Centred on a young woman who strikes free from the misogynistic confines and culture of her small Pakistani village, Awais Kahn’s No Honour tells a brutally honest story of courage, strength and father-daughter bonds in searingly clear style. The novel’s shockingly arresting opening sets the tone and themes in no uncertain terms as it recounts a brutal scene in which an unmarried young woman’s new-born is snatched from her before she’s subjected to public horrors. When it looks like sixteen-year-old Abida might face a similar fate, she’s driven to flee her small village for the city of Lahore, aided by her forward-thinking father, Jamil. When she vanishes, Jamil is compelled to go after her, leading to an entanglement of love, corruption and a lethal conflict between age-old practices and integrity, with a sense of place vividly evoked through the escalating pace. Exposing disparities between rich and poor, and the corruption of people in public office as it also exposes the plight of women, this wends to a tense end, driven by Abida’s indomitable spirit of survival.