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Helen Dunmore was the author of fourteen novels. Her first, Zennor in Darkness, explored the events which led to D H Lawrence’s expulsion from Cornwall (on suspicion of spying) during the First World War. It won the McKitterick Prize. Her third novel, A Spell of Winter, won the inaugural Orange Prize, now the Baileys Prize for Women’s Fiction. Her bestselling novel The Siege, set during the Siege of Leningrad, was described by Antony Beevor as ‘a world-class novel’ and was shortlisted for the Whitbread Novel of the Year and the Orange Prize.
Helen Dunmore’s work has been translated into more than thirty languages and she was a Fellow of the Royal Society of Literature. She died in June 2017.
Author photo © Caroline Forbes
At once lyrical and sparse, intimate and expansive, delicate and sharp, this collection is the final work of a late, great writer who understood and articulated the subtle complexities of the human heart in each of her novels, poems and stories. The themes here will be familiar to Dunmore aficionados – friendship, family, folk at life’s liminal junctures. Take Nina, whose tales portray a young woman teetering into a new phase of life. She’s a naïve and lonely seventeen-year-old living in a drab bedsit, unsure of what to do, but making do and on the brink - one hopes - of finding her place in the world. Indeed, many of these stories explore life’s big transitions, and how individuals live with such precariousness, as in “A Night Out”, a life-affirming tale of two widows’ unforeseen unity beneath the stars. There’s much tenderness too, characters who awaken affection, a personal favourite being glorious Auntie Binnie, an unassuming companion to an old lady who blooms as an artist later in life (“Portrait of Auntie Binbag, with Ribbons”). While Dunmore’s devotees will adore this treasure, I’d also recommend it wholeheartedly as an introduction to her exquisite writing.
At once lyrical and sparse, intimate and expansive, delicate and sharp, this collection is the final work of a late, great writer who understood and articulated the subtle complexities of the human heart in each of her novels, poems and stories. The themes here will be familiar to Dunmore aficionados – friendship, family, folk at life’s liminal junctures. Take Nina, whose tales portray a young woman teetering into a new phase of life. She’s a naïve and lonely seventeen-year-old living in a drab bedsit, unsure of what to do, but making do and on the brink - one hopes - of finding her place in the world. Indeed, many of these stories explore life’s big transitions, and how individuals live with such precariousness, as in “A Night Out”, a life-affirming tale of two widows’ unforeseen unity beneath the stars. There’s much tenderness too, characters who awaken affection, a personal favourite being glorious Auntie Binnie, an unassuming companion to an old lady who blooms as an artist later in life (“Portrait of Auntie Binbag, with Ribbons”). While Dunmore’s devotees will adore this treasure, I’d also recommend it wholeheartedly as an introduction to her exquisite writing.
A breathtaking, evocative, and stormy tale set in the early 1790’s, just as the fallout from the French Revolution was spilling over into life in Britain. Lizzie Fawkes, daughter of a radical thinker and writer, has settled in Bristol and married a property developer, a man who has the vision to see a parade of buildings in the air, yet fights inner demons. Can Lizzie find her voice as an uncertain life rattles the caged bars of her husband’s will? Helen Dunmore creates a dark and intimate tale within a momentous time, a tense foreboding hovers and slowly sinks over the story, a feeling of inevitability steals across the pages. The writing, through the beautifully detailed description, transported me to the banks of the gorge, to the terrace as it grew out of the mud, to the general everyday life of the time. ‘Birdcage Walk’ is a captivating tale, at times sinister and eerie, yet hope flutters free and somehow manages to keep afloat. ~ Liz Robinson
To be alive is to be inside the wave, always travelling until it breaks and is gone. These poems are concerned with the borderline between the living and the dead - the underworld and the human living world - and the exquisitely intense being of both. They possess a spare, eloquent lyricism as they explore the bliss and anguish of the voyage. Inside the Wave is Helen Dunmore's first new poetry book since The Malarkey (2012), whose title-poem won the National Poetry Competition. Her other books include Glad of These Times (2007), and Out of the Blue: Poems 1975-2001 (2001), a comprehensive selection drawing on seven previous collections. Her final poem, 'Hold out your arms', written shortly before her death and not included in the first printing of Inside the Wave, has now been added to the reprint.
