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Sarah Crossan has lived in Dublin, London and New York, and now lives in Hertfordshire. She graduated with a degree in Philosophy and Literature before training as an English and drama teacher at the University of Cambridge. The Weight of Water and Apple and Rain were both shortlisted for the CILIP Carnegie Medal. In 2016, Sarah won the CILIP Carnegie Medal as well as the YA Book Prize, the CBI Book of the Year award and the CLiPPA Poetry Award for her novel, One.
Sarah is the go-to writer of the free verse novel in the UK and Ireland, and is the current Laureate na nÓg (Ireland’s Children’s Literature Laureate). Her theme as Laureate is #WeAreThePoets, a two-year project inspiring young people to express themselves through poetry and verse.
Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
A book to break your heart, quicken your blood and stir your soul by one of the most outstandingly distinctive writers to have emerged in a long, long time. New Yorker Joe Moon was only seven when he took the call in which his big brother Ed told him he'd been arrested because “they think I done something real bad”. That “something” led to Ed winding up on death row, convicted of murdering a cop, though he insists he’s innocent. Ten years later, now Ed’s execution date has been set, Joe travels to Texas to say goodbye. The sublimely-formed structure slips between present and past, recounting the brothers’ troubled upbringing - how their Mom took off; how Aunt Karen took control and decided that Bible study and never mentioning Ed again was the only route to their salvation. While she insists that there’s no point wasting life or money helping someone who wasn’t sorry, Joe sees things differently. “He's my brother,” and that’s really all that matters. He has to see him. Lawyer Al, who’s taken on Ed’s case for free, offers some hope, but time is running out. “It's better to be guilty and rich, I reckon,” Joe remarks, as he experiences the excruciating injustices of a legal system in which the harshness of a sentence depends on where a crime takes place, who the victim was, and who you can afford to pay to represent you (crucially, Ed had no representation when he was first arrested). Once again, Crossan's free verse form is breathtakingly powerful - always the right word, in the right place, at the right time. Yes, this is harrowing and heartbreaking, but the kindness of the strangers Joe meets in Texas is achingly uplifting, as is the deep bond of love between Joe and Ed. This really is a magnificent feat of writing.
Shortlisted for the YA Book Prize 2018 | Shortlisted for the Costa Book Awards 2017, Costa Children's Book Award |In a Nutshell: Death row injustice | Undying brotherly love A book to break your heart, quicken your blood and stir your soul by one of the most outstandingly distinctive writers to have emerged in a long, long time. New Yorker Joe Moon was only seven when he took the call in which his big brother Ed told him he'd been arrested because “they think I done something real bad”. That “something” led to Ed winding up on death row, convicted of murdering a cop, though he insists he’s innocent. Ten years later, now Ed’s execution date has been set, Joe travels to Texas to say goodbye. The sublimely-formed structure slips between present and past, recounting the brothers’ troubled upbringing - how their Mom took off; how Aunt Karen took control and decided that Bible study and never mentioning Ed again was the only route to their salvation. While she insists that there’s no point wasting life or money helping someone who wasn’t sorry, Joe sees things differently. “He's my brother,” and that’s really all that matters. He has to see him. Lawyer Al, who’s taken on Ed’s case for free, offers some hope, but time is running out. “It's better to be guilty and rich, I reckon,” Joe remarks, as he experiences the excruciating injustices of a legal system in which the harshness of a sentence depends on where a crime takes place, who the victim was, and who you can afford to pay to represent you (crucially, Ed had no representation when he was first arrested). Once again, Crossan's free verse form is breathtakingly powerful - always the right word, in the right place, at the right time. Yes, this is harrowing and heartbreaking, but the kindness of the strangers Joe meets in Texas is achingly uplifting, as is the deep bond of love between Joe and Ed. This really is a magnificent feat of writing. ~ Joanne Owen The Costa Judges say: ‘An exceptional, compelling book for our time – its analysis is devastating but its message is hope.’
