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James Meek was born in London in 1962 and grew up in Dundee. We Are Now Beginning Our Descent is his fourth novel. His previous book, The People's Act of Love (2005), won the Royal Society of Literature Ondaatje Prize, the SAC Book of the Year Award, was longlisted for the Man Booker Prize and has been translated into more than twenty languages.
He has published two collections of short stories, Last Orders and The Museum Of Doubt, and contributed to the acclaimed Rebel Inc anthologies The Children Of Albion Rovers and The Rovers Return.
He has worked as a journalist since 1985, and his reporting from Iraq and about Guantanamo Bay won a number of British and international awards. In the autumn of 2001 he reported for the Guardian from Afghanistan on the war against the Taliban and the liberation of Kabul.
Photograph © Jo Kane
Winner of the Scottish Arts Council Book of the Year 2006.This review is provided by bookgroup.info.This is a story painted on a wide canvas. Set in the aftermath of the Russian Revolution in remote Sibera, a story of love, destruction and evil unfolds. Not for the faint hearted, this novel will take you on a journey so long and vast, it evokes an earlier epoch in storytelling. This is a story of such size and extremes. Where to start in trying to give a sense of it? There is a fantastic sense of time and place, a clash between groups, characters, ideologies and ultimately between good and evil. Man struggles to make sense of the world, to gain happiness, particularly so in this land of extremes. There is true wickedness and a powerful force of destruction, in a meticulously drawn plot, richly peopled with a multitude of characters. This is a satisfying chunk of Russian history that it is a real pleasure to discover. It is the aftermath of the 1917 Russian Revolution, in the tiny village of Yazyk, in a frozen and forgotten corner of Siberia, the remote cousin of the vast sprawl of Russia. Siberia is wonderfully drawn as an unkempt, slothful and derelict land, incapable of feeding its people and reluctantly feeling the aftershocks of Revolution. This is a fitting backdrop for acts extreme brutality and cruelty, for the multiple horrors and repeat tableaux of desperation and decay. Here nothing matters and no one cares. Into this festering landscape Meek has positioned key groups - a garrison of Czech soldiers that has been forgotten and left behind, an isolated Christian sect, whose members are committed to becoming angels and the Red Army. Out of this muddle emerge important characters who carry the narrative - the insane Czech commander Mutula, his nemesis Mutz, the Christian leader Balashov and local widow Anna Petrovna. Their static world is shattered by the arrival of Samarin, who does not so much represent the destroyer as destruction itself. Samarin is elusive and mercurial, almost a shadow and he comes to represent many things. His mission slowly unfolds – the people’s act of love to its future self, and through Samarin, the world will be dragged towards the future. The groups are driven by ideologies, sometimes conflicting, although the Czechs are ground down by 5 years of campaigning and just want to go home. The Christians make a small-scale bid for salvation by abandoning the ‘keys to Hell’ and Samarin is an agent of change whose ideology, ‘the Idea’ will ultimately wreak catastrophic, violent change. When I finished reading it I felt almost shell-shocked. A friend commented that it made her feel like she had been an inhabitant of another land for the duration. It is a mesmerizing book, captivating because it works on so many levels. There are descriptions so powerful, so ridiculously visual that I felt like I must have seen the painting – or watched the film. The language is beautiful – a friend commented that it reads like a translation of a Russian novel. Meek was a Guardian correspondent in Moscow, living there for 10 years. His unobtrusive research, natural sense of the idiom of speech and overall feel for the place can only be born out of the real experience of living there. Apart from that, I have no idea how Meek has managed to get inside the soul of a place quite so effectively. Writers, read this book and weep!
May 2009 Book of the Month. Adam Kellas is a war reporter pursuing the woman he has fallen in love with and been separated from. Moving over time and continents this is a beautifully written and yet gritty story of love, loss and war and politics. Quite unputdownable.
We are very sorry but we have yet to review this book ourselves. However, as it has been selected for the Man Booker 2005 long list, we wanted to give you the opportunity to download an extract and let you make up your own mind. Please watch this space for our view of this potential prize winner.
A BOOK OF THE YEAR IN THE TIMES, GUARDIAN, SUNDAY TIMES and SPECTATOR Three journeys. One road. England, 1348. A gentlewoman flees an odious arranged marriage, a Scots proctor sets out for Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. Coming in their direction from across the Channel is the Black Death, the plague that will wipe out half of the population of Northern Europe. As the journey unfolds, overshadowed by the archers' past misdeeds and clerical warnings of the imminent end of the world, the wayfarers must confront the nature of their loves and desires. A tremendous feat of language and empathy, it summons a medieval world that is at once uncannily plausible, utterly alien and eerily reflective of our own. James Meek's extraordinary To Calais, In Ordinary Time is a novel about love, class, faith, loss, gender and desire - set against one of the biggest cataclysms of human history.
A BOOK OF THE YEAR IN THE TIMES, GUARDIAN, SUNDAY TIMES and SPECTATOR Three journeys. One road. England, 1348. A gentlewoman flees an odious arranged marriage, a Scots proctor sets out for Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. Coming in their direction from across the Channel is the Black Death, the plague that will wipe out half of the population of Northern Europe. As the journey unfolds, overshadowed by the archers' past misdeeds and clerical warnings of the imminent end of the world, the wayfarers must confront the nature of their loves and desires. A tremendous feat of language and empathy, it summons a medieval world that is at once uncannily plausible, utterly alien and eerily reflective of our own. James Meek's extraordinary To Calais, In Ordinary Time is a novel about love, class, faith, loss, gender and desire - set against one of the biggest cataclysms of human history.
