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LoveReading is thrilled to announce the launch of The Very Short Story Award 2019! If you think you have a story we'll love, click here to find out more and how to enter:
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LoveReading is thrilled to announce the launch of The Very Short Story Award 2019! If you think you have a story we'll love, click here to find out more and how to enter:
Find out more
Zana Fraillon lives in Victoria, Australia with her husband and three sons. She worked as a primary school teacher before having children, and has had picture books and middle grade fiction published in Australia.
Beautiful, magical and moving, this is a Skellig for a new generation, from the author of The Bone Sparrow, shortlisted for the Carnegie Medal 2017 and the Guardian Children's Fiction Prize 2016. The Lovereading Review will follow shortly.
Shortlisted for the Guardian Children's Fiction Prize 2016 | In a Nutshell: Refugees | Resilience | Friendship A heartfelt, harrowing insight into life as a Rohingya refugee in an Australian detention centre, told through the unforgettable voice of an unforgettable boy. Subhi is one of the Limbo kids in a permanent Australian detention centre, the first to be born in the camp after his Maá and big sister Queeny fled violent persecution in Burma. While he’s only experienced life within the cruel confines of the camp, Subhi’s rich imagination has conjured a magical, solace-giving world in which the Night Sea from his Maá’s tales brings him treasures from his dad. Stories are Subhi’s lifeline. He needs them “to make my memories” and imagines a blanket of stories, a “gigantic blanket big enough to warm everyone”. A new story treasure transforms Subhi’s world in the form of Jimmie, a local girl who finds her way into the camp. She too knows heartache. She’s lost her mum, who used to tell her special tales and gave her a bone sparrow necklace that “carried the souls of all her family”. When Jimmie enters Subhi’s life, he wonders if she’s his guardian angel, though he hadn't expected an angel to have more holes in her clothes than him. And, on meeting Subhi, Jimmie realises that she’s “never had a friend she wanted to share everything with before”, and so she shares her mum’s stories with him, stories he reads to her since she’s unable to read them herself. Subhi's unique voice will weave its way into your heart and under your skin. His descriptions of life in the centre are hauntingly evocative. You feel, for example, the heat of days that get his “skin creeping” and make everything “jangly and loud and scratchy”. Through Subhi, readers experience how it might feel to have no home or voice, and how friendship can lighten the darkest of circumstances. One hopes, as Subhi’s Maá says, that “someday they see we belong.” Both elegant and raw, this is an important and timely novel that bears witness to the risks people take to make their voice heard, and to the resilience of the human spirit. ~ Joanne Owen Zana Fraillon felt compelled to write her novel The Bone Sparrow because she could not ignore the millions of people who were being forcibly displaced and the millions of children missing out on a childhood. Zana comments, “The Bone Sparrow was written so we remember the people behind the statistics. Those 65 million stories waiting to be told, those 33 million children wondering if their futures will ever be realised. It was written so we can find the courage to stand for humanity, and the wisdom to imagine a different world. It was written so we may all live in hope.” Guardian Children's Fiction Prize Judge SF Said: “Moving and memorable, The Bone Sparrow deserves to be read by all who care about our common humanity.”
Idris is a child refugee, born into a world of tents and fences. He has known no other life than this. He has no memories of the world outside. Then the Wisp arrives, floating in on the evening breeze. Everyone who holds it finds their memories reawakened, their hopes of freedom reborn. But what about Idris, who has no memories? What will happen when he holds the magical Wisp? Storytelling and imagination have the power to offer hope in this extraordinary picture book from the Amnesty CILIP Honour-winning author of The Bone Sparrow, Zana Fraillon, and Kate Greenaway Medal-winning illustrator Grahame Baker Smith.
Beautiful, magical and moving, this is a Skellig for a new generation, from the author of The Bone Sparrow, shortlisted for the Carnegie Medal 2017 and the Guardian Children's Fiction Prize 2016. The Lovereading Review will follow shortly.
Shortlisted for the Guardian Children's Fiction Prize 2016 | In a Nutshell: Refugees | Resilience | Friendship A heartfelt, harrowing insight into life as a Rohingya refugee in an Australian detention centre, told through the unforgettable voice of an unforgettable boy. Subhi is one of the Limbo kids in a permanent Australian detention centre, the first to be born in the camp after his Maá and big sister Queeny fled violent persecution in Burma. While he’s only experienced life within the cruel confines of the camp, Subhi’s rich imagination has conjured a magical, solace-giving world in which the Night Sea from his Maá’s tales brings him treasures from his dad. Stories are Subhi’s lifeline. He needs them “to make my memories” and imagines a blanket of stories, a “gigantic blanket big enough to warm everyone”. A new story treasure transforms Subhi’s world in the form of Jimmie, a local girl who finds her way into the camp. She too knows heartache. She’s lost her mum, who used to tell her special tales and gave her a bone sparrow necklace that “carried the souls of all her family”. When Jimmie enters Subhi’s life, he wonders if she’s his guardian angel, though he hadn't expected an angel to have more holes in her clothes than him. And, on meeting Subhi, Jimmie realises that she’s “never had a friend she wanted to share everything with before”, and so she shares her mum’s stories with him, stories he reads to her since she’s unable to read them herself. Subhi's unique voice will weave its way into your heart and under your skin. His descriptions of life in the centre are hauntingly evocative. You feel, for example, the heat of days that get his “skin creeping” and make everything “jangly and loud and scratchy”. Through Subhi, readers experience how it might feel to have no home or voice, and how friendship can lighten the darkest of circumstances. One hopes, as Subhi’s Maá says, that “someday they see we belong.” Both elegant and raw, this is an important and timely novel that bears witness to the risks people take to make their voice heard, and to the resilience of the human spirit. ~ Joanne Owen Zana Fraillon felt compelled to write her novel The Bone Sparrow because she could not ignore the millions of people who were being forcibly displaced and the millions of children missing out on a childhood. Zana comments, “The Bone Sparrow was written so we remember the people behind the statistics. Those 65 million stories waiting to be told, those 33 million children wondering if their futures will ever be realised. It was written so we can find the courage to stand for humanity, and the wisdom to imagine a different world. It was written so we may all live in hope.” Guardian Children's Fiction Prize Judge SF Said: “Moving and memorable, The Bone Sparrow deserves to be read by all who care about our common humanity.”
Each kid only has one pair of shoes here. Number 49's shoes are a pretty good fit for me and I know they're new because they still have that plastic smell. But the real Number 49 is quite a bit bigger than I am, because his pants keep falling down on me. I wish he would come back, so that I could go home.Jack loves telling jokes, but not many people laugh at them in the orphanage. Will he ever be reunited with his mother and sister, his great-aunts and great-grandmother, back at home?A haunting, fable-like story.
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