This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019.
| ISBN: | 9781009462259 |
| Publication date: | 12th October 2023 |
| Author: | Stefan Östersjö, Thanh Thuy NguyÒõen, David G Hebert, Henrik Frisk |
| Publisher: | Cambridge University Press |
| Format: | Hardback |
| Pagination: | 75 pages |
| Series: | Cambridge Elements. Elements in Twenty-First Century Music Practice |
| Genres: |
Techniques of music / music tutorials / teaching of music Phenomenology and Existentialism Performance art Decolonisation of knowledge / Decoloniality |
This Element demonstrates how a combination of stimulated recall and collaborative autoethnographic strategies can be applied to artistic and scholarly work at the intersection of ethnomusicology and practice-led-research. The authors relate recently collected material from fieldwork in Vietnam to the long-term method development within the Vietnamese/Swedish group The Six Tones, of which three authors are the founding members. The discussion centers around the inter-subjective forms of stimulated recall analysis, developed through the creative work of this innovative intercultural music ensemble. The aim of this Element is to create a decolonized methodology-for both music performance and research-and it provides a detailed account of this method development starting in 2006. Furthermore, the authors discuss how this practice was successfully shared with three master performers in the south of Vietnam as part of a collaborative project in 2018-2019.
Shared Listenings features in the following genres: Techniques of music / music tutorials / teaching of music, Phenomenology and Existentialism, Performance art, Decolonisation of knowledge / Decoloniality
Shared Listenings is available in Hardback, Paperback
Shared Listenings was written by Stefan Östersjö, Thanh Thuy NguyÒõen, David G Hebert, Henrik Frisk and published by Cambridge University Press
Shared Listenings has 75 pages
Yes it is part of Cambridge Elements. Elements in Twenty-First Century Music Practice series
£49.50