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Shortlisted for the Costa Book Awards 2017, Costa Children's Book Award Longlisted for the UKLA 2018 Book Award In a nutshell: beautifully told story of courage and hope and an unforgettable setting Kiran Millwood Hargrave follows up her award-winning debut The Girl of Ink and Stars with a story set in the real world, though one still filled with a sense of wonder and the extraordinary. Set in the Philippines at the beginning of the last century it tells the story of a girl forcibly removed from her mother, as many were, because her mother has leprosy, or as those with the disease preferred, is touched. With the help of her friends Ami makes her way back to her mother and it’s a story of love, courage and hope, all of these symbolised by the butterflies that fill the pages and that are so important to the story. It’s passionately told, full of memorable scenes and characters, and the writing is beautiful. ~ Andrea Reece The Costa Judges say: ‘Entirely original with not a word out of place – as vivid and beautiful as the butterflies themselves.’ A message from the author: ‘At a time when the world seems to be moving deeper towards intolerance, the message that we should be together but not the same, was at the forefront of my mind when writing this book. It’s easy to label people, and labelling means reducing them to one attribute, which in turn makes it easier to dismiss, dehumanise, and persecute. In The Island at the End of Everything, it is down to Ami, and her friend Mari, to find a way home in a society that tells them they are only children, only girls, and so are not in control of their own lives. But of course, this is far from the truth.’
Mila and her sisters live with their brother Oskar in a small forest cabin in the snow. One night, a fur-clad stranger arrives seeking shelter for himself and his men. But by the next morning, they've gone - taking Oskar with them. Fearful for his safety, Mila and her sisters set out to bring Oskar back - even it means going north, crossing frozen wild-lands to find a way past an eternal winter.
Un maravilloso viaje a un mundo de fantasia, magia y grandes aventuras La joven Isabella suena con escapar a las tierras lejanas que su padre, un celebre cartografo, dibujo en mapas, pero no puede porque el Gobernador Adori oprime a todos los habitantes de la isla de Joya. Cuando su mejor amiga desaparece, se presenta como voluntaria para participar en la busqueda. El mundo que queda mas alla de su pueblo es una tierra baldia habitada por monstruos, y bajo los rios secos y las montanas humeantes, un demonio de fuego vuelve a despertar. Isabella seguira su mapa, su corazon y una antigua leyenda para dar con su amiga y, pronto, descubrira el verdadero fin de su viaje: salvar a toda la isla de un horrible destino. "e;Kiran Millwood Hargrave me recuerda a la mejor narrativa de fantasa clsica, como Philip Pullman. Es un libro que la gente seguir leyendo a lo largo de muchos aos."e;James Daunt, librero de Daunt Books y director de Waterstones"e;Una novela mgica con una hermosa y fascinante historia de mapas, mitos y amistad. Una lectura deliciosa."e;The Guardian"e;Hargrave posee el envidiable don de contar aventuras con un estilo narrativo lrico y cautivador."e;The BooksellerGanadora del premio Waterstones Children's PrizeGanadora del premio British Book of the Year de Literatura Juvenil
Shortlisted for the Costa Book Awards 2017, Costa Children's Book Award Longlisted for the UKLA 2018 Book Award In a nutshell: beautifully told story of courage and hope and an unforgettable setting Kiran Millwood Hargrave follows up her award-winning debut The Girl of Ink and Stars with a story set in the real world, though one still filled with a sense of wonder and the extraordinary. Set in the Philippines at the beginning of the last century it tells the story of a girl forcibly removed from her mother, as many were, because her mother has leprosy, or as those with the disease preferred, is touched. With the help of her friends Ami makes her way back to her mother and it’s a story of love, courage and hope, all of these symbolised by the butterflies that fill the pages and that are so important to the story. It’s passionately told, full of memorable scenes and characters, and the writing is beautiful. ~ Andrea Reece The Costa Judges say: ‘Entirely original with not a word out of place – as vivid and beautiful as the butterflies themselves.’ A message from the author: ‘At a time when the world seems to be moving deeper towards intolerance, the message that we should be together but not the same, was at the forefront of my mind when writing this book. It’s easy to label people, and labelling means reducing them to one attribute, which in turn makes it easier to dismiss, dehumanise, and persecute. In The Island at the End of Everything, it is down to Ami, and her friend Mari, to find a way home in a society that tells them they are only children, only girls, and so are not in control of their own lives. But of course, this is far from the truth.’
Forbidden to leave her island, Isabella dreams of the faraway lands her cartographer father once mapped. When her friend disappears, she volunteers to guide the search. The world beyond the walls is a monster-filled wasteland - and beneath the dry rivers and smoking mountains, a fire demon is stirring from its sleep. Soon, following her map, her heart and an ancient myth, Isabella discovers the true end of her journey: to save the island itself.
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