March 2017 Book of the Month. A breathtaking, evocative, and stormy tale set in the early 1790’s, just as the fallout from the French Revolution was spilling over into life in Britain. Lizzie Fawkes, daughter of a radical thinker and writer, has settled in Bristol and married a property developer, a man who has the vision to see a parade of buildings in the air, yet fights inner demons. Can Lizzie find her voice as an uncertain life rattles the caged bars of her husband’s will? Helen Dunmore creates a dark and intimate tale within a momentous time, a tense foreboding hovers and slowly sinks over the story, a feeling of inevitability steals across the pages. The writing, through the beautifully detailed description, transported me to the banks of the gorge, to the terrace as it grew out of the mud, to the general everyday life of the time. ‘Birdcage Walk’ is a captivating tale, at times sinister and eerie, yet hope flutters free and somehow manages to keep afloat. ~ Liz Robinson
A wonderfully tense and arresting Cold War relationship tale, stuffed full to the brim with suspense. Set in 1960, couple Lily and Simon become caught in an unbelievably powerful web of lies. Normal everyday life intermingles with the hidden, and secrets are set to be exposed as the story slips with subtlety along the edge of an uncertain path. Some of the characters are not necessarily likeable, others are positively loathsome, but they all feel so very real. Helen Dunmore handles the intrigue with a masterly hand, hints and suggestions slither and slide through the story, creating uneasiness and suspicion. It is the small but not insignificant things that really bring this tale to life, the descriptions and the feelings create a vibrant ring of truth. ‘Exposure’ is an evocative, thrilling tale that I recommend setting aside some quality time for, once I started reading, I simply didn't want to stop. ~ Liz Robinson August 2016 Book of the Month.
February 2016 Book of the Month. A wonderfully tense and arresting Cold War relationship tale, stuffed full to the brim with suspense. Set in 1960, couple Lily and Simon become caught in an unbelievably powerful web of lies. Normal everyday life intermingles with the hidden, and secrets are set to be exposed as the story slips with subtlety along the edge of an uncertain path. Some of the characters are not necessarily likeable, others are positively loathsome, but they all feel so very real. Helen Dunmore handles the intrigue with a masterly hand, hints and suggestions slither and slide through the story, creating uneasiness and suspicion. It is the small but not insignificant things that really bring this tale to life, the descriptions and the feelings create a vibrant ring of truth. ‘Exposure’ is an evocative, thrilling tale that I recommend setting aside some quality time for, once I started reading, I simply didn't want to stop. ~ Liz Robinson
January 2014 eBook of the Month. Shortlisted for the Ondaatje Prize 2015. A tale rooted in the sadness of the effect of World War I on those who returned. We are going to get a lot of these in this centenary year. This one is from a very fine writer indeed. It tells of Daniel, a poor village boy, trying to forge a life while damaged and traumatised, intercepted with flashbacks to the war and to his relationship with a childhood friend. Official guidance information is included which is fascinating and Dunmore’s description of how things smell, the mud, dirt, wounds, men etc. is quite extraordinary. There are several lies and a huge amount of sadness; a most impressive book.
Featured on The Book Show on Sky Arts on 24 February 2011. Betrayal is a powerful and touching novel of ordinary people in the grip of a terrible and sinister regime - 1950s Soviet Union, and a moving portrait of a love that will not be extinguished.
The setting once again for the seventh novel by Helen Dunmore is one of war. The siege refers to the siege of Leningrad during WW2 by the Germans. It draws us deep into the Levin's family struggle to stay alive. It is a story about war and the wounds it inflicts on people's lives. It is also a lyrical and deeply moving celebration of love, life and survival. Incredibly evocative descriptions of the desperate conditions of Lengingrad at the time invade every page and as is the hallmark of every Dunmore novel – incredibly well written.
As the summer ends the autumn mist begins to roll off the water towards Simone’s home, a chilling metaphor for the turn of events which are about to engulf her life. This is a story about relationships and blackmail, past and present lives, intertwined in a haunting, intense thriller. Do not expect the fast pace of a “whodunit” though, this is a novel which slowly and eerily unravels almost as if we are watching in slow motion as each moment effects the next.
Set in dangerous, unfamiliar times at the beginning of the 20th century, which strangely echo our own, the story reveals how terrorism lies hidden within ordinary life, as the rulers of Finland struggle to hold on to power as the Russian Empire exerts its muscle. House of Orphans is the story of a girl, Eeva who has a hint of mysteriousness about her. She’s the daughter of a failed revolutionary, who is sent to a country orphanage before being sent off to work as a servant where she finds love, but is unable to accept it for she feels committed to a boy from a childhood long ago, to whom she must now return. Dunmore has woven an immensely rich, brilliant story of love, history and change.
Dunmore’s strength is in pulling together complex stories in a beautifully poetic language style and yet making the reading easily assimilated. The interconnected threads to the story revolve mainly around loss; a girl left in a shoebox at 2 days old, the death of her daughter years later. In order to understand the story of her life and her loss she listens to stories of the lives of friends and family. Sounds rather morbid but there is great depth to the whole novel that will grab you as you read it.
Shortlisted for the Best of the Orange Best 2010 by the Orange Prize Youth Panel. Winner of the 1996 Orange Prize for Fiction. This is a marvellous novel about forbidden passions and thwarted love by one of the UK's finest writers. A Spell of Winter won the prestigious Orange Prize and deservedly so given its lyrical writing without a word out of place. You'll also be completely captivated by the skilfully crafted characters and by the love story and eventual redemption.
