Claire Askew - Author

What You Pay For

FROM THE AUTHOR OF ALL THE HIDDEN TRUTHS, WHICH HAS BEEN LONGLISTED FOR THE MCILVANNEY PRIZE SCOTTISH CRIME BOOK OF THE YEAR AND SHORTLISTED FOR THE MCILVANNEY DEBUT PRIZE '(a) meticulous and compelling novel about the aftermath of a major crime and its effect on the affected families and investigating officers both. Set in Edinburgh, too' - Ian Rankin 'Askew asks intricate moral questions, while never ignoring the rigours of crime' - Daily Mail DI Helen Birch faces a terrible choice - family or justice? - in the gripping second novel from the author of All the Hidden Truths DI Birch joined the police to find her little brother, who walked out of his life one day and was never seen again. She stayed to help others, determined to seek justice where she could. On the fourteenth anniversary of Charlie's disappearance, Birch takes part in a raid on one of Scotland's most feared criminal organisations. It's a good day's work - a chance to get a dangerous man off the streets. Two days later, Charlie comes back. It's not a coincidence. When Birch finds out exactly what he's been doing all those years, she faces a terrible choice: save the case, or save her brother. But how can you do the right thing when all the consequences are bad? As she interrogates Charlie, he tells his story: of how one wrong turn leads to a world in which the normal rules no longer apply, and you do what you must to survive. From one of the most acclaimed new voices in crime fiction, What You Pay For is a brilliantly tense and moving novel about the terrible disruption caused by violence and the lines people will cross to protect those they love.

What You Pay For

FROM THE AUTHOR OF ALL THE HIDDEN TRUTHS, WHICH HAS BEEN LONGLISTED FOR THE MCILVANNEY PRIZE SCOTTISH CRIME BOOK OF THE YEAR AND SHORTLISTED FOR THE MCILVANNEY DEBUT PRIZE '(a) meticulous and compelling novel about the aftermath of a major crime and its effect on the affected families and investigating officers both. Set in Edinburgh, too' - Ian Rankin 'Askew asks intricate moral questions, while never ignoring the rigours of crime' - Daily Mail DI Helen Birch faces a terrible choice - family or justice? - in the gripping second novel from the author of All the Hidden Truths DI Birch joined the police to find her little brother, who walked out of his life one day and was never seen again. She stayed to help others, determined to seek justice where she could. On the fourteenth anniversary of Charlie's disappearance, Birch takes part in a raid on one of Scotland's most feared criminal organisations. It's a good day's work - a chance to get a dangerous man off the streets. Two days later, Charlie comes back. It's not a coincidence. When Birch finds out exactly what he's been doing all those years, she faces a terrible choice: save the case, or save her brother. But how can you do the right thing when all the consequences are bad? As she interrogates Charlie, he tells his story: of how one wrong turn leads to a world in which the normal rules no longer apply, and you do what you must to survive. From one of the most acclaimed new voices in crime fiction, What You Pay For is a brilliantly tense and moving novel about the terrible disruption caused by violence and the lines people will cross to protect those they love.

Luminous Defiant An anthology of writing on the subject of hardship

All the Hidden Truths one shocking crime: three women need answers

LONGLISTED FOR THE MCILVANNEY PRIZE SCOTTISH CRIME BOOK OF THE YEAR SHORTLISTED FOR THE MCILVANNEY DEBUT PRIZE SHORTLISTED FOR THE CWA GOLD DAGGER AND CWA JOHN CREASEY (NEW BLOOD) AWARDS '(a) meticulous and compelling novel about the aftermath of a major crime and its effect on the affected families and investigating officers both.' Ian Rankin *** In the aftermath of a tragedy, the world needs an explanation. In Edinburgh, after the Three Rivers College shooting, some things are clear. They know who. They know when. No one can say why. For three women the lack of answers is unbearable: DI Helen Birch, the detective charged with solving the case. Ishbel, the mother of the first victim, struggling to cope with her grief. And Moira, mother of the killer, who needs to understand what happened to her son. But as people search for someone to blame, the truth seems to vanish... From a prizewinning poet, ALL THE HIDDEN TRUTHS is a searing, compelling and powerful debut. 'As scarily plausible as it is utterly captivating, this is an absorbing and unforgettable debut.' Heat 'Raw, powerful, compassionate and deeply moving, with page-turning tension to the end. A stunning debut.' Karen Robinson, Sunday Times Crime Club 'You'll be gripped by the unexpected truths that emerge. Compelling.' Marie Claire

All the Hidden Truths one shocking crime: three women need answers

SHORTLISTED FOR THE CWA GOLD DAGGER AND CWA JOHN CREASEY (NEW BLOOD) AWARDS '(a) meticulous and compelling novel about the aftermath of a major crime and its effect on the affected families and investigating officers both.' Ian Rankin '...it deserves every accolade. This psychological suspense story is one of the best books of the year...Askew is a writer on the rise.' The Globe and Mail (Canada) This is a fact: Ryan Summers walked into Three Rivers College and killed thirteen women, then himself. But no one can say why. The question is one that cries out to be answered - by Ryan's mother, Moira; by Ishbel, the mother of Abigail, the first victim; and by DI Helen Birch, put in charge of the case on her first day at her new job. But as the tabloids and the media swarm, as the families' secrets come out, as the world searches for someone to blame... the truth seems to vanish. A stunningly moving novel from an exciting new voice in crime, ALL THE HIDDEN TRUTHS will cause you to question your assumptions about the people you love, and reconsider how the world reacts to tragedy.

This changes things

This changes things is Claire Askew's first full collection, coming after years of work in Scotland's flourishing poetry and spoken word scene. Her poems focus on the lives and experiences of women - particularly the socially or economically marginalised - at pains both to empathise and to recognise the limits of this empathy. They embody a need to acknowledge and challenge the poet's privileged position as documenter and outsider, a responsibility to the poem's political message and to that message's human subject. This changes things draws much of its strength from this exploration of inbetweenness. Claire Askew's purposeful deployment of objects, lighting effects and liminal spaces implicates her reader in the poem's argument, holds up a mirror and asks us to pay attention. The book's romantic relationships, depictions of frustrated travel or social mobility, are bound up in its awareness of the systems of power that permit no true state of innocence. Even the final poem, 'Hydra' - with its celebration of the body and its senses - cannot ultimately allow us off the hook.

This changes things

This changes things is Claire Askew's first full collection, coming after years of work in Scotland's flourishing poetry and spoken word scene. Her poems focus on the lives and experiences of women - particularly the socially or economically marginalised - at pains both to empathise and to recognise the limits of this empathy. They embody a need to acknowledge and challenge the poet's privileged position as documenter and outsider, a responsibility to the poem's political message and to that message's human subject. This changes things draws much of its strength from this exploration of inbetweenness. Claire Askew's purposeful deployment of objects, lighting effects and liminal spaces implicates her reader in the poem's argument, holds up a mirror and asks us to pay attention. The book's romantic relationships, depictions of frustrated travel or social mobility, are bound up in its awareness of the systems of power that permit no true state of innocence. Even the final poem, 'Hydra' - with its celebration of the body and its senses - cannot ultimately allow us off the hook. This changes things unsettles the homely and recognisable. In its compromised, imperfect characters and narratives, it proposes a radical way of translating neoliberal Britain.

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