1919, Siberia. Deep in the unforgiving landscape a town lies under military rule, awaiting the remorseless assault of Bolsheviks along the Trans-Siberian railway. One night a stranger, Samarin, appears from the woods with a tale of escape from an Arctic prison, insisting a cannibal is on his trail. Only Anna, a beautiful young widow, trusts his story. When a local shaman is found dead, suspicion and terror engulf the isolated community, which harbours a secret of its own . . .
Since Britain's 2016 referendum on EU membership, the nation has been profoundly split: one side fantasizing that the referendum will never be acted upon, the other entrenched in questionable assumptions about reclaimed sovereignty and independence. Underlying the cleavage are primal myths, deeper histories, and political folk-legends. James Meek,`the George Orwell of our times', goes in search of the stories and consequences arising out of a nation's alienation from itself. In Dreams of Leaving and Remaining, Meek meets farmers and fishermen intent on exiting the EU despite the loss of protections they will incur. He reports on a Cadbury's factory shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an aging population. Dreams of Leaving and Remaining is urgent reporting from one of Britain's finest journalists. James Meek asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind.There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation.
In a little over a generation the bones and sinews of the British economy - rail, energy, water, postal services, municipal housing - have been sold to remote, unaccountable private owners. In a series of brilliant portraits James Meek shows how Britain's common wealth became private, and the impact it has had on us all. In a series of panoramic accounts, Meek explores the human stories behind the incremental privatization of the nation over the last three decades. As our national assets are being sold, the new buyers reap the rewards, and the ordinary consumer is left to pay the ever-rising bill. Urgent, powerfully written and deeply moving, Private Island is a passionate anatomy of the state of the nation for readers of Chavs and Whoops!
Winner of the Scottish Arts Council Book of the Year 2006.This review is provided by bookgroup.info.This is a story painted on a wide canvas. Set in the aftermath of the Russian Revolution in remote Sibera, a story of love, destruction and evil unfolds. Not for the faint hearted, this novel will take you on a journey so long and vast, it evokes an earlier epoch in storytelling. This is a story of such size and extremes. Where to start in trying to give a sense of it? There is a fantastic sense of time and place, a clash between groups, characters, ideologies and ultimately between good and evil. Man struggles to make sense of the world, to gain happiness, particularly so in this land of extremes. There is true wickedness and a powerful force of destruction, in a meticulously drawn plot, richly peopled with a multitude of characters. This is a satisfying chunk of Russian history that it is a real pleasure to discover. It is the aftermath of the 1917 Russian Revolution, in the tiny village of Yazyk, in a frozen and forgotten corner of Siberia, the remote cousin of the vast sprawl of Russia. Siberia is wonderfully drawn as an unkempt, slothful and derelict land, incapable of feeding its people and reluctantly feeling the aftershocks of Revolution. This is a fitting backdrop for acts extreme brutality and cruelty, for the multiple horrors and repeat tableaux of desperation and decay. Here nothing matters and no one cares. Into this festering landscape Meek has positioned key groups - a garrison of Czech soldiers that has been forgotten and left behind, an isolated Christian sect, whose members are committed to becoming angels and the Red Army. Out of this muddle emerge important characters who carry the narrative - the insane Czech commander Mutula, his nemesis Mutz, the Christian leader Balashov and local widow Anna Petrovna. Their static world is shattered by the arrival of Samarin, who does not so much represent the destroyer as destruction itself. Samarin is elusive and mercurial, almost a shadow and he comes to represent many things. His mission slowly unfolds – the people’s act of love to its future self, and through Samarin, the world will be dragged towards the future. The groups are driven by ideologies, sometimes conflicting, although the Czechs are ground down by 5 years of campaigning and just want to go home. The Christians make a small-scale bid for salvation by abandoning the ‘keys to Hell’ and Samarin is an agent of change whose ideology, ‘the Idea’ will ultimately wreak catastrophic, violent change. When I finished reading it I felt almost shell-shocked. A friend commented that it made her feel like she had been an inhabitant of another land for the duration. It is a mesmerizing book, captivating because it works on so many levels. There are descriptions so powerful, so ridiculously visual that I felt like I must have seen the painting – or watched the film. The language is beautiful – a friend commented that it reads like a translation of a Russian novel. Meek was a Guardian correspondent in Moscow, living there for 10 years. His unobtrusive research, natural sense of the idiom of speech and overall feel for the place can only be born out of the real experience of living there. Apart from that, I have no idea how Meek has managed to get inside the soul of a place quite so effectively. Writers, read this book and weep!
EVERY ACTION HAS A CONSEQUENCE Bec Shepherd is a scientist struggling to lead a good life Ritchie, her brother, is a TV star with skeletons in his closet Alex wants a family if he could only meet the right woman . . . One man has the information to destroy them all
May 2009 Book of the Month. Adam Kellas is a war reporter pursuing the woman he has fallen in love with and been separated from. Moving over time and continents this is a beautifully written and yet gritty story of love, loss and war and politics. Quite unputdownable.
Sounds like easy money: collecting an antique for a rich stranger. Alan Allen, freshly unemployed, short of cash, and caught up in a bizarre case of mistaken identity, is about to find out otherwise. But not before being swept on a European wild-goose chase in this refreshing, surreal and gloriously funny novel.
The Museum of Doubt is a new collection of surreal and unnerving short stories from award-winning writer James Meek. The array of characters who populate Meek's vague and elusive worlds are driven by paranoia and doubts, as well as hopes and fears of things only half-glimpsed.
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