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PRETI TANEJA was born in the UK to Indian parents and spent most of her childhood holidays in New Delhi. She has worked as a human rights reporter on Iraq, in Jordan, Rwanda, and Kosovo, and her work as been published in the Guardian, the New Statesman and Open Democracy. A fellow at Warwick University, she is also the editor of Visual Verse and was selected as an AHRC / BBC Radio 3 New Generation Thinker for 2014.
Winner of the Desmond Elliott Prize 2018 A darkly mesmerising and fascinating epic of a tale based in India, one that is all-consuming and fiercely beautiful. A family descends into a hellish nightmare when power, greed, and corruption begin to prowl through their lives. After his mother dies, Jivan returns home to his family and arrives to chaos. The first paragraph gently took hold of my thoughts, setting the departing view in my minds eye, setting my feet on the journey to India. I sank quickly and deeply into the page, Preti Taneja allows the words to sing, to explain, to show the world that Jivan is entering. I remained on edge, apprehensive, sometimes having to peek between my fingers as love and hate began a heady, swirling, burning dance, wrapping around one another until they became one. As a retelling of King Lear, it stands resolutely on its on merit and I almost didn’t want to mention the connection. ‘We That Are Young’ shocks, provokes, pushes and pulls at thoughts and feelings, it is also a ravishingly descriptive work of art. Featured in Episode 4 of the LoveReading Podcast