This is Helen Dunmore’s first novel and although some of her later novels have been more widely read and more obvious commercial bestsellers, this one is an outstanding piece of writing that will truly stand the test of time. During World War I, D.H. Lawrence and his wife moved to Cornwall where they became the subject of intense suspicion from the locals and this forms the inspiration for the novel centering on Clare, a young girl who comes under the influence of the Lawrences. Dunmore is superb at evoking characters from the past and yet making you feel relaxed in their company and the situations these characters are found in are captured perfectly as well.
*Winner of the inaugural Orange Prize for Fiction* 'Tense, dark and intensely gripping . . . written so seductively that passages sing out from the page ' Sunday Times Cathy and her brother, Rob, don't know why they have been abandoned by their parents. Alone in their grandfather's decaying country house, they roam the wild grounds freely with minds attuned to the rural wilderness. Lost in their own private world, they seek and find new lines to cross. But as the First World War draws closer, crimes both big and small threaten the delicate refuge they have built. Cathy will do anything to protect their dark Eden from anyone, or anything, that threatens to destroy it. 'An electrifying and original talent, a writer whose style is characterized by a lyrical, dreamy intensity' Guardian 'Stops you in your tracks with the beauty of its writing' Observer 'Has a strong and sensuous magic' The Times 'Her spellbinding, lyrical prose is close to poetry' Daily Mail
Stunning reissue, in beautiful new cover-look, of this magical and award-winning novel - the first of the spellbinding Ingo Chronicles... Once there was a man who fell in love with a mermaid. He swam down into the sea to be with her, and was never seen again... Sapphire's father told her that story when she was little. When he is lost at sea she can't help but think of that old myth: she's convinced he's still alive. Then, the following summer, Sapphy meets Faro, an enigmatic and intriguing Mer boy. Diving down into Ingo, she discovers a world she never knew existed, where she must let go of all her Air thoughts and embrace the sea... But not only is Sapphy intoxicated by the Mer world, she longs to see her father once more. And she's sure she can hear him singing across the water: I wish I was away in Ingo Far across the briny sea...
'I wanted us to wake to a kingdom of ice where our breath would turn to icicles as it left our lips, and we would walk through tunnels of snow to the outhouses and find birds fallen dead from the air . . .' In the years just before World War One, Cathy and her brother Rob find themselves living alone in a decaying English mansion with their distant, stern grandfather. Abandoned by their mother while their distraught father is confined to an asylum, they roam the grounds freely with little understanding of trespass. Lost in their own private world, they seek and find new lines to cross. But they are not so separate from the outside, nor as alone, as they believe . . . The inaugural winner of the Orange Prize 'Written so seductively that passages sing out from the page' Sunday Times
At once lyrical and sparse, intimate and expansive, delicate and sharp, this collection is the final work of a late, great writer who understood and articulated the subtle complexities of the human heart in each of her novels, poems and stories. The themes here will be familiar to Dunmore aficionados – friendship, family, folk at life’s liminal junctures. Take Nina, whose tales portray a young woman teetering into a new phase of life. She’s a naïve and lonely seventeen-year-old living in a drab bedsit, unsure of what to do, but making do and on the brink - one hopes - of finding her place in the world. Indeed, many of these stories explore life’s big transitions, and how individuals live with such precariousness, as in “A Night Out”, a life-affirming tale of two widows’ unforeseen unity beneath the stars. There’s much tenderness too, characters who awaken affection, a personal favourite being glorious Auntie Binnie, an unassuming companion to an old lady who blooms as an artist later in life (“Portrait of Auntie Binbag, with Ribbons”). While Dunmore’s devotees will adore this treasure, I’d also recommend it wholeheartedly as an introduction to her exquisite writing.
Winner of the Costa Book of the Year for her final collection, Inside the Wave, Helen Dunmore was as spellbinding storyteller in her poetry and in her prose. Her haunting narratives draw us into darkness, engaging our fears and hopes in poetry of rare luminosity, nowhere more so than in Inside the Wave, in its exploration of the borderline between the living and the dead - the underworld and the human living world - and the exquisitely intense being of both. All her poetry casts a bright, revealing light on the living world, by land and sea, on love, longing and loss. Counting Backwards is a retrospective covering ten collections written over four decades, bringing together all the poems she included in her earlier selection, Out of the Blue (2001), with all those from her three later collections, Glad of These Times (2007), The Malarkey (2012) and Inside the Wave (2017), along with a number of earlier poems.
