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Daisy Johnson was born in 1990 and currently lives in Oxford. Her short fiction has appeared in The Boston Review and The Warwick Review, among others. In 2014, she was the recipient of the 2014 AM Heath prize.
Photo credit: Pollyanna Johnson
Longlisted for the Desmond Elliott Prize 2019 SHORTLISTED FOR THE MAN BOOKER PRIZE 2018 It's been sixteen years since Gretel last saw her mother, half a lifetime to forget her childhood on the canals. But a phone call will soon reunite them, and bring those wild years flooding back: the secret language that Gretel and her mother invented; the strange boy, Marcus, living on the boat that final winter; the creature said to be underwater, swimming ever closer. In the end there will be nothing for Gretel to do but to wade deeper into their past, where family secrets and aged prophesies will all come tragically alive again.
Longlisted for the Desmond Elliott Prize 2019 LONGLISTED FOR THE MAN BOOKER PRIZE 2018 Words are important to Gretel, always have been. As a child, she lived on a canal boat with her mother, and together they invented a language that was just their own. She hasn't seen her mother since the age of sixteen, though - almost a lifetime ago - and those memories have faded. Now Gretel works as a lexicographer, updating dictionary entries, which suits her solitary nature. A phone call from the hospital interrupts Gretel's isolation and throws up questions from long ago. She begins to remember the private vocabulary of her childhood. She remembers other things, too: the wild years spent on the river; the strange, lonely boy who came to stay on the boat one winter; and the creature in the water - a canal thief? - swimming upstream, getting ever closer. In the end there will be nothing for Gretel to do but go back. Daisy Johnson's debut novel turns classical myth on its head and takes readers to a modern-day England unfamiliar to most. As daring as it is moving, Everything Under is a story of family and identity, of fate, language, love and belonging that leaves you unsettled and unstrung.
Daisy Johnson's Fen is a liminal land. Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a - well what?
Revisit the haunting debut short story collection from the Booker-shortlisted author of Everything Under. 'Full of unabashedly, refreshingly angry women... In a year that made me furious, Daisy Johnson's Fen was a howl I didn't know I needed' Celeste Ng The Fen is a liminal land. Real people live their lives here. They wrestle with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a, well, what? 'Instant classic...a bold, take-no-prisoners collection situated somewhere between Angela Carter and Deborah Levy' Jeff VanderMeer