Shortlisted for the Books Are My Bag Children's Book Award 2016. Winner of the CILIP Carnegie Medal 2016. Winner of The Bookseller's 2016 prize for young adult fiction. Ireland's Children's Book of the Year Award 2016. Award-winning Sarah Crossan tells an astonishing and difficult story with the surest of touches in this tender, funny and life affirming book. Grace and Tippi are twins. Not just twins but conjoined twins, sharing the lower half of their bodies. Somehow they have always managed to be individuals while also part of each other. Now teenagers, Tippi and Grace are facing increasing difficulties. They are off to school for the first time meeting new experiences and especially new friendships and relationships. While Tippi longs for things to remain the same, Grace yearns for something more. Falling in love with classmate Jon she begins to imagine a future full of romance and love. But will there be a future for Grace and Tippi? When a desperate decision needs to be taken the girls lives must change forever. Sarah Crossan tells an original and utterly gripping story brilliantly. One of our Julia Eccleshare's Pick of the Year 2015
Shortlisted for the Books Are My Bag Children's Book Award 2016. September 2015 NewGen Book of the Month. Award-winning Sarah Crossan tells an astonishing and difficult story with the surest of touches in this tender, funny and life affirming book. Grace and Tippi are twins. Not just twins but conjoined twins, sharing the lower half of their bodies. Somehow they have always managed to be individuals while also part of each other. Now teenagers, Tippi and Grace are facing increasing difficulties. They are off to school for the first time meeting new experiences and especially new friendships and relationships. While Tippi longs for things to remain the same, Grace yearns for something more. Falling in love with classmate Jon she begins to imagine a future full of romance and love. But will there be a future for Grace and Tippi? When a desperate decision needs to be taken the girls lives must change forever. Sarah Crossan tells an original and utterly gripping story brilliantly. ~ Julia Eccleshare
Apple is sure that one day her mother will return. And when that happens she is sure that everything in her life will be good again. But when Mum does return, Apple finds that what you wish for may not always be what you really want. With the arrival of mum, Apple’s life is turned upside down. Home, school and most of all, what she really thinks about all those around her, are all thrown into confusion. Can Apple find happiness in a new way of life? Apple’s poems help her to tell this touching story of an unhappy and complicated family life.
Mad Max for the eco-generation - it's a superlative dystopian thriller about courage and freedom, with a love story at its heart. There are 'haves' and 'have nots' - those who can afford oxygen to live and those who can't. But there's a secret resistance which 16 year old Alina is part of and she's determined to fight back the terrifying regime that runs life inside the world of the 'haves' in what's known as the Pod. But to survive she needs the help of a band of rebels who are protecting an enclavee of trees that are keeping them alive....
'Every child needs a Bloomsbury Young Reader. Fun, stretching, just the right length, full of adventurous vocabulary and punctuation.' (Julie-Ann McCulloch, Teacher) Fizzy wants a dog. Not just any dog though - a golden dog with a black nose and very curly hair. So when a dog called Bandit who looks just like this appears in her neighbour's garden, Fizzy will stop at nothing to keep him - even if it means hiding poor Bandit in the laundry basket... This delightful comedy from Ireland's Children's Laureate Sarah Crossan is perfect for children who are learning to read by themselves and for Key Stage 1. It features illustrations from Nicola Colton and a feisty heroine children will love. Bloomsbury Young Readers are the perfect way to get children reading, with book-banded stories by brilliant authors like Julia Donaldson. They are packed with gorgeous colour illustrations and include inside cover notes to help adults reading with children, as well as ideas for activities related to the stories.
Now available in a gorgeous new package, Sarah Crossan's exquisite debut novel explores first love, friendship and quiet courage. It will leave you sad, happy and wanting more. Sometimes I want to tear off my clothes And show them I'm the same Underneath - Maybe better. Life is lonely for Kasienka. She misses her old home in Poland, her mother's heart is breaking, and at her new English school friends are scarce. But when someone new swims into her life, Kasienka learns that there is more than one way to stay afloat. This stunning novel from multi-award-winning author Sarah Crossan explores how to pick up the pieces when everything you know is turned on its head and you have to start all over again.
Now available in a gorgeous new package, this exquisite novel explores the bond between daughters and mothers, forgiveness, and the healing power of words. All the time Mum was away, Eleven long years, I saved up my hopes Like little pennies in a jar. Apple's mother disappeared years ago, leaving Apple with her nana and a lot of unanswered questions. But when she unexpectedly explodes back into Apple's life like a comet, homecoming is bittersweet. It's only when Apple meets someone more lost than she is that she begins to see things as they really are. This beautiful novel from multi-award-winning author Sarah Crossan explores family, friendship and reconciliation. It is a story about how messy, complicated and surprising love can be.