Random House presents the audiobook edition of Girl, Balancing & Other Stories, by Helen Dunmore, read by Emilia Fox, Kobna Holdbrook-Smith and Juliet Stevenson.Haunting, uplifting, beautiful: the final work from Helen DunmoreHelen Dunmore passed away in June 2017, leaving behind this remarkable collection of short stories. With her trademark imagination and gift for making history human, she explores the fragile ties between passion, love, family, friendship and grief, often through people facing turning points in their lives:A girl alone, stretching her meagre budget to feed herself, becomes aware that the young man who has come to see her may not be as friendly as he seems.Two women from very different backgrounds enjoy an unusual night out, finding solace in laughter and an unexpected friendship.A young man picks up his infant son and goes outside into a starlit night as he makes a decision that will inform the rest of his life.A woman imprisoned for her religion examines her faith in a seemingly literal and quietly original way. This brilliant collection of Helen Dunmore's short fiction, replete with her penetrating insight into the human condition, is certain to delight and move all her listeners.
Haunting, uplifting, beautiful: the final work from Helen Dunmore Helen Dunmore passed away in June 2017, leaving behind this remarkable collection of short stories. With her trademark imagination and gift for making history human, she explores the fragile ties between passion, love, family, friendship and grief, often through people facing turning points in their lives: A girl alone, stretching her meagre budget to feed herself, becomes aware that the young man who has come to see her may not be as friendly as he seems. Two women from very different backgrounds enjoy an unusual night out, finding solace in laughter and an unexpected friendship. A young man picks up his infant son and goes outside into a starlit night as he makes a decision that will inform the rest of his life. A woman imprisoned for her religion examines her faith in a seemingly literal and quietly original way. This brilliant collection of Helen Dunmore's short fiction, replete with her penetrating insight into the human condition, is certain to delight and move all her readers.
At once lyrical and sparse, intimate and expansive, delicate and sharp, this collection is the final work of a late, great writer who understood and articulated the subtle complexities of the human heart in each of her novels, poems and stories. The themes here will be familiar to Dunmore aficionados – friendship, family, folk at life’s liminal junctures. Take Nina, whose tales portray a young woman teetering into a new phase of life. She’s a naïve and lonely seventeen-year-old living in a drab bedsit, unsure of what to do, but making do and on the brink - one hopes - of finding her place in the world. Indeed, many of these stories explore life’s big transitions, and how individuals live with such precariousness, as in “A Night Out”, a life-affirming tale of two widows’ unforeseen unity beneath the stars. There’s much tenderness too, characters who awaken affection, a personal favourite being glorious Auntie Binnie, an unassuming companion to an old lady who blooms as an artist later in life (“Portrait of Auntie Binbag, with Ribbons”). While Dunmore’s devotees will adore this treasure, I’d also recommend it wholeheartedly as an introduction to her exquisite writing.
A breathtaking, evocative, and stormy tale set in the early 1790’s, just as the fallout from the French Revolution was spilling over into life in Britain. Lizzie Fawkes, daughter of a radical thinker and writer, has settled in Bristol and married a property developer, a man who has the vision to see a parade of buildings in the air, yet fights inner demons. Can Lizzie find her voice as an uncertain life rattles the caged bars of her husband’s will? Helen Dunmore creates a dark and intimate tale within a momentous time, a tense foreboding hovers and slowly sinks over the story, a feeling of inevitability steals across the pages. The writing, through the beautifully detailed description, transported me to the banks of the gorge, to the terrace as it grew out of the mud, to the general everyday life of the time. ‘Birdcage Walk’ is a captivating tale, at times sinister and eerie, yet hope flutters free and somehow manages to keep afloat. ~ Liz Robinson
To be alive is to be inside the wave, always travelling until it breaks and is gone. These poems are concerned with the borderline between the living and the dead - the underworld and the human living world - and the exquisitely intense being of both. They possess a spare, eloquent lyricism as they explore the bliss and anguish of the voyage. Inside the Wave is Helen Dunmore's first new poetry book since The Malarkey (2012), whose title-poem won the National Poetry Competition. Her other books include Glad of These Times (2007), and Out of the Blue: Poems 1975-2001 (2001), a comprehensive selection drawing on seven previous collections. Her final poem, 'Hold out your arms', written shortly before her death and not included in the first printing of Inside the Wave, has now been added to the reprint.
***Nominated for the 2018 Independent Booksellers Week Award*** It is 1792 and Europe is seized by political turmoil and violence. Lizzie Fawkes has grown up in Radical circles where each step of the French Revolution is followed with eager idealism. But she has recently married John Diner Tredevant, a property developer who is heavily invested in Bristol's housing boom, and he has everything to lose from social upheaval and the prospect of war. Soon his plans for a magnificent terrace built above the two-hundred-foot drop of the Gorge come under threat. Diner believes that Lizzie's independent, questioning spirit must be coerced and subdued. She belongs to him: law and custom confirm it, and she must live as he wants. In a tense drama of public and private violence, resistance and terror, Diner's passion for Lizzie darkens until she finds herself dangerously alone.
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