Daniel Gordon holds a BA from Bard College and an MFA from Yale School of Art. Recent solo exhibitions include: Free Transform, Kasmin, New York, NY (2023), Green Apples and Boots, Huxley-Parlour, London, UK (2021), Blue Room, James Fuentes, New York (2018), Selective Color, M+B, Los Angeles (2017), New Canvas, James Fuentes, New York (2017), Hand, Select & Invert Layer, Bolte Lang, Zürich (2016), Switzerland; Shadows, Patterns, Pears, Foam Museum, Amsterdam, NL (2014); and Screen Selections and Still Lifes, Wallspace, New York, NY (2014). He has participated in several museum group exhibitions, including Cut! Paper Play in Contemporary Photography, J. Paul Getty Museum, Los Angeles, CA (2018), Secondhand, Pier 24, San Francisco, CA (2016) Greater New York, MoMA P.S. 1, Queens, NY (2010) New Photography Series, Museum of Modern Art, New York, NY (2009).
He is the author of New Canvas (Chose Commune, 2022), Houseplants (Aperture 2019), Spaces, Faces, Tables and Legs (OSP, 2018), Intermissions (OSP, 2017), Still Life with Onions and Mackerel (OSP, 2014), Still Lifes, Portraits, and Parts (Mörel, 2013), Flowers and Shadows (Onestar Press, 2011) and Flying Pictures (powerHouse Books, 2009). Gordon's work has also been highlighted in several international publications including: The New York Times, The New Yorker, Art Review, Frieze, Architectural Digest, New York Magazine, W Magazine, Art in America, Modern Painters, PHOTONEWS, Dazed & Confused, Art in America, and Flash Art. His work resides in the collections of the Museum of Modern Art, New York, The Guggenheim, New York, The Tang Teaching Museum, Saratoga Spring, NY, Foam Museum, Amsterdam, and the VandenBroek Foundation, Lisse, NL. MoCP, Chicago, Los Angeles County Museum of Art, Los Angeles, Museum of fine Arts, Houston, High Museum of Art, Atlanta, Fine Arts Museums of San Francisco, Norton Museum of Art, Palm Beach, FL
