"Compelling, candid and cuttingly witty, this COVID-19 pandemic diary packs powerful personal and political punch."
Paul Armstrong’s Why Are We Always Indoors? is a slam-dunk account of the COVID-19 pandemic from mid-March 2020 to 21st June that Boris Johnson devotees might want to avoid, but should definitely read. On the other hand, readers enraged by the likes of PPE shortages, Dominic Cummings’s Barnard Castle road-trip eye test, and track and trace bungles will find a kindred spirit in Armstrong. It certainly packs potent personal and political punch.
This London lockdown diary began life “as a way of recording daily reflections on the most bizarre football close-season ever known, and to fill the long hours of lockdown” but, “as events beyond our four walls grew darker, so the focus drifted from whimsical musings on football, TV and music to a growing unease with how a dreadful pandemic was being handled.” As so much has shifted, flipped and flopped since the author began keeping this journal, reading his account of the experience some seven months later is a vital reminder of what we’ve been through collectively. Alongside prescient reactions to governmental decisions, the author recounts experiences many of us will relate to - being horrified by reports from Italy. Taking daily walks that felt “like the pre-titles sequence in a zombie apocalypse movie”. Clapping for carers. The existential strangeness of having to psyche ourselves up to go to the shop. Fans of the author’s memoir Why Are We Always on Last? will also love the football and music musings and anecdotes.
While right now (October 2020), no one knows how or when the pandemic will end, Why Are We Always Indoors? ends on a fittingly bittersweet note, pointing out that while we don’t know “whether we’ll taste the true freedom we once knew ever again”, we can “take comfort where we can and hope for happier times. We know there’s trouble ahead but, as Irving Berlin said, ‘While there’s music and moonlight and love and romance. Let’s face the music and dance.’ And, for now at least, there’s football, too.”
| Primary Genre | Biographies & Autobiographies |
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