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A long-established dance writer, Jann Parry was dance critic for The Observer from 1983 to 2004. She has written for publications including The Spectator, The Listener, About the House (Royal Opera House magazine), Dance Now, Dance Magazine (USA), Stage Bill (USA) and Dancing Times. As a writer/producer, she worked for the BBC World Service from 1970 to 1989, covering current affairs and the arts. As well as producing radio programmes, she has contributed to television and radio documentaries about dance and dancers. She is married to Richard Kershaw and lives in London.
Shortlisted for the James Tait Black Memorial Prize for Biography 2010. An authoritative biography of one of the greatest choreographers of ballet. Artistic Director of the Royal Ballet and Berlin Ballet, MacMillan achieved huge success despite the demons that haunted him and finally found happiness in later years, before tragically dying at the age of just 62.
Kenneth MacMillan's ballets are in constant demand by world-famous companies, particularly Romeo and Juliet, Manon and Mayerling. However, MacMillan was tormented by an acute sense of being an outsider, and often at odds with the institutions in which he worked. A real-life Billy Elliot from a Scottish working class family, MacMillan demonstrated a prodigious talent for dancing from an early age. Following the premature death of his mother, the young MacMillan sought an escape, and despite his father's disapproval, secured a place at Sadler's Wells. Paradoxically he found himself crippled by stage-fright during the height of his professional career, leaving him with only one option - choreography. He went on to produce ballets which defied convention and became renowned for challenging audiences. Despite criticism, MacMillan achieved international acclaim, becoming artistic director of both the Berlin Ballet and the Royal Ballet. On a personal level he found unexpected happiness with his wife and daughter in the later stages of his life, making it all the more tragic when he died suddenly at the age of 62. This stunning biography reveals a complex artist who fiercely guarded his own privacy, whilst his ballets communicated his darkest and most intimate thoughts.