Set in rural Australia in the 1940s, 1960s and 1980s (the plot smartly slips between the decades), Lyn Yeowart’s The Silent Listener - her debut novel - is a dark and stormy psychological thriller focussed on family secrets and the search to fathom terrible truths. When Joy Henderson returns to her family’s farm to care for George, her dying dad, she’s confronted with a succession of horrendous events - both those that occur in her present, and traumatic experiences from her past. The very day after her father confesses to a horrific crime, he’s found dead with his own belt around his neck. As the narrative slips back to 1960, we learn how eleven-year-old Joy existed in utter fear of her father. An abusive bully who forced her to declare herself a “lazy, good-for-nothing sinner”. A brute who scarred her for life - psychologically and physically, for Joy has been left with “thick red strips of raised flesh creeping over the top of her shoulder and under her loose bra strap, wrapping themselves around the top of her arm like the tentacles of a red octopus.” This description is representative of the author’s taut, evocative style. Then there’s the Constable investigating George’s death - Alex Shepherd, a man still haunted by an unsolved case of a missing girl from 1960, and now deeply engrained in this new case, and the Henderson family’s secrets. As Joy and Shepherd talk, Joy is struck by a sickening thought: “The bastard killed himself so that you’d think I killed him. So I’d go to jail for murdering him. It was the ultimate punishment for disobeying him.” Shepherd isn’t sure what to believe, but his instincts lead him back to that unsolved case of the missing child. Exploring coercive control, violence, abuse and revenge with edgy levels of tension through potentially unreliable narrators, this is a satisfyingly suspenseful gothic thriller.