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Chris Hauty is a screenwriter who has worked at all the major movie studios, in nearly every genre of film. He currently lives in Venice, California, in the company of a classic Triumph motorcycle and a feral cat. Deep State is his first novel.
Photograph by Lauren Ehrenfeld
Chris Hauty is also on Instagram @chrishauty
Our first Author of the Month for 2020 is Chris Hauty. His debut novel Deep State is an addictive, action-packed, espionage thriller that has not only been selected as a Debut of the Month but has also been a Liz Robinson's Pick of the Month and a Star Book! It's safe to say we loved this book and we were so excited about the opportunity to put some questions to him.
What is your first book memory, is it a happy one, does it have any reflection on, or link to what you write today?
I think my earliest book passion was with Greek and Roman mythologies, which is odd because I haven’t had much interest in the fantasy as an adult. But those ancient stories appeal, I think, as a phantasmagoric blending of real and surreal. Perhaps the notion of hero and heroic journey is a link between those grade school readings and my current work?
What were your childhood must-reads?
The Little Engine That Could, by Watty Piper, as a starter, Charlotte's Web, by E.B. White, to get me through the terrible tweens, and The Sun Also Rises, by Ernest Hemingway, as an invaluable key to open the door to young adulthood.
Have you always written?
Yes, in high school I wrote short stories. In college, I wrote poetry. After college, when I lived in New York for 8 years, I wrote for the theatre. My first effort at writing a screenplay landed me a job writing a movie for Paramount. I’ve spent the last thirty years or so writing screenplays. I wrote Deep State in the spring of 2018. Since then, I’ve written two more novels. Apparently, I love to write!
How long did it take to develop Hayley Chill in Deep State from thought to fully-fledged character?
I loved the movie Winter's Bone and its central character, Lee Dolly, played by a very young Jennifer Lawrence. Lee is a 17-year-old young woman with a sick mom and two younger siblings whose errant dad has skipped bail. Problem is, dad put the family’s West Virginia homestead up as collateral. If Lee can’t find her pop, the family is out on the street. She’s gritty, determined, resourceful and tough as nails. At one point in the story, Lee Dolly considers enlisting in the US army; the family is desperate for the forty thousand dollars signing bonus. I wondered what would become of this fascinating, compelling character if she did join the army. What happens next? That’s where Deep State came from. Just asking myself a simple question like that. In that way, Hayley’s character arrived in my imagination as a fully realized but younger version of herself.
How much research did you do for Deep State?
Not too terribly much. The White House and the goings-on in the West Wing are such a huge part of popular culture in the US. I read a couple of books by West Wing insiders, one of which was by a former intern. That was very helpful. Otherwise, I was researching on-the-fly as I wrote, collecting small, seemingly insignificant detail with which I could “salt” the narrative with just enough detail to create an illusion of verisimilitude. A follow-up book involves cyber warfare and that required much more research. I read a stack of books for that project.
Where do you write and do you have any writing habits?
I have an office at home, where you’ll find me between 8:30 a.m. and 6:00 p.m. every weekday. My years as a screenwriter instilled a habit of careful outlining before starting an actual first draft. Writing that first draft is my absolute favourite part of the process. If I have a general idea of what happens next, I can relax and explore the unknown interiors of scenes and sequences, making small discoveries along the way.
What are the differences between screenwriting and writing novels? Do you find one more challenging than the other?
I’ve found writing novels to be a wonderfully liberating experience after more than three decades of screenwriting. In every respect, I prefer the independence and freedom inherent in writing fiction.
Can you remember how you felt when you heard you were going to be published?
Yes, I remember very well a feeling of extreme satisfaction. All of my movie credits were essentially jobs, the product of other people’s visions that I had no choice but accommodate. Receiving news that my first manuscript would be published was the ultimate balm for all of those years of taking a back seat to someone else’s ideas. Sweet, sweet vindication indeed.
What is your favourite piece of advice or feedback received so far with regards to your writing?
An old girlfriend from my days in New York once told me I’d never amount to much. She was an exotic dancer without much patience for the largely monastic pursuit of being a man of letters. Excellent motivation!
What do your bookshelves at home look like?
I don’t have a collector gene. The books I read come into the house and then go out again. (I travel light and fantasize about reducing my earthly belongings to what could fill a bug-out bag.) Currently on my bed stand is Night Prayers, by Santiago Gamboa, The Force, by Don Winslow, and Evil and the Mask, by Fuminori Nakamura.
What is your desert island book, why is it your must-have read?
A decent translation of A la Recherche du Temps Perdu, clocking in at 13 volumes (more than 9 million characters) of Marcel Proust, because it sounds like I’m going to have a lot of time on my hands.
Can you tell us anything about your next book?
Currently, I’m working on finishing an edit of a follow-up to Deep State. The next book picks up about a year after the first novel leaves off. Story threads from the first book are followed and new ones are created. I’ve also been commissioned to develop a television series adaptation of the book.
A booky health warning should be stamped on this cover… once you start you won’t want to stop! I read right through to 03:30am, until I had devoured every single and absolutely wonderful last drop. Hayley Chill, ex-military and champion boxer, is a new West Wing intern in the White House. When she finds the body of the Chief of Staff, she also finds a clue that it wasn’t the reported heart attack, and everything now points to an assassination plot on the president. The first few pages really sum up Hayley Chill, she is courageous, honourable, and can kick some serious ass. In other words, she is someone you would most definitely want on your side. Chris Hauty has the ability to highlight a life in just a few sentences, adding to the vivid overall picture in my mind. Deep State is a fast-moving, full-on adrenaline hit. Please, please tell me that this is the start of a new series, because I want more! Chosen as a Liz Robinson pick of the month and LoveReading Star Book, because Deep State really is that addictive. Find out more in our Q&A with Chris Hauty!
'Full of twists and unexpected switchbacks, this one will keep you hooked to the very end' JAMES SWALLOW Sunday Times bestselling author of Nomad THE DEEP STATE - noun A covert state hidden within a government; a secret organisation of high-level operatives; exerts control through manipulation and a culture of pain and fear. It is entrenched. It is hidden. It is deadly. Who can you trust? *** The White House Chief of Staff is dead, discovered collapsed in his home. Paramedics say it was a heart attack, but something's not right - and only his intern, Hayley Chill, can see it. After her fears are dismissed by police, Hayley uncovers an organisation buried in the furthest reaches of government. Now she has no way of knowing who she can trust. Then things get really dangerous. There is a plot to assassinate the president, one they are ruthless about hiding. They know that someone is on to them, and soon they will know that it's her. So Hayley must work like the Deep State: Infiltrate. Trust no one. Kill - or be killed. *** WHY READERS HAVE BEEN FLOORED BY DEEP STATE . . . 'Deep State has just become the first author since Sarah Pinborough to completely floor me with a pitch perfect unexpected resolution. Brilliant' 'This one had great twists and turns. When I thought we were headed in one direction, it would veer off into another and I loved it' 'This is going to be THE book for 2020' 'Somewhere between David Baldacci's Absolute Power and Vince Flynn's Tern Limits. Timely set ups makes this page turner unputdownable . . .'