This book provides a selection of annotated translations from Ernst Kurth's three best-known publications: Grundlagen des linearen Kontrapunkts (1917), Romantische Harmonik und ihre Krise in Wagners 'Tristan' (1920), and Bruckner (1925). Kurth's contemporaries considered these books to be pioneering studies in the music of J. S.
Bach, Wagner and Bruckner. Professor Rothfarb's extensive introductory essay discusses the intellectual and socio-cultural environment in which Kurth was writing, referring to aspects of the early twentieth-century cultural renewal movements and to intellectual developments of the day in phenomenology, aesthetics and psychology. By reading Kurth against the cultural-intellectual background provided in the essay and commentaries, today's music historians and theorists can round out their picture of music theory in the early twentieth century.
| ISBN: | 9780521355223 |
| Publication date: | 15th August 1991 |
| Author: | Ernst Kurth, Lee A Rothfarb |
| Publisher: | Cambridge University Press |
| Format: | Hardback |
| Pagination: | 256 pages |
| Series: | Cambridge Studies in Music Theory and Analysis |
| Genres: |
Theory of music and musicology |
This book provides a selection of annotated translations from Ernst Kurth's three best-known publications: Grundlagen des linearen Kontrapunkts (1917), Romantische Harmonik und ihre Krise in Wagners 'Tristan' (1920), and Bruckner (1925). Kurth's contemporaries considered these books to be pioneering studies in the music of J.
Ernst Kurth features in the following genres: Theory of music and musicology
Hardback. Not Available.
Ernst Kurth was written by Ernst Kurth, Lee A Rothfarb and published by Cambridge University Press
Ernst Kurth has 256 pages
Yes it is part of Cambridge Studies in Music Theory and Analysis series