In a nutshell: unputdownable story, beautifully told | Sarah Crossan and Brian Conaghan are two of our most garlanded YA authors: she won the 2016 Carnegie Medal, the UK’s top children’s book award; he has just been awarded the 2016 Costa Children’s Book Award. In this fine and extremely moving novel, they share the writing honours. The narrative is split between two young protagonists, English Jess, whose lines are written by Crossan, and Nicu, newly arrived from Romania, voiced by Conaghan. The two meet on a programme for young offenders and secretly, necessarily without the knowledge of friends and family, become close. We suspect it’s unlikely things will end well for these star-cross’d lovers but the authors keep us hoping for the happy ending we want for them and to the very last page. Nicu’s narrative in particular lightens the tone, sharp and often funny, his interior monologues disarmingly honest. The authors have chosen to write in blank verse, and it strips setting and emotions to the absolute essence, succinctly creating the dull North London streets, and distilling the characters’ experiences and emotions into spare, shining lines. Highly recommended. ~ Andrea Reece
February 2017 NewGen Book of the Month. In a nutshell: unputdownable story, beautifully told | Sarah Crossan and Brian Conaghan are two of our most garlanded YA authors: she won the 2016 Carnegie Medal, the UK’s top children’s book award; he has just been awarded the 2016 Costa Children’s Book Award. In this fine and extremely moving novel, they share the writing honours. The narrative is split between two young protagonists, English Jess, whose lines are written by Crossan, and Nicu, newly arrived from Romania, voiced by Conaghan. The two meet on a programme for young offenders and secretly, necessarily without the knowledge of friends and family, become close. We suspect it’s unlikely things will end well for these star-cross’d lovers but the authors keep us hoping for the happy ending we want for them and to the very last page. Nicu’s narrative in particular lightens the tone, sharp and often funny, his interior monologues disarmingly honest. The authors have chosen to write in blank verse, and it strips setting and emotions to the absolute essence, succinctly creating the dull North London streets, and distilling the characters’ experiences and emotions into spare, shining lines. Highly recommended. ~ Andrea Reece
Nur mit einem Koffer und einem alten Waschesack im Gepack, bricht das polnische Madchen Kasienka mit ihrer Mutter nach England auf. Dort wollen sie den Vater suchen, der die Familie fur ein besseres Leben im Westen verlassen hat. Doch das neue Leben in Coventry gestaltet sich anders als geplant; Kasienka kampft mit Mobbing, mochte eigentlich so schnell wie moglich zuruck in die Heimat und muss doch Abend fur Abend gemeinsam mit ihrer Mutter den untergetauchten Vater suchen. Aber als sie ins Schwimmteam aufgenommen wird, fasst sie neuen Mut. Und dann ist da auch noch William, der nette Junge aus der Siebten ... Sarah Crossan erzhlt ihre moderne Einwanderer-Geschichte in griffiger, gebundener Sprache. Die knstlerische Umschlaggestaltung stammt von dem bekannten Illustrator Oliver Jeffers. In Grobritannien wurde das Buch (Originaltitel: The Weight Of Water) fr die bedeutende Carnegie Medal 2013 nominiert.
Resistance to the Pod Leadership has come apart. The Grove has been destroyed but so has the Pod Minister. Quinn, Bea and Alina separately must embark on a perilous journey across the planet's dead landscape in search of the rumoured resistance base Sequoia. The welcome they receive at Sequoia is not what they expect, and soon they are facing a situation that seems as threatening as that of the Pod inhabitants. Meanwhile the former Pod Minister's son, Ronan, is beginning to have his doubts about the regime but as a member of an elite force he is sent out of the pod to hunt down the Grove's survivors. In a world in which the human race is adapting to survive with little air, the stakes are high. This action-packed sequel to Breathe is every bit as nail-biting and satisfying as its predecessor - visionary storytelling of the highest quality.
First memory. First kiss. First love. First fight. First heartbreak. There's a first time for everything. Discover five first-time authors with sneak peeks of their debut novelsDon't Turn Around by Michelle Gagnon, Breathe by Sarah Crossan, What's Left of Me by Kat Zhang, Through to You by Emily Hainsworth, and Defiance by C. J. Redwine.
Armed with a suitcase and an old laundry bag filled with clothes, Kasienka and her mother head for England. Life is lonely for Kasienka. At home her mother's heart is breaking and at school friends are scarce. But when someone special swims into her life, Kasienka learns that there might be more than one way for her to stay afloat. The Weight of Water is a startlingly original piece of fiction; most simply a brilliant coming of age story, it also tackles the alienation experienced by many young immigrants. Moving, unsentimental and utterly page-turning, we meet and share the experiences of a remarkable girl who shows us how quiet courage prevails.