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Born and raised in Singapore, Cheryl Lu-Lien Tan is a New York-based journalist. She is also the author of A Tiger in the Kitchen: A Memoir of Food and Family, and edited the fiction anthology Singapore Noir. She has been a staff writer at the Wall Street Journal, InStyle magazine and the Baltimore Sun.
Written in Singlish - “a tossed salad of the different languages and Chinese dialects that the country’s multiethnic population speaks” - this exhilarating novel follows brazen Jazzy’s mission to marry a wealthy “ang moh” (white) man. Almost 27, she warns her friends that ”if we don’t get married, engaged or even nail down a boyfriend soon—my god, we might as well go ahead and book a room at Singapore Casket… But luckily for us, we still have one big hope: ang moh guys”, because “if you wear a tight tight dress or short short skirt, these ang mohs will still steam over you”. To this end, Jazzy’s life is an intense cycle of spending her days working for a newspaper editor who likes to “rubba rubba” his employees, followed by long nights at fancy clubs. Through her predatory attitude and enduring of a whole lot of objectification, this novel is razor-sharp on male entitlement, inequality, racial stereotypes and global capitalism. Indeed, Jazzy wasn’t always a Sarong Party Girl herself: “I would see women who are so obviously going after guys just for status and really look down on them. What kind of woman is so pathetic to chase after a husband just for the kind of handbag, car or condo they can buy them?” And then one night, it seems that enough is enough. Jazzy has an epiphany at dawn after a one hell of a wake-up call night out. What a fresh, funny and wildly acerbic treat this is. Visit our 'Women's Words - 60+ works of feminist-minded fiction' to explore our collection of feminist-minded fiction from around the world, and across centuries.
A brilliant and utterly engaging novel-Emma set in modern Asia-about a young woman's rise in the glitzy, moneyed city of Singapore, where old traditions clash with heady modern materialism. On the edge of twenty-seven, Jazzy hatches a plan for her and her best girlfriends: Sher, Imo, and Fann. Before the year is out, these Sarong Party Girls will all have spectacular weddings to rich ang moh-Western expat-husbands, with Chanel babies (the cutest status symbols of all) quickly to follow. Razor-sharp, spunky, and vulgarly brand-obsessed, Jazzy is a determined woman who doesn't lose. As she fervently pursues her quest to find a white husband, this bombastic yet tenderly vulnerable gold-digger reveals the contentious gender politics and class tensions thrumming beneath the shiny exterior of Singapore's glamorous nightclubs and busy streets, its grubby wet markets and seedy hawker centers. Moving through her colorful, stratified world, she realizes she cannot ignore the troubling incongruity of new money and old-world attitudes which threaten to crush her dreams. Desperate to move up in Asia's financial and international capital, will Jazzy and her friends succeed? Vividly told in Singlish-colorful Singaporean English with its distinctive cadence and slang-Sarong Party Girls brilliantly captures the unique voice of this young, striving woman caught between worlds. With remarkable vibrancy and empathy, Cheryl Tan brings not only Jazzy, but her city of Singapore, to dazzling, dizzying life.