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Find out moreKate London graduated from Cambridge University and moved to Paris where she trained in theatre. In 2006 Kate joined the Metropolitan Police Service. Like all police officers she started in uniform, working for two years on a response team, and then moved into the CID. She qualified as a detective constable then went on attachment with the police nationale in France and finished her career working as part of a Major Investigation Team on SC&01 - the Metropolitan Police Service's Homicide Command. She resigned from the MPS in August 2014. Post Mortem is her first novel.
Just to let you know that I get excitement overload when I read a crime novel that allows me to simply exist in the pages without an ounce of doubt… and Gallowstree Lane, the third ‘Collins and Griffiths Detective Novel’ is a truly fabulous example (so yes I am wanting to shout about this from the rooftops). Author Kate London ended her Metropolitan Police Service career in 2014 working as a detective on a Major Investigation Team. Her knowledge and experience undoubtedly shines through, you are quite simply, in very safe hands. This story about shocking gang violence is not only extraordinarily relevant, it also entirely captivating, meaningful, and memorable. Sarah Collins and Lizzie Griffiths are beautifully written detectives, both completely fascinating, for me though, the real jewel in this particular crown is Ryan, a young gang member who is left reeling and demanding vengeance after the murder of his best friend. Kate London encourages reality, fact and fiction to blend together, and adds so much depth to the characters I felt as though I knew them. I was so in tune with Ryan that my heart truly ached for him. Gallowstree Lane has left a vividly brilliant bruise on my soul, it is wonderfully raw, exquisitely written, and highly recommended as one of my picks of the month.
The second in a terrific series by a woman who really knows her stuff. She was a detective with the Metropolitan murder squad and has created two very real and likeable main characters, always a plus, and given them some pretty dramatic cases. Now, in book two (which does stand alone) DS Sarah Collins has a twenty-seven year old cold case to investigate as new evidence arises and PC Lizzie Griffiths is called to a particularly nasty scene of domestic violence. This is first-rate rate police procedural stuff, well-written, pacy, gripping and highly satisfying. ~ Sarah Broadhurst
She closed her eyes and saw, as if on a loop, a repeating backdrop of square windows, blue sky and concrete spinning and passing, passing, passing. She could not escape the horror of it: falling unstoppably, irretrievably until the hard concrete reaches up. That last glimpse of them at the edge. A long-serving beat cop in the Met and a teenage girl fall to their deaths from a tower block in London's East End. Left alive on the roof are a five year old boy and rookie police officer Lizzie Griffiths. Within hours, Lizzie Griffiths has disappeared, and DPS officer Sarah Collins sets out to uncover the truth around the grisly deaths, in an investigation which takes her into the dark heart of policing in London.
Please don't let me die. Please don't. The final words of teenager Spencer Cardoso as he bleeds out on a London street, his life cut short in a single moment of rage. Detective Inspector Kieran Shaw's not interested in the infantry. Shaw likes the proper criminals, the ones who can plan things. For two years he's been painstakingly building evidence against an organized network, the Eardsley Bluds. Operation Perseus is about to make its arrests. So when a low-level Bluds member is stabbed to death on Gallowstree Lane, Shaw's priority is to protect his operation. An investigation into one of London's tit for tat killings can't be allowed to derail Perseus and let the master criminals go free. But there's a witness to the murder, fifteen-year-old Ryan Kennedy. Already caught up in Perseus and with the Bluds, Ryan's got his own demons and his own ideas about what's important. As loyalties collide and priorities clash, a chain of events is triggered that draws in Shaw's old adversary DI Sarah Collins and threatens everyone with a connection to Gallowstree Lane... Kate London, the new rising star of crime fiction, is the real thing. Read everything she writes. --Tony Parsons
Just to let you know that I get excitement overload when I read a crime novel that allows me to simply exist in the pages without an ounce of doubt… and Gallowstree Lane, the third ‘Collins and Griffiths Detective Novel’ is a truly fabulous example (so yes I am wanting to shout about this from the rooftops). Author Kate London ended her Metropolitan Police Service career in 2014 working as a detective on a Major Investigation Team. Her knowledge and experience undoubtedly shines through, you are quite simply, in very safe hands. This story about shocking gang violence is not only extraordinarily relevant, it also entirely captivating, meaningful, and memorable. Sarah Collins and Lizzie Griffiths are beautifully written detectives, both completely fascinating, for me though, the real jewel in this particular crown is Ryan, a young gang member who is left reeling and demanding vengeance after the murder of his best friend. Kate London encourages reality, fact and fiction to blend together, and adds so much depth to the characters I felt as though I knew them. I was so in tune with Ryan that my heart truly ached for him. Gallowstree Lane has left a vividly brilliant bruise on my soul, it is wonderfully raw, exquisitely written, and highly recommended as one of my picks of the month.
The second in a terrific series by a woman who really knows her stuff. She was a detective with the Metropolitan murder squad and has created two very real and likeable main characters, always a plus, and given them some pretty dramatic cases. Now, in book two (which does stand alone) DS Sarah Collins has a twenty-seven year old cold case to investigate as new evidence arises and PC Lizzie Griffiths is called to a particularly nasty scene of domestic violence. This is first-rate rate police procedural stuff, well-written, pacy, gripping and highly satisfying. ~ Sarah Broadhurst
October 1987: the morning after the Great Storm. Fifteen-year-old Tania Mills walks out her front door and disappears. Twenty-seven years later her mother still prays for her return. DS Sarah Collins in the Met's Homicide Command is determined to find out what happened, but is soon pulled into a shocking new case and must once again work with a troubled young police officer from her past, Lizzie Griffiths. PC Lizzie Griffiths, now a training detective, is working in the Domestic Violence Unit, known by cops as the 'murder prevention squad'. Called to an incident of domestic violence, she encounters a vicious, volatile man - and a woman too frightened to ask for help. Soon Lizzie finds herself drawn into the centre of the investigation as she fights to protect a mother and daughter in peril. As both cases unfold, Sarah and Lizzie must survive the dangerous territory where love and violence meet.
Post Mortem is a thrilling and vivid crime novel written by a former detective in the Metropolitan Police's murder squad. If you like Sarah Hillary and M. J. Aldridge you will love Kate London. A long-serving beat cop in the Met and a teenage girl fall to their deaths from a tower block in London's East End. Left alive on the roof are a five year old boy and rookie police officer Lizzie Griffiths. Within hours, Lizzie Griffiths has disappeared, and DPS officer Sarah Collins sets out to uncover the truth around the grisly deaths, in an investigation which takes her into the dark heart of policing in London. Grounded in the terrifying realities of policing a city where the affluent middle-classes live cheek-by-jowl with the poorest immigrants, this is a complex, intelligent, thrilling crime novel by an author who has walked the beat.
She closed her eyes and saw, as if on a loop, a repeating backdrop of square windows, blue sky and concrete spinning and passing, passing, passing. She could not escape the horror of it: falling unstoppably, irretrievably until the hard concrete reaches up. That last glimpse of them at the edge. A long-serving beat cop in the Met and a teenage girl fall to their deaths from a tower block in London's East End. Left alive on the roof are a five year old boy and rookie police officer Lizzie Griffiths. Within hours, Lizzie Griffiths has disappeared, and DPS officer Sarah Collins sets out to uncover the truth around the grisly deaths, in an investigation which takes her into the dark heart of policing in London.
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