This book provides an in-depth look at the work of British writer Trevor Griffiths, who has been a powerful and unique presence in British theater, television, and film for the past thirty years. Griffiths's theatrical works, including Occupations (1970), The Party (1973), Comedians (1975), Oi for England (1982) and Real Dreams (1984) have been highly acclaimed by critics such as Benedict Nightingale, who called Griffiths "as articulate and eloquent a thinker as the British stage possesses." Griffiths has also written successfully for British television, and collaborated with Warren Beatty on the Academy-award winning film Reds (1981).
Garner's study is the first to present and critically discuss the full range of Griffiths's works. The works are shown to reveal an intense awareness of class and its material underpinnings, a concern with the power of realism, an overarching commitment to history as a field of political and cultural intervention, and a willingness to examine the terms and parameters of this intervention. Garner traces the influence of New Left historical activism on Griffiths's earliest plays and considers the evolution of his historical understanding throughout his career. He proposes that Griffiths sees history as a scene for the staging of counter-discourses and as a representational course for the establishment of dialectic (and dialogic) relationships between the present and the past, between the received and the revisionist, and between ideological positions.
Trevor Griffiths: Politics, Drama, History will appeal to a range of readers who share an interest in contemporary theater, literature, and politics.
Stanton B. Garner, Jr. is Professor of English, University of Tennessee.
| ISBN: | 9780472110650 |
| Publication date: | 14th July 1999 |
| Author: | Stanton B Garner |
| Publisher: | The University of Michigan Press an imprint of University of Michigan Press |
| Format: | Hardback |
| Pagination: | 317 pages |
| Series: | Theater--Theory/text/performance |
| Genres: |
Performing arts Literature: history and criticism |
This book provides an in-depth look at the work of British writer Trevor Griffiths, who has been a powerful and unique presence in British theater, television, and film for the past thirty years. Griffiths's theatrical works, including Occupations (1970), The Party (1973), Comedians (1975), Oi for England (1982) and Real Dreams (1984) have been highly acclaimed by critics such as Benedict Nightingale, who called Griffiths "as articulate and eloquent a thinker as the British stage possesses." Griffiths has also written successfully for British television, and collaborated with Warren Beatty on the Academy-award winning film Reds (1981).
Garner's study is the first to present and critically discuss the full range of Griffiths's works. The works are shown to reveal an intense awareness of class and its material underpinnings, a concern with the power of realism, an overarching commitment to history as a field of political and cultural intervention, and a willingness to examine the terms and parameters of this intervention. Garner traces the influence of New Left historical activism on Griffiths's earliest plays and considers the evolution of his historical understanding throughout his career. He proposes that Griffiths sees history as a scene for the staging of counter-discourses and as a representational course for the establishment of dialectic (and dialogic) relationships between the present and the past, between the received and the revisionist, and between ideological positions.
Trevor Griffiths: Politics, Drama, History will appeal to a range of readers who share an interest in contemporary theater, literature, and politics.
Stanton B. Garner, Jr. is Professor of English, University of Tennessee.
Trevor Griffiths features in the following genres: Performing arts, Literature: history and criticism
Trevor Griffiths is available in Hardback
Trevor Griffiths was written by Stanton B Garner and published by The University of Michigan Press an imprint of University of Michigan Press
Trevor Griffiths has 317 pages
Yes it is part of Theater--Theory/